It's Bad For Ya, Carlin's Emmy-nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion... Read allIt's Bad For Ya, Carlin's Emmy-nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion, bureaucracy, patriotism, overprotected children and big business to the pungent examinat... Read allIt's Bad For Ya, Carlin's Emmy-nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion, bureaucracy, patriotism, overprotected children and big business to the pungent examinations of modern language and the decrepit state of the American culture. Carlin once again ... Read all
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Going from the topic of death (how long to wait to scratch off a name from the book? six weeks, unless if on the computer scheduler), the facets of communication, looking down from Heaven, spots of God (naturally), kids, and just troublesome gestures involving hats in religion and if people really have "Rights" make up the bulk of the special, centered around the premise that what's bad for you, plain and simple, is BS. Total, complete BS, which as we also learn (or if you've really learned it you're like the kid waiting at the street corner for a week following dropped off not-quite randomly by the parent) holds the country together. Carlin isn't necessarily angry though, even if disdain seems to spout out at most turns, even just to observe how horrifying children's teeth coming in look. It's skepticism tinged with the feeling that everything is NOT going to be "fine".
What it comes down to is this: Carlin is to dirty, witty, cautionary stand-up comedy what Yoda is to Jedis everywhere, which is a small spark of hope via crystal clear wisdom in a world where it's pretty damn hard to get any. At the least, we get classic GC - outrageous lines and bits from the man's 13th (or is it 14th) comedy special, including as far as an eyebrow-raising observation on people who play Mozart music during a birth!
The comeback is partially successful with It's Bad for Ya! This special is the transmutation completed. George is no longer trying to rekindle his glory days. He is in full acceptance of his age, being old and dealing with the looming prospects of death. He has accepted being a crusty old SOB and is relishing in it. This is better than his previous specials, yet far from Jammin' in New York. It is a little tragic. His observations are not cutting edge anymore and seem more Andy Rooney than Lenny Bruce. George isn't George anymore. He is no longer criticizing us but is the man in the high castle pointing out how things were and how dissimilar modern life is.
This is an improvement over the previous two specials, but George does not, as of yet, recoup his old glory (if ever). He has been reduced from critical social and political stinging commentary to mostly personal peeves. When he goes political, he still has something to say. It is heavily derived (especially if you have seen any of his previous work), but it still works somehow, as opposed to his random rantings which lack a certain relevance outside of the baby boom generation. The last 25 minutes is the best this special has to offer.
For now I will worship the Sun and pray to Joe Pesci that George can recreate himself as a cutting edge septuagenarian. It's a 50/50 chance. Life seems to have become more tedious for George and his "art" is now his life. This is a step in the right direction from his previous 2 specials, but is far from his old self. Where does he go from here? He may never recoup but maybe he can further metamorphosing/refine this new ornery old man routine. Heres to hoping for 7 more words you can't say on TV or at least a windmill he can handle.
THIS recording was his last production and contains a large section dedicated to the topic of death and the prospects of life thereafter. Filming of the project occurred shortly after his seventieth birthday, which he was happy to have attained (observed?). I have followed Carlin's career from the days of fuzzy black and white television, and enjoyed his topical record albums.
It is a privilege for ANY Carlin fan to at least see (if not own a copy) of this particular show. He was still fast moving, and with great timing, even at 70! As he would say,,, he is NOT "smiling down from Heaven on you". If he's doing anything at all it's not taking harp lessons; perhaps he's looking up!!!
Did you know
- TriviaGeorge Carlin's 14th and final HBO special.
- GoofsDuring his bit about rights, George mentions that the Bill of Rights has been amended seventeen subsequent times. The Bill of Rights hasn't been amended; those seventeen amendments apply to everything else in the Constitution.
- Quotes
George Carlin: In today's America, no child ever loses. There are no losers anymore. Everyone's a winner. No matter what the game or sport or competition, everybody wins. Everybody wins, everybody gets a trophy, no one is a loser. No child these days ever gets to hear those all-important, character building words: "You lost, Bobby!"
[audience bursts into laughter]
George Carlin: "You lost, you're a loser, Bobby!" They miss out on that. You know what they tell a kid who lost these days? "You were the last winner." A lot of these kids never get to hear the truth about themselves until they're in their twenties. When their boss calls them in and says "Bobby, clean the shit out of your desk and get the fuck out of here, you're a loser," get the fuck out of here.
- ConnectionsFeatured in The 60th Primetime Emmy Awards (2008)
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- George Carlin: The Parade of Useless Bullshit
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- Luther Burbank Center for the Arts - 50 Mark West Springs Road, Santa Rosa, California, USA(known as Wells Fargo Center for the Arts at the time of taping)
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