Tant d'amour à donner

New generation and new love story. Temptation of some critics but the message, the sweetness, the moral lessons and the supporting characters are just enough for appreciate the new part of series.

I admitt, I was seduced more by supporting actors performances and by temptation to imagine new version of Michaela Quin. Because the way of Belinda, out of supposition about pre - feminism, reflects the spirit of a so easy idealized United States in its modern age.

Sure, the romance between Belinda and Andrew is forced in some measure but good kick to remind the others of series. And the transformation of girl in young woman is just fair crafted.

So, nice, in real sense, is the good word to define this film.

I know that the Janette Oke books that translate into films get a little heat because they tend to deviate from the books (They Killed Willie!) but they are really good films on their own. It's hard to find anything out there "period piece" wise that is good for the whole family.

This one centers on the whole "traditional" role vs. "progressive" role for females and Belinda must balance her desire to become a doctor vs. the views of her fiancé. Really kind of takes you back to a time when that was a big deal. It opened up a discussion between my young daughter and I when she asked, "Daddy, why don't they want her to be a doctor?" Again, this is another good one from the Oke series and the producers have a good study guide to accompany the film on their website FoxFaith.com.

Give it 9 out of 10 stars.

This is a faith based story. It even gets a bit preachy at times as the characters depend on their faith to face difficult situations.

It is also a story about an intelligent and independent young woman. Sometimes she has a bit of a chip on her shoulder which for a woman at that time was necessary if she was going to break into a man's world. She could also cry because she had compassion for everyone around her.

This story is sappy. Very sappy. It's predictable in a general sense with a nice detail or two to liven it up.

I've watched all the Love's...., Janette Oak based films and enjoyed them all. But..., It drives me crazy to see a supposed 35 year old widow - Missy - with long flowing locks running down her back. If she is like real women from that time, she should have tightly arranged hair - usually a single bun. Why can't American film makers get these things right? The British do it, so I find myself looking at the latter's shows much more often. Also, why do all the leads have to be beautiful or exceptionally handsome! Again, the British frequently have wonderful actors who have interesting looks, but could never be called beautiful or handsome.

In this series, my favorite was the first, Love Comes Softly, and here it seemed that the era was better captured without ridiculously coiffed or dressed actors. In this one, even the Belinda character seems out of the time. I did reluctantly rate this a seven, because I enjoyed the plot and thought the actors were fine, but I would have given it a 2 or 3 if it was being rated for historical accuracy.

7.6 stars.

I think this is the last of the series, but who knows. This one, like the first two, gives me a warm feeling inside. The inspiration is found in this girl who wants to be a doctor. She was in the previous movie of this series when she was adopted by the protagonist. The movie focuses on her and her struggles becoming an independent woman and falling in love at the same time.

Every character in this film is very happy and uplifting, there really aren't any antagonist bad guys, which is strange, because almost always there is a bad guy. The only seemingly bad guy is the doctor at first, but after a while he's cool. The wealthy snooty elderly lady from New York seems to be the other bad guy, but nope, she turns out to be an inspiration as well. Good way to wrap up the series. They could have kept the "Love's" series going, but alas this looks to be the end of an era. I guess I'm about 16 years late on viewing it.