La nouvelle vie de Monsieur Horten

From PASTO, COLOMBIA-Via: L. A. CA; CALI, COLOMBIA & ORLANDO, FL

FIRST... Let us FOCUS on the Title´s content and context!

And...First order of business: The IMDb Intro Blurb on O'HORTEN: If you haven't read it...DON'T! If you have, forget about it and read my Review! The Blurb just doesn't prepare you for the tone and feel of the movie! The only thing I'll reveal about the "Storyline" occurs only 15 or 20 minutes into the movie, so no harm in that, eh?

ODD (Yes, that's his name!) has never been late nor missed his train in nearly 40 years as an engineer. He seems just a tad anxious about his soon- to-be retirement. His house-of-cards life is about to undergo a seismic shift and collapse. This is foreshadowed just a bit as things begin to spin out of control on the eve of his last scheduled trip at the helm as engineer...which cause him to.....Well.... Better You see what then ensues!!!

It's doubtful many people will agree with me on this, but the ONLY movie O'HORTEN vaguely reminds me of is 1979's BEING THERE. Both have a slightly surreal feel to them, and the lead characters (Remember Peter Sellers as Chauncey Gardiner?) do share a lot of things in common. A chain of serendipitous occurrences lead up to events that early on seemed obvious, but later, fades into the background as something just not meant to be! If an ending has a lot to do with defining a film's genre...Then please, be patient and hold-off on classifying this one until you see the end credits.

BTW, the music is delicate, haunting and provides absolutely perfect accompaniment. The photography is also superb and pleasantly stylized.

8*.....ENJOY! / DISFRUTELA!

This is a film unique and intriguing in its own special way. The apparent lack of emotions of the story indeed tells of so many emotions and speaks so many words unspoken. The interactions of Odd with other eccentric people on his retirement night indeed reflect his inner feelings of eagerness for a new start on one hand and his unpreparedness for loss of his routines on the other. The human interactions in the film are portrayed in such a frank and pure way that the whole film is filled with a subtle warmness despite the snowy streets of Oslo. By breaking away from the "rails" that had rooted him to the ground for so many years and by embarking on a new stage of life, Odd finally has the time to redeem, rediscover, and to reappraise, and to finally live a life without pre-set rails and tracks. A very warm, touching and enchanting piece of work which is at times surreal and at all times unique. It may be short of words sometimes but is never short of a uniquely human touch.

I'm not certain if this is the first Norwegian film I've ever seen but, if it is, it's a wonderful beginning! I found the film to be utterly enchanting: Charming, quirky, eccentric, and delightful! The cinematography is flawless -- every frame was interesting to watch. The score is an absolute joy, fitting the film to perfection, yet never intruding or proclaiming itself.

I was deeply impressed by the natural, highly specific work done by the actors: They performed with great truth and honesty, saying more with a look or a gesture than they did with words.

I must confess to being something of a railroad lover -- so the inclusion of locomotives in the film was an added benefit. There is a strange dialectic between the freedom of travel and the limited mobility of trains that fits the characters and enriches the story.

So if you're the type who enjoys simple, direct, character-driven storytelling, this is the film for you. I look forward to seeing it again, and hope it will be released on DVD in the US soon!

Rhapsodic. Anti-climactic. Deadpan. Superbly lit, shot, and cut. Writer-director-producer Bent Hamer's unique blend of vision and attention to detail makes sure that everything fits in this gem of an art-house movie. It's uneventful and unprecedented at the same time. In the process of telling the story of Odd Horten's retirement, Bent Hamer paints an affectionate portrait of his quiet hero. We never know what's really going on in Odd Horten's mind, but we learn a great deal about him just from watching him go about his daily routine during his final days as an award-winning locomotive driver on the Oslo-Bergen express. Odd is a loving son, an early riser, a drinker of black coffee, a pipe smoker, a boat owner, a late-night sauna-goer. Late one night, on his way home, he meets Trygve, a schizophrenic inventor who likes to drive his Citroen with his eyes closed. What Trygve says of his brother is also true for Odd: He does things in his own way. The segment about Odd's exhausting attempt to pay a visit to his friend Flo, an airport worker, alone is worth the ticket. Great instrumental score by John Erik Kaada. Not for everyone, but if you like it odd, Odd is your man.

What I most liked about "O'Horten" was the quiet likability of all the characters, and from the most staid to the most eccentric, characters they all are. It's almost as if Norwegians come from a different place than the rest of us.

We've seen lots of Swedish films over the decades, but these stoic Norwegians make the Swedes seem positively Mediterranean in comparison! The emotions expressed quietly - very quietly - in the film include love, respect, loyalty, and non-judgmental relationships between strangers. What's more, it's quietly funny! Of course, there is a bigger point, too; i.e., It's never too late.

Baard Owe, perfectly cast as Odd Horten, is wonderfully supported by a cast that includes Espen Skjonberg and Henny Moan. A quiet, captivating film.