Instinct de survie

The New Daughter is an odd one, a creepy Kevin Costner vehicle that almost seems like an M. Night Shyamalan idea that didn't quite take flight from the drawing board. Nevertheless it's a good enough time at the movies, and there's genuinely skin crawling moments too. Costner, in solemn mode, plays a father who relocates to South Carolina with his kids. As if an obligatory adjustment period isn't bad enough, soon his teenage daughter (Pan's Labyrinth's Ivana Baquero, skillful but an odd choice to play all American white boy Kevin's daughter) starts acting strange, and I mean Stranger than your usual garden variety brand of pubescent restlessness. There's something out there in those rural woods, something that's drawing the girl's attention and slowly start possessing her. Father Costner is creeped out and desperate, seeking help from anyone he can, including a professor of far flung urban legend mythology (Noah Taylor), the creepy previous owner of his new home (screen legend James Gammon in his last living film role) and his kid's foxy local schoolteacher (Samantha Mathis). It's a spooky enough little flick, albeit cobbled together from several other better movies. There's creature effects later on that score some points, and atmospheric cinematography, but ultimately it's average, middle ground material.

As this movie opens, it seems to be literally riddled with clichés. A recent divorced father (Kevin Costner) decides to move with his two children into a creepy old house in the country, where they find what appears to be an old Indian burial ground. That really didn't seem to require much thought, did it. I was disappointed; somehow I was expecting something just a little more imaginative; a bit more out of the ordinary. I do have to give credit to the writers , though. After that extremely cliché opening, they manage to introduce a pretty well crafted story that rises above those clichés and that creates some suspense in the viewer.

Costner was the movie's greatest strength. He brought a well known presence to this movie and he played the part of the increasingly confused and concerned father quite well. Happily (from my point of view) the movie avoided going for yet another cliché - although there was the opportunity, there was no romance introduced for Costner. For the most part, the focus of the story remained pretty much on his strained relationship with his daughter and his increasing concern for her well being. The kids in this movie (Ivana Baquero and Gattlin Griffith) weren't amazing, but they also didn't detract from the story the way some child actors can. They were believable enough.

Director Luiso Berdejo (who has very little experience as a director) did a decent job using the setting to good advantage, and he created a realistic atmosphere of suspense, slowly rising to fear. There were a couple of things I found awkward in the movie. The introduction of the university professor and his TA, for example. They served little purpose except to give an explanation of what might have been happening with the burial mound. Perhaps there could have been a better way of unravelling the mystery than the introduction of a couple of otherwise unimportant and unnecessary characters. Also, although I fully understand the use of the analogy, the ant farm really wasn't required. I would have understood the movie even without it, and somehow it cheapened this a bit; it's the sort of plot device you expect to see in a made for TV movie.

This isn't bad. It's not one of the great horror movies of all time, but it isn't bad. (6/10)

Not really sure why this falls in the horror category, thriller yes, but wasn't really anything scary as much as unsettling and I think that is were this movie hit the nail on the head.

As someone else mentioned this movie does give off the hint of signs, but with a twist, something that hits a little closer to home, and doesn't seem as far fetched as aliens.

As someone else mentioned that this movie is absolutely terrible, and i can't help but disagree, the movie kept me wondering the entire length and even once it was over. My eyes stayed glued, i never felt like i was bored or wondering when it would get to the "good stuff" It did seems to start off slow, and then ran really fast in the last 20 minutes, but i don't feel that was such a bad thing, as with thrillers its all in the build up anyways.

I don't ever consider thrillers to be a DVD purchase, as once you've seen it it has no replay value, but its definitely worth a hit on the netflix que.

After reading that this movie was being made I thought the worst....how many times have we seen an "A" list star lower themselves to the level of cheap, made for TV quality horror films which just seem to spend all of their budget paying for said star power & not actually being able to spring for some quality script or effects...well; let me introduce you to "The New Daughter".

Firstly I would say that the money spent on getting a top quality actor such as Kevin Costner was well spent...he grounded this movie with his laconic, home town American drawl & really pulled me into the emotional heart of this film. The class of Costner's performance was exhibited no more finely than in the scenes where he was desperately searching for answers to his fears...his acting critics, who have in the past accused him of being "wooden" (& much worse) should see this film & re-evaluate their opinions of this fine actor.

The children were also good & it was wonderful to see the great James Gammon in a quirky & pivotal supporting role.

Usually in this kind of film, the "bad guy" (for want of a better term) tends to end up some lame, crappy alien or a figment of the characters imagination & the ending lets down a strong set up & middle section. In "The New daughter" however, the screenplay is strong & quality right up to the very final few seconds which had me sitting back in my chair saying out loud..."NO WAY!"

I think Costner fans will rejoice at seeing this timeless American performer once again showing us the kind of less is better charisma the likes of which we haven't seen since the halcyon days of Steve McQueen & Paul Newman & the Costner detractors should swallow their pride & give him a chance...he may just surprise you.

7 out of 10.

In todays, "no imagination, every bit of story must be spelled out on screen in action and with explosions" it is often to appreciate movies that make you think, draw conclusions, actually use you imagination and remember the source.

This movie is true to the short story it is based on with a good cinematic backdrop where the actors act, and everything isn't carried out on a blue/green screen. Costner's portrayal was very true to the actual character which, isn't that the point of having characters and using actors that can act.

In a genre that is quickly becoming based only on graphic, grotesque, shocking blood and gore sequences and predictable horror and grisly effects, this thriller is actually attractive for all the right reasons and should be enjoyed highly by those that appreciate true horror/thriller films as opposed to the blood soaked hacker/slasher movies that are being pumped out monthly.