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Instants éternels

Original title: Maria Larssons eviga ögonblick
  • 2008
  • Not Rated
  • 2h 11m
IMDb RATING
7.5/10
6.1K
YOUR RATING
Instants éternels (2008)
Sweden, early 1900s. In a time of social change and unrest, war and poverty, a young working class woman, Maria, wins a camera in a lottery. The decision to keep it alters her whole life.
Play trailer2:06
1 Video
31 Photos
DramaHistory

In a time of social change and unrest, war and poverty, a young working class woman, Maria, wins a camera in a lottery. The decision to keep it alters her whole life.In a time of social change and unrest, war and poverty, a young working class woman, Maria, wins a camera in a lottery. The decision to keep it alters her whole life.In a time of social change and unrest, war and poverty, a young working class woman, Maria, wins a camera in a lottery. The decision to keep it alters her whole life.

  • Director
    • Jan Troell
  • Writers
    • Niklas Rådström
    • Jan Troell
    • Agneta Ulfsäter-Troell
  • Stars
    • Maria Heiskanen
    • Mikael Persbrandt
    • Jesper Christensen
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    6.1K
    YOUR RATING
    • Director
      • Jan Troell
    • Writers
      • Niklas Rådström
      • Jan Troell
      • Agneta Ulfsäter-Troell
    • Stars
      • Maria Heiskanen
      • Mikael Persbrandt
      • Jesper Christensen
    • 33User reviews
    • 92Critic reviews
    • 80Metascore
  • See production info at IMDbPro
    • Awards
      • 8 wins & 16 nominations total

    Videos1

    Everlasting Moments
    Trailer 2:06
    Everlasting Moments

    Photos31

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    Top cast78

    Edit
    Maria Heiskanen
    Maria Heiskanen
    • Maria Larsson
    Mikael Persbrandt
    Mikael Persbrandt
    • Sigfrid Larsson
    Jesper Christensen
    Jesper Christensen
    • Sebastian Pedersen
    Callin Öhrvall
    Callin Öhrvall
    • Maja Larsson (age 15-22)
    Nellie Almgren
    • Maja Larsson (age 8-10)
    Birte Heribertson
    • Maja Larsson (narration)
    • (as Birte Heribertsson)
    • …
    Ghita Nørby
    Ghita Nørby
    • Miss Fagerdal
    Amanda Ooms
    Amanda Ooms
    • Matilda
    Emil Jensen
    • Englund
    Claire Wikholm
    Claire Wikholm
    • Grandmother Karna
    Ann Petrén
    Ann Petrén
    • Ida
    Antti Reini
    Antti Reini
    • Finnish Sea Captain
    Annika Lundgren
    • Miss Öst
    Maria Lundqvist
    Maria Lundqvist
    • Miss Petrén
    Hans Henrik Clemensen
    Hans Henrik Clemensen
    • Mr. Fagerdal
    Yohanna Troell
    Yohanna Troell
    • Margareta
    Rune Bergman
    • Maria's Father
    Hans Alfredson
    Hans Alfredson
    • Prison Guard
    • Director
      • Jan Troell
    • Writers
      • Niklas Rådström
      • Jan Troell
      • Agneta Ulfsäter-Troell
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews33

    7.56K
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    Featured reviews

    10Michael Fargo

    Enraptured

    I was reluctant to see Jan Troell's film for fear it might not be worthy of the experience of seeing his "The Emigrants"/"The New Land." Ordinarily, I'd rush to see something by any good director, but those two films were of such distinction, I hesitated.

    Many of the same issues in "The Emigrants"/"The New Land" are here but we have it from the point of view of an artist and this film concentrates less on the art itself than the reason the artist needs to do it. It's a slight shift in focus than we usually get in biographies of artists, but it made this film something that's truer than, say, seeing Ed Harris ape Jackson Pollack dripping paint.

    The rise of the middle class, WWI, labor unions, the demise of feudal monarchy, alcoholism, abortion, disability, codependency, feminism, and most importantly how industrial technology released the poor from dire existence to the opportunity (and leisure) of making art...and why that was important.

