House of Saddam

Imagine a a miniseries where you know the ending . Wouldn't that mean there's a lack of suspense ? You know the ending therefore there's little reason to watch . We all know what happened to Saddam Hussain so it says a lot that within a few short minutes of watching this show I was totally intrigued and hooked by it

The production team knows the audience will know the ultimate outcome of this chronicle so concentrate on the dramatic aspects of Saddam's time in power . The first episode concentrates on his ascent to power by liquidating his rivals on trumped up charges of " counter revolutionary activities " and waging a war against his Persian neighbours . The second episode introduces his two sons who were every bit as bad as him if not worst and shows the results of his doomed escapade in Kuwait . The third episode shows his genius of brinkmanship and political machinations while the final episode shows the dictator as a fugitive on the run

Some critics have expressed disappointment in that some aspects are skated over too quickly while others say the ordinary sufferings of the ordinary Iraqi people are ignored . There's some truth to this but again the the producers have quite rightly ignored scope and concentrated on well written drama superbly acted by an unknown cast . I've never heard of Yigal Naor or Philip Arditti but they both give superb performances and I look forward to this series picking up a few awards at the more prestigious award ceremonis

This four-part mini-series grips you from the outset. Yigal Naor's portrayal of the young Saddam is brilliant, seizing power brutally but always with a purpose behind his brutality. This contrasts with the mindless, purposeless brutality of his elder son Uday (Philip Arditti), which comes through in the 2nd and 3rd episodes.

The mini-series' structure, taking four key years in Saddam's life over 24 years, is managed extremely effectively, although one consequence is that some of the best-known incidents of his reign of terror have to be omitted.

The character of each family member develops across the episodes and the overall sense of an all-pervading reign of terror comes over very powerfully.

My main criticism is of the final episode, almost elegiac with a mellow Saddam on the run with a consequent loss of tension and momentum. Although I suppose that, as we all know what happened to him right from the start, this is probably inevitable. But well worth watching and superbly acted by everyone.

The first episode of this drama series could have fallen into all the traps that recreations of modern history, and ancient history for that matter, fall into: Glib unrealistic portrayals of character; ridiculous over simplification; and sloppy historical inaccuracies. Alex Holmes with his production team and a brilliant cast avoided this brilliantly in the light of one over-riding handicap they had - All of us have our preconceptions and our own sketchy 'take' on the Saddam sagas presented by the media and by governments over the last 25 years in various forms of uneven levels of factual integrity, political expediency and rigor. Amazingly, despite this, I was able to accept the inevitable economies of scale limiting Holmes and his ingenious team, and was spellbound by the simple exposition of Saddam's corrupt, and corrupting modus operandi. The family dynamic was cleverly integrated with the political backdrop and viewers more interested in the subtext will not be disappointed. A grisly reminder that we have lived through an era when monsters exist within the human race and our world seems to be reluctant to learn from history and be more alert to their ability to operate, and cause tragedy and mayhem while we too often watch and allow them. Great telly too on a straightforward entertainment level.

The rise and fall of the Iraq dictator Saddam Hussein.

What a big project this must have been. Trying to distil the best bits of Saddam's twenty four years in power in to four hours and not losing those not steeped in Middle Eat politics would appear impossible to some - but my word, they have pulled it off!

Here you have it all: Power, sex, family, violence, politics, war, madness, you name it. The complete drama play box. Yet this is a personal drama that is more interested in family and politics than needless bloodshed. Not that it isn't very gory at times. This is not for children.

You also have a fantastic lead performance from Yigal Naor. Utterly mesmerising: Deluded, multi-faced, sometimes charming and yet ruling by fear. Trusting nobody - and certainly not his friends or family. Hitler meets Idi Amin in a country with rich oil fields and - therefore - "important" to the West.

Pick of the highly convincing support cast is Philip Arditti as "first son" Uday. The mad-as-a-hatter "heir". The camera lingers/glaces on him for no reason at council and cabinet meetings, sneering or (inappropriately) looking unconcerned. He even makes Saddam look straight!

Yes, it had loads of things to crib and copy from: The Sopranos and the Godfather Trilogy among them, but it is amazing how the format fits around a story that is almost entirely true. In its major facts at least.

If there is a better mini-series played on TV this year I would be very surprised. You'll want to watch it more than once - I know I did.

If viewers are expecting a factual summary of Saddam Hussein's life, they will be disappointed. I'm sure there are better documentaries on the subject. But for pure casting pleasure, I would heartily recommend HoS. Director Jim O'Hanlon has assembled a truly international cast, including celebrated Iranian actress Shohreh Aghdashloo (so marvelous in "House of Sand & Fog"), Indian actress Shivani Ghai, and Palestinian actor Makram Khoury (great as Tariq Aziz).

Most impressive is celebrated actor Yigal Naor as Saddam. He exudes the perfect combination of ruthlessness and charm that propelled the tyrant into power. That Hussein is portrayed by a Jew-- and Israeli-born Jew-- is probably sending the old goat into cartwheels. Pure poetic justice!