La conspiration

I saw this movie twice with two different friends who wanted to go. I thought it was great the first time and even better the second. The second time I watched from the perspective of believing Mary was guilty and was surprised that I enjoyed it even more that time. Robin Wright and James McAvoy do an amazing job in portraying real, complicated human beings. Kevin Kline seems villainous, but can also be read as a strong man in the grip of emotion and overwhelming responsibility. The cast is riveting, with breathtakingly well-done small and large parts. Couldn't take my eyes off Stephen Root and John Collum during their time on the screen. I enjoyed it and it got me thinking. There's real subtlety here -- art and history brought together.

The Conspiritor uses an event that happened 150 years ago to tell a story which is all too familiar in our time. The backdrop off a shocking, sad event and the following massive public outcry pushes the powers to be to extreme measures, which they stand by because they feel to be forced to do or because they really believe it to be the only right thing.

Robert Redford has been well known for his political views and has displayed them already in the somewhat uneven Lions for Lambs. I like filmmakers who speak out. I can maybe not always agree, but I wholeheartedly admire that in this time of mindless action drivel like Transformers, Drive Angry and The Mechanic there is still hope for without trying to be arrogant: meaningful films. Redford uses the assassination of Lincoln to portray a nation in mourning and sadness. The Civil War was all but over and the policymakers were already planning the next step: the forming of a real Union. The assassination of Lincoln endangered the entire Union. The people wanted revenge and Edwin Stanton (an excellent Kevin Kline) serves it cold. Since her son is nowhere to be found anywhere, he settles for the next thing: his mother Mary Surrat. 'I don't care which one it is, as long as one of them pays the price'. Young Frederick Alken (James McAvoy) has the ungrateful task of defending her.

I don't know much about the Civil War and the period after that, so I can't say how accurate this film is. But what I can say is that it's a masterpiece in creating a period not so distant from our current world. If you replace the assassination of Lincoln with the 9/11-attacks, you have a film that stands firm. It asks relevant questions and holds a mirror right up to our faces. Are seeing clearly? In the sadness and outrage of such a shocking event, do we still see clearly what's going on? Do we still, as a people, have perspective enough to define friend from foe from guilty to innocent? Do our leaders have the capability, strength and courage to make us see or tell us 'no' when we are wrong? Or do policies, political views or elections hold them back and make them just give the public what they want? Mary Surrat, Lincoln, Osama Bin Laden, Afghanistan, Bush, Edward Stanton, Abu Grahib, post Civil War Washington, Guantanomo Bay. History repeats itself over and over again. When will we learn? Guilty or innocent. Is it important? Do we care? I give this film 8 out of 10.

THE CONSPIRATOR may have had difficulty at the box office because of the controversy over the use of military tribunals that rings across the media today. But this film, based on fact but altered somewhat for cinematic purposes, deals with probably the first misuse of a military tribunal - the infamous trial of the assassinators of President Abraham Lincoln by a conspiracy of citizens, most especially the non-military affiliated Mary Surratt. James Solomon wrote the story and co-scripted the screenplay with Gregory Bernstein. The director is Robert Redford who manages to give the entire film the feeling of mid-19th century aura - visually and politically - and suggests there is little difference between the approach and consequences of that time and the current management of 'anti-government' prisoners.

The film opens with some scenes from the Civil War battlefield where we meet the severely wounded soldier Frederick Aiken (James McAvoy) attempting to save the life of his buddy Nicholas Baker (Justin Long). The film then jumps to the end of the war when the Confederate generals have surrendered to the Union generals and parties are underway. Aiken and Baker have survived and Aiken has decided to pursue law. The President is assassinated by John Wilkes Booth and in the aftermath Booth is killed but it is discovered that there was a plot to kill Lincoln as well vice president Andrew Johnson (Dennis Clark) and secretary of state (Kevin Kline). The response of the nation is terror and the suspects of the conspiracy are arrested and set for trial. The conspirators had been meeting in the boarding house of Mary Surratt (Robin Wright) so the military decides she must also be a conspirator and tried with the others 'to put this madness to an end.' The men in charge of the tribunal include Joseph Holt (Danny Huston) and David Hunter (Colm Meaney). There is one lawyer, Reverdy Johnson (Tom Wilkinson) who feels that the tribunal is not an acceptable manner in which to try a citizen and assigns the fresh new lawyer Frederick Aiken to defend Mary Surratt. At first Aiken hates his role but as time passes and he gets to know Mary Surratt he is convinced of her innocence and implores Mary (and Mary's daughter Anna - Evan Rachel Wood) to reveal the location of the true problem in their family - Mary's son John (Johnny Simmons). The story features the change of approach of Aiken and the abuse of justice at the trial and the film ends with some very poignant lessons not only about our history but also about our present.

The pacing of the film is slow at times, but the cinematography by Newton Thomas Sigel and the musical score my Mark Isham keep the film involving. James McAvoy offers a sterling performance and the rest of the cast is impressive. THE CONSPIRATOR is a healthy dip into our nation's past and makes us more alert to our nation's present.

Grady Harp

Saw the film today, I was very impressed. Yes somethings looked wrong (mostly uniform items) but on the whole a job well done. Great film locations and acting. James MacAvoy follows his outstanding performance in Last King of Scotland with a tour de force. Robin Wright plays her role just right. Kevin Kline's performance might be my favorite of his ever. Outstanding period feel with great on site shooting at homes in Savannah, GA. Got the impression that at least the film company made a serious effort to get the look right. The Q and A after the screen I attended really highlighted the efforts they put into the film to get it right. Noted historian James McPherson was a consultant strongly recommended film when it comes out on April 15th.

I was reluctant to see "The Conspirator" because it has racked up a critical consensus of a kind I dislike: the film is said to be cold-hearted, and to make political points with a heavy hand. Neither of these, happily, turns out to be true. The film is utterly impassioned, and its interest for today is nicely noted without being too underlined. Nearly every element one wants in a great film is there: visual beauty, strong acting, fine pacing, stirring and well-made music. But there is a flaw. The creators have taken their creation too seriously. There's not a shaft of levity or humor anywhere. A requirement for great art is thereby missed. It doesn't matter how somber the subject is supposed to be. King Lear has his fool; even Wagner's ultra-dark Ring cycle has its powerful currents of humor. It's got to be there; otherwise, the whole organism suffers. I think this is the weakness to which reviewers have responded, even if none of them has precisely named it. On that ground, the film falls short of greatness; but in every other respect it approaches or achieves greatness. "The Conspirator" is hugely recommendable and I will certainly see it again.