    It's an ambitious film that feels as light as a shadow. While there is quite a bit of dialog, there's never any explanation despite extensive voice-over by a daughter of the subject of the film. We're shown why this woman needs to take photographs, and how she's introduced to it and the changes it brings lifts us up to the ecstasy she feels.

    The circumstances of her marriage which is the primary focus of her suffering Troell renders with great sensitivity and understanding. The fact that the abusive husband, Mikael Persbrandt, almost steals the film is a testament to the compassion of the filmmaker.

    But its the central character's actress, Maria Heiskanen, who takes a role that could have been maudlin and infuses it with a ferocious passion that stays in one's memory. No director could have wished for more in this performance.

    Filmed in 16mm then transferred to 35mm, the passion of the main character for making images is clearly the director's own. One (of many) moments is so exquisite and complete: The lead character doesn't understand how photographs are made, and when she's shown with the image of a butterfly projected on her open hand, we're as astonished as she is.

    That image is used again near the end of the film in a way that's masterful. I don't know if this movie is as good as "The Emigrants/New Land," but its worthy of the director who made that monumental work.
    8secondtake

    it's PIFF PUFF POOF, and if life is beautiful, so is this moving film

    Everlasting Moments (2008)

    This is a vivid, unsentimental, yet tender and loving portrayal of a Swedish seaside family in the early 20th Century. The brute is the father of the family, and yet he is fun and sometimes loving. The heroine is the mother, who suffers greatly, but who also can never quite break free of her husband. The children grow up and prosper, modestly, anyway, over the 15 years of the movie. And we come to see that this is pretty much the most common story of a working class family from that period, anywhere.

    And there is a small extra interest, because the mother discovers a camera among the family things, and is persuaded to learn how to use it. The scenes, interspersed over the years, where she takes pictures and develops them in a makeshift darkroom are beautiful, and yet they are not (thankfully) overblown into something momentous and artistically profound.

    My field happens to be the History of Photography, which I teach at a couple colleges here in Albany, and I have to say, they nailed the historical accuracy very well. I can't say for sure about when that camera was made, but it seems about right. More importantly, I can say that the style of the photographs is really typical for a talented, serious, dabbling amateur such as our leading woman. The size, the clarity, her care in holding it (even turning it horizontally for a key photograph), and the procedure in general is quite exactly how I would have advised a moviemaker to go about it. This helps not only people in the know (there aren't so many of us, I realize) but in general an historical validity in the bones of the movie.

    As elegant as the movie is filmed (almost to excess, in a few scenes--the cinematography outclassed by the simple, gorgeous use of light throughout), it comes across as hard and true. The film is beautiful, but life is beautiful. It's not easy, it involves losing some battles, it involves giving up some dignity, but if you stay the course, as these people do in ways most contemporary families would not, there is some other kind of reward.
    8ferguson-6

    Piff, Paff, Puff

    Greetings again from the darkness. The best word I can come up to describe this fine film is humanistic. Everything about director Jan Troell's (The Emigrants) approach is based on the affect or reaction of the individual, very human, characters.

    Maria Heiskanen as Maria Larsson is fascinating ... in the most grounded, heartfelt style I have seen. She reminds of Imelda Staunton in her ability to sell grace and dignity despite all obstacles. This is not a film about some character's ability to make headlines. Rather it is one woman's battle for independence for herself and stability and safety for her seven children.

    We may question why Maria insists on remaining with her violent-when-drunk husband, but she takes her father's counsel to honor her vows very seriously. She battles through much for her family but the true joy in the story comes from her awakening with a Contessa camera, courtesy of Sebastian Pederson (played well by Jesper Christensen). She discovers a god given talent and eye for photography.

