Anwar

There is only one word in this world that can aptly describe this movie, "Beautiful". It blends contemporary social issues with an artistic flavor that is rarely seen in Indian cinema. The cinematography is amazing. The film tries to explain the metaphor of love. Love in various forms, which ranges from platonic love to lust. The social issues dealt here however lack maturity but when dealing with metamorphical things, that's where the film comes into its own. Just watch the scenes where Anwar symbolizes Mehru with Meera and himself with Krishna, beautiful, just beautiful. Acting is quite fine by everyone, especially Pankaj Jha who played the minister's right hand. However the real scene stealer is VIJAY RAZ who makes you to sit and look in awe as he performs like anything. Even regular theatre actors would find it hard to swallow when the guy comes into his own. The last scene where he shouts from the rooftop, "Bhikhari nahi hoon main, kalakaar hoon kalakaar", is fantastic. This film should be shown to all wannabe directors. Over all a must watch for every Cinema lover.

I rejoiced for Manish Jha's bravado and intelligent approach to movie making and stepping away from Bollywood style tripe. Vijay Raaz's acting as the eternally sad Master Pasha was incredible-kudos-I admire your work and its authenticity and glad you haven't sold out to Bollywood. The scenes and allegories were beautifully and tastefully shot, the imagery unforgettable. Great camera work and I love the minimalist yet to the point approach- good editing. I was a little lost on Gopinath's role and confused by his end (I've always been a fan of Rajpal Yadav's acting) . Siddharth Koirala was very expressive, beautiful eyes (looks like the great malayalee actor mohanlal)he could be more emotive but performed rather well in his over obsessed with Mehru role. Thank you to all the cast and Manish Jha for producing such a profoundly intense story on the screen. I'm happy to see such intelligent work and gives me hope that not all Indian actors and directors are slaves to the Bollywood industry tripe that flows out in copious amounts. The music was incredible especially the theme song or at least Moula mere-Thank you! and congratulations on this nearly impeccable work.

The movie starts with a lot of promise, but it fails to live up to the start. The excellent cinematography is spoiled by some loose performances and poor storyline. It seems that a 'short story' has been elongated too far. The movie still manages to remain with the viewer, even after a long time of watching it. The scenes in slow motion of the peacock feather, the blood in water, the blue earrings, the chase by Krishna are exquisite and haunting. The background music and the songs are also quite nice. What troubles the most is the poor performance of actors like Rajpal Yadav and Pankaj Jha not actually making an impact. Manisha Koirala too does a dumb Barkha Dutt parody. Manish Jha leaves a lot to be desired but also brings the hope of a different powerful 'statement oriented' cinema. I really wish if he could look at the other side of India and Indians for his next movie. (Reviewed on 14 February 2007)

You watch a movie like Anwar and immediately you think to yourself: 'These are the sorts of movies India should be submitting to the Baftas and the Oscars', and Manish Jha delivers this incredible story note-perfectly. Anwar is, at heart, a love story and unfolds to reveal its subject in its broadest sense: (love of one's career, love - or lack of love - for one's country etc.) and also captures the true spectrum of love: the blissful awakenings, the pleasure, the joy and the rejections, refusals and slow breaking of hearts. Stunning visuals combine with a cast of characters so brilliantly conceived one could almost find them in the pages of a novel by Vikram Seth and along with deft performances, editing and dialogue, present one of the finest films to come out of Hindi cinema. Anwar (the film) is thought-provoking, questioning, unhappy, longing, haunting and fundamentally achieves what we need cinema (from time to time, at least) to be: the sort of medium that shakes us from our slumber with explosions and loud shouts, demanding us to listen, to have our ideas and beliefs challenged and queried. I can't recommend it highly enough.

This is my first movie review at IMDb. One of my friend suggested me to watch the movie. It was worth.

The story is really good one dealing with romance, reality and the absurd in it. All the characters are in love, or at least have some problems with love affairs and punished duly.

Anwar himself is punished severely since he looses his beloved, his friend and himself, life has at least no meaning to him except his love "mehru" who betrays him for real dreams while Anwar till the last moment lives in the world of his illusions.

The beggar, theatre artist Master Pasha, after loosing his Meera, awaits for another love break, Dipa who actually considers only as a beggar. The world has no time to pay for the emotions, all it want to buy is the product, what master pasha can do. Master Pasha stops begging and making designs temples for Meera/Dipa and went to perform hi final stage show.

All other characters in their own way or other are all facing the same thing.

The story can not be categorized as tragic one since it gives you a thought of considering not only your love for others, but also in the contradicting way.

I salute the story writer and the actor in the central roles. I rated 8.0 since it could have been better in other departments.