When his college dreams are sidelined by family obligations, a young man finds comfort in surfing with his best friend's brother.When his college dreams are sidelined by family obligations, a young man finds comfort in surfing with his best friend's brother.When his college dreams are sidelined by family obligations, a young man finds comfort in surfing with his best friend's brother.
- Awards
- 11 wins total
Alejandro Patiño
- Moe
- (as Alejandro Patino)
Christina Blevins
- Partier
- (uncredited)
Dominic Figlio
- Surfer
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10jvframe
I'm previewing a disc version for the Brisbane Queer Film Festival where Shelter screens on Saturday 24th May 2008. Even in this low res screener, Shelter shines as a film with huge heart, and one that's been made with equal care by the actors and all of the film-makers.
It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". Surfing is simply a fact of life element in "Shelter" - it's not used or abused as a device.
"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.
We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writers and director of Shelter have done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.
"Shelter" deserves every accolade that any individual or Festival might care to bestow.
Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?
It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". Surfing is simply a fact of life element in "Shelter" - it's not used or abused as a device.
"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.
We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writers and director of Shelter have done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.
"Shelter" deserves every accolade that any individual or Festival might care to bestow.
Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?
I only recently found out about this movie and I'm so glad I did! The movie is so amazing and inspiring to watch. It is a great film and I would urge people to watch it if they have no already. However, if you like huge box office smashers with plenty of action, this movie is not for you. It's so true to real life and has the ability to inspire others. The storyline is very simple yet so interesting and moving. It's a simple movie with a beautiful meaning behind it and I'm so happy I got to see it. It is now definitely one of my best movies and I wish more people would make movies like this, instead of all the non meaningful rubbish thats out there today. I really do recommend people to watch it, especially if you are thinking about it, it is worth it and you will hopefully enjoy it as much as I did!
When I first watched this film, I was unprepared for and deeply moved by the honest and touching screenplay by director Jonah Markowitz and the superb quality of acting by a fine cast. Trevor Wright can be proud of his convincing and moving portrayal of a young man at a point in his life at which he is confused about and questioning his sexual orientation. Trevor Wright develops his character, Zach, in a completely natural and unforced manner. His control of his body language and facial expression -- particularly his eyes -- has to be seen to be believed in an actor of his age. His dialog flows naturally, giving one the impression that it is all being said for the first time. This last is true of the entire cast attesting to the knowing guidance of their director.
Also brilliant are the performances by Brad Rowe, Tina Holmes, Ross Thomas, Katie Walder and Jackson Wurth. Repeated viewing of the film makes even more clear the depth of characterizations by this very able cast. Most impressive is the emotion expressed by eye contact achieved between Trevor Wright and Brad Rowe -- something very uncommon and unforgettable in a film of this kind.
My only criticism is that a few scenes seem a little rushed. Another 8 to 10 minutes wouldn't have hurt this fine film. One example is the night scene in Zach's (Trevor Wright) backyard, beautifully shot incidentally, with the lights of the Vincent Thomas bridge in the background. A little more time could have been given to Zach's indecision to go to Shaun (Brad Rowe) and allow the scene to flow more naturally; a closeup of Zach's looking out at the bridge and then a shot of the bridge that will take him to Shaun might have been nice.
It is regrettable that this fine movie has not been given wide theatrical distribution.
Also brilliant are the performances by Brad Rowe, Tina Holmes, Ross Thomas, Katie Walder and Jackson Wurth. Repeated viewing of the film makes even more clear the depth of characterizations by this very able cast. Most impressive is the emotion expressed by eye contact achieved between Trevor Wright and Brad Rowe -- something very uncommon and unforgettable in a film of this kind.
My only criticism is that a few scenes seem a little rushed. Another 8 to 10 minutes wouldn't have hurt this fine film. One example is the night scene in Zach's (Trevor Wright) backyard, beautifully shot incidentally, with the lights of the Vincent Thomas bridge in the background. A little more time could have been given to Zach's indecision to go to Shaun (Brad Rowe) and allow the scene to flow more naturally; a closeup of Zach's looking out at the bridge and then a shot of the bridge that will take him to Shaun might have been nice.
It is regrettable that this fine movie has not been given wide theatrical distribution.
I attended the Outfest screening for this film last night and was mightily and pleasantly surprised. I'd read the descriptive blurb in the Outfest program and thought "Yeah, whatever...a surfer film." But it was at the John Ford Amphitheatre, my favorite festival venue, which, frankly, was my main reason to go last night. Within the first ten minutes, the venue was quite secondary. I was easily drawn into the story and found myself deeply moved soon in. Having grown up in small town America, the story held a profound resonance for me. Yet, even if that is not your particular experience, this film defies you not to be moved. If you are looking for imperfection here, you will find it. If you allow yourself to be engaged in the story, you won't be disappointed. This one will be with me for a while.
This film is inspiring and the acting is superb. Trevor Wright does an amazing job in making us believe he is struggling to be everything to his family while dealing with his sexuality. Brad Rowe is also incredible. Casting him with Trevor was perfect. They are a true couple in this story. Jonah will go far in his career if he continues to make outstanding films like this one! Nice job to here! Networks for producing such quality work. I would like to know how Jonah came up with the idea for Shelter? As the film gets distributed in theaters, I also hope it makes it to GLBT youth programs so that young audiences can see this film, and be proud of who they are.
Did you know
- TriviaThe film's director Jonah Markowitz voiced the Cal Arts employee who contacted Zack on his cell phone.
- GoofsWere they using two different GMC Jimmys? In the first scene where Zach drives up Gabe/Shaun's driveway it looks/sounds like he put the truck in Park, but in subsequent scenes in the truck he was shifting a manual.
- ConnectionsReferenced in My Big Break (2009)
- How long is Shelter?Powered by Alexa
Details
Box office
- Gross US & Canada
- $142,666
- Opening weekend US & Canada
- $3,464
- Mar 23, 2008
- Gross worldwide
- $142,666
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