    This is a long film, but so realistically presented that it just compels the viewer to join in. Sadly, it won't find much of an audience in the U.S., but it is excellent film-making and a very rewarding journey.
    9johno-21

    I Remember Mama: Swedish style

    I recently saw this at the 2009 Palm Springs International Film Festival and it would be among my favorites of this years festival. Everlasting moments was Sweden's official entry for the 81st Academy Awards and although not nominated it did make the short list of nine and it was nominated for a Golden Globe Award for Best Foreign Language Film. Set in the port city of Malmo in Southern Sweden beginning in the year 1907 it tells the story of Maria Larsson (Maria Heiskanen) and her hard working dock worker husband Sigfrid (Mikael Persbrandt) who is abusive to Maria and battles the bottle and infidelity issues. Maria is a Finnish immigrant married to the Swedish Sigfrid and they have a rocky marriage but Sigfrid is a good provider when sober and they start a large family. Maria once won a camera in a lottery and is considering selling it when the Danish owner of a photography shop, Jesper (Sabastian Pederson) convinces her to use the camera and become an amateur photographer. It begins a long friendship between Jesper and Maria much to the chagrin of Sigfrid. The story is told in narrative by the Larsson's daughter Maja (Callin Ohrvall) as she remembers the hardships of life in early 20th century Sweden and the strengths of her mother that kept the family together. It's kind of reminiscent of the 40's film classic I Remember Mama. A wonderful story based on the remembrances of a real life Maja who lived from 1902 to 1991. From veteran director Jan Troell its a beautiful period piece with wonderful cinematography by Mischa Gaurjusjov and Troell himself. The attention to detail in reproducing the times is amazing from set designer Peter Bauman and costume designer Karen Gram. I would give this a 9.5 out of 10 and recommend it.
    8Red-125

    For better or for worse

    Maria Larssons eviga ögonblick (2008), directed by Jan Troell, is showing in the U.S. with the title "Everlasting Moments." It's an unusual movie, and I enjoyed it, but it's hard to describe or review.

    The film takes place in Sweden, roughly between 1900 and 1920. It's more or less an "I Remember Mama"-type memoir, narrated by the oldest daughter of a married working-class couple--Maria Larsson, played by Maria Heiskanen, and Sigfrid Larsson, played by Mikael Persbrandt.

    Maria Heiskanen is a very attractive actor, but this part calls for her to appear relatively plain, which she manages to accomplish. (Sort of like Betsy Blair appearing as "the dog" in "Marty.") Her husband is a basically decent sort of guy, who was considered a good catch when they married. Unfortunately, he's a mean drunk and, even when sober, he's not always the best of spouses.

    What makes Maria different is that she has won a camera in a lottery, and her ability to take photographs moves the plot forward, insofar as it moves forward at all.

    The film more or less meanders along, with episodes that appear realistic enough, but that don't always seem to be heading in a clear direction from beginning to middle to end. Time moves forward, and people--and the actors who portray them--get older, but the movie doesn't unfold in an "A therefore B, B therefore C" sort of way.

    This is a movie to watch if you don't demand sex or action, if you don't mind a slow pace, and if you don't mind a movie that appears to be shot more in sepia than in true color. I enjoy that kind of film, so I liked "Everlasting Moments." If your tastes don't run along those lines, I'd pass it by.

    Incidentally, we saw the film in a theater, but I think it would work well on a small screen.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Sweden's official submission to the Best Foreign Language Film category of the The 81st Annual Academy Awards (2009).
    • Connections
      Featured in 2009 Golden Globe Awards (2009)
    • Soundtracks
      Snö
      from La légende de Gösta Berling (1924)

      Composed by Matti Bye

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    FAQ18

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    Details

    Edit
    • Release date
      • September 24, 2008 (Sweden)
    • Countries of origin
      • Sweden
      • Denmark
      • Norway
      • Finland
      • Germany
    • Languages
      • Swedish
      • Finnish
    • Also known as
      • Everlasting Moments
    • Filming locations
      • Hamburg, Germany
    • Production companies
      • Final Cut Productions
      • Blind Spot Pictures
      • Danmarks Radio (DR)
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €4,773,906 (estimated)
    • Gross US & Canada
      • $610,825
    • Opening weekend US & Canada
      • $40,443
      • Mar 8, 2009
    • Gross worldwide
      • $3,383,108
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 11m(131 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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