Extra-terrien

I've always thought it fantastic that Pixar precedes their excellent feature-length films with an equally-excellent animated short, since it serves beautifully to settle the audience down and ready them for the coming feature. With 'Ratatouille' currently in cinemas, the short film this time around was 'Lifted,' a brief but amusing tale of an attempted alien abduction that doesn't quite go to plan. It was directed by Gary Rydstrom, a first-time director but incredible seven-time Oscar winner, thanks to his excellent work in the sound department on such films as 'Jurassic Park' and 'Titanic.' Like Pixar's finest short films, the simple plot is propelled forward without the need for any dialogue, relying mostly on effectively-chosen sound effects. Accordingly, Rydstrom was an ideal candidate to direct.

In a quiet country farmhouse, a human sleeps peacefully, blissfully unaware that an immense UFO has stationed itself outside his house. Inside the spaceship, a young alien, named Stu, is trying desperately to remember which unlabeled toggle switches to press, presented with a vast selection across a large control panel. Stu's instructor, Mr. B., watches over him menacingly, his expression offering not a hint to the correct procedure and answering every mistake by scribbling briefly onto his notepad. Meanwhile, as Stu fumbles tentatively with the controls, the unfortunate human finds himself lifted from his bed by the spacecraft's tractor-beam and tossed violently against the wall and ceiling, never waking from his slumber.

I thought it was rather ambitious that the filmmakers decided to show the beings inside the UFO, since it is rare that we actually get to see a cinematic alien fiddling with buttons and levers behind a control desk. Not only this, but the two extraterrestrials – in just five minutes – become relatively well-developed characters: we immediately sympathise with poor hapless Stu, and Mr. B. discovers a streak of compassion that we hadn't originally expected of him. The comedic timing is just about perfect, and we hold our breath as Stu moves to press another button, before laughing at the unexpected consequence of this upon the unlucky human – his movements largely represented by a holographic blip above the control panel. The sound effects are cleverly-chosen, and the addition of the Wilhelm scream at the very end was a nice touch.

The first impression of this movie was I already had feeling that it would become a funny movie. And I was not wrong. The film about two aliens working together in order to lift a human up to their UFO (Unidentified Flying Object) is brilliant. First of all, I like how they portrayed aliens as green slime like creatures. Not to mention they are irresistibly cute as well. The small alien is my favorite. He probably has no talent to be what aliens are supposed to be, but he would never stop trying. The human who is going to be lifted is so unrealistic in my opinion, but that is what makes this film more interesting in the first place. This film is only five minutes, and I recommend you to watch it.

You will watch this short in the theatre before the beginning of Ratatouille. And it's very well placed, since it indicates much of the theme that drives Ratatouille. An artist puppeteering an instrument in order to create his art.

This short may be understood as a synonym for the work of an animator. Really really hard to manage, check out the number of buttons in the board of the spaceship. It's hard to learn the job, and while you don't master it, all you do will be a disgrace. But if you get to do it well, you'll do wonders. You'll puppeteer the world below, create and destroy, move and control.

These small appointments (not necessarily short films) are interesting to me because they are explicit indications pointing on how each creator comes out with his own originality and my opinion is, the creations reflect usually every stuff which is very close to the creator, usually his own thoughts and life (It's the second time in a short time i identify these signs, the other was with Miyazaki's Kiki).

The funny thing is when the construction, no matter how simple it is, is honest in its origins, works out very effective, so this short is really really funny.

My evaluation: 4/5

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This is another fun little short in the tradition of fun little shorts from Pixar. Soundman extraordinaire Gary Rydstrom directs for the first time (according to IMDb), and the result is solid.

Not surprisingly, the sound for this short is fantastic, opening with some isolated nighttime noises of a country farmhouse. I've spent a fair amount of time on the real life equivalent of this digital set and this part sounded realistic to me.

By the way, I wrote this whole mini-review just so I could finish with this: Aieeeeeeeeee!

See Gary, the audience really IS listening.

This animated short is on the 2-Disc Special Edition of Ratatouille, and I understand that it was also played in theaters right before aforementioned feature was. With a running time of five minutes and not a single spoken word, this communicates entirely through the visuals, and the quality is definitely top-notch. The story-telling is quite good, and this doesn't go for the cheap audience-pleaser of just doing fancy stuff with the ever-expanding technology, and instead uses it. This has a cool enough, minimalistic plot that you can instantly get into, and a conflict that takes a mere second to wrap your head around, including for young children, in spite of the exact situation being one that I'm willing to bet no one in the audience has found themselves in. All of the sound is excellent, as is the use of it. I didn't personally find this terribly funny, but I can imagine that many will. The material tends to be physical, with slapstick and sight gags. Cartoon violence, and a brief image that might remind people of plumbers is the extent of the offensive material. I recommend this to fans of CGI movies. 7/10