We Are the Strange

Finally I get to see We Are The Strange. I don't remember in the slightest how I came to know about M. Dot Strange's work, but overall I'm glad I did. What we have here is a technical achievement on a pretty high level. The story itself is simple, but at the same time, it's really hard to understand. I urge everyone thinking about seeing this movie to read up about what the movie is about first. If I didn't know the plot beforehand, I would have been completely and utterly bewildered right up until the end of the flick. But the plot isn't the reason to watch this film. It's the visuals and the sound. It's really like nothing I've ever seen, and most likely nothing you've seen as well. I enjoyed We Are The Strange due to it's imaginative art, music and style, but I still felt lost quite a bit...too much so. This is a movie for people who are artistic, imaginative and adventurous with their movie watching, everyone else should stay put.

About this time in October last year, M. Dot Strange (His stage name from when he used to do music) came up with an independent masterpiece that appeared on Youtube, an animated film called "We Are The Strange", which was merely only a trailer, but an intriguing trailer, indeed.

So, for almost a full year and a half, those that sat at their computers waited for the movie to go through Sundance. Fans (I, myself, included) among many others, were glued to the intriguing persona of M. Dot Strange, as he commented on those people who were looking at this movie, criticizing it good, criticizing it badly. Some people left within 15 minutes. Some stayed and watched the madness. For those who left, I feel very sorry for you. You missed an amazing piece of art.

We Are The Strange is a movie with a very simple plot, but presents itself in such a dazzling way that you have to seek to finish it, just to see the art. No matter how you criticize the film, you cannot deny that the art form, Str8nime, a new style of animation created by Strange himself, combines 8 bit animation (Like the old Mario Games on Nintendo) Anime (This stuff is nothing like what you see on TV. It's human in it's animated style) and Strangeness, and this movie provides plenty of it.

The story revolves around two main characters, Blue and Emm. Blue is an anime girl who worked, who lived in a bordello, whilst under the ownership of HIM (The voice of the Director), who tells her she is ugly, and will never be anything to him or anyone. She is banished to a lonely forest, where the other character, Emm, a doll boy (A doll's body with a voice that squeaks and squeals for speech) lives alone in the forest. He does not know why he's there, or how he got there, but ponders it.

Under specific detail, Emm highlights he wants Ice Cream, and wants to go the big city to get it. Fear and torment plague his mind, as the idea of being an outcast is something he recognizes. Blue, too, feels this way.

As the two go to Stopmo City, they find that evil lurks everywhere, and only a strange fighter named Rain appears to fight the darkness around the city.

This movie is brilliant. It's not for everybody, but it is fantastic. The art is just dazzling, the visuals are what tell the story, and it's not just a fan's review that's saying this, as a movie goer, it's nothing Pixar has ever done. Shrek cannot compete to what this movie tries to say.

If you need to see a movie that is brimming with genius, has an intelligent way of story telling (This does not have much dialog, and that's good, because instead of clouding your mind with meaningless George Lucas-esquire lingo, you can focus on a bitter and at the same time, sweet movie.

I give this movie a 9/10.

This movie is surreal; this movie is disturbing; this movie is fascinating. As a piece of cinema, it's terrible. Most audiences simply could not sit through something like this in a dark room with a big screen.

As art, I'd say this film is a success. It is extremely unique, and in it's own low-budget way very well done. I have never seen a film before this that combines such diverse graphic art into a visual whole. The visual and audio effects are rather hypnotizing, though not in a good way.

"We Are the Strange" is aptly named, and very hard to like. It is largely incohesive, though there is some semblance of plot. The images and sounds are fairly unpleasant, and after about ten minutes you get the first urges to turn it off. I appreciate this as a unique and powerful art film, but I don't find it entertaining.

"We are the Strange" is a work of sheer originality, a rare gem in the microcinema movement, not only because of its technical audacity but also the complete freedom attained in it's narrative. The two main characters are a young girl with big blue eyes (visually reminiscent of anime) who escapes her pimp and a sad and scared little boy. More about the story I won't describe because words won't do justice.

It happens inside a video game.

This is very important. From the stylistical choices to the apparent lack of narrative, "We are the Strange" will most likely appeal to those born after 1970. There are direct references to multiple things, most notable I would describe as hybrid the 8-bit era of video gaming, stop motion, anime and 3D with a David Lynch logic. The end result is unlike anything I've seen. It's at times silly, beautiful, depressing, always imaginative and highly atmospheric. This is sensorial film-making. Yes there is a very simple story, but all that surrounds it, truly make the films. Now when so many independent filmmakers view Quentin Tarantino, and Robert Rodriguez as their heroes, its is refreshing to see a filmmaker using the digital tools not to emulate formulas and trends created by others, but to experiment all the way and successfully create something new.

Now the music is unlike anything I've heard on film. It usually instruments from 8-bit game consoles. It's a bizarre eerie, feeling.

No doubt we are witnessing a personal film in all respects, a voice that hasn't been modified, muted, toned down to suit a specific kind of audience. It is a scream of the senses, with no attempt whatsoever at logic. You'll be missing the point. You could say that it is style over substance. But what many people fail to acknowledge is that sometimes style itself can be substance.

Someone here said not to watch this movie for the plot, but to watch it for the visuals. Follow that advice! This movie is is an amazing, beautiful, stunning, _painting with audio_. This is an amazing piece of art, but this is far from a "movie". This is a series of beautiful paintings set to great video game style audio and sound effects. This movie belongs in a gallery, not a theater.

I'm not a huge art fan so I didn't really enjoy this movie past the first 10 minutes. Actually, I gave up after 35 minutes and just turned off the laptop. The movie lacks a plot (at least one I could detect), and between the visuals I was left wondering "is this what people see when they're on acid?". It an amazing piece of art, but not something I would call entertainment.