Pushing Daisies

When Pushing Daisies was on, it always made my day. I just loved how funny, quirky and clever it was. So I was saddened when it ended as abruptly as it did, it may have had a rocky start however it did get much better very quickly and had even more time to progress if given the chance.

I loved Pushing Daisies for several reasons. With skillful photography and striking clothes, lighting and sets, the visuals were constantly very colourful. The music had a lot of charm and quirkiness about it too, the writing was witty and engaging and the stories were clever with an original and imaginative concept. The characters were always fanciful and likable, Jim Dale's narration was sardonic and beautifully delivered, Kristen Chenoweth brightened up every scene she appeared in as did a fair number of those who guested on the show and Lee Pace and Anna Friel were very endearing in their own way.

In conclusion, a gem that ended too soon. 9/10 Bethany Cox

When I first saw this advertised on television I thought it might be a fun little show, I didn't think it would be something I'd want to own on DVD though... I soon realised that this was something special; the colours are all brighter than normal, the dialogue is more wordy than people really use and the plot is surreal to say the least. All these things could have lead to a disaster but it worked perfectly for me. The cast did a great job bringing their surreal world to life.

Ned isn't like ordinary people; he can bring the dead back to life with a single touch, there are two major catches though, if he touches that person a second time they will die forever and if he leaves a person alive for more than a minute somebody else nearby must die. Using this skill he is able to help private detective Emerson Cod by questioning murder victims. Things change for Ned when one of the victims he revives is his childhood sweetheart Charlotte "Chuck" Charles. He can't bring himself to touch her again which apart from causing somebody else's death leads to a very difficult relationship between them. When Ned isn't dealing with dead people he cooks in The Pie Hole, the pie-restaurant he owns.

Most of the episodes are of the murder-of-the-week variety although there are some continuing threads to the story. The murders are never anything normal; their strangeness reminded me of the 1960s series "The Avengers". As well as having two great leading characters the supporting cast does a great job, I especially liked Kristin Chenoweth's portrayal of the diminutive Olive Snook a Pie Hole employee with a soft spot for Ned but who does not know his strange secret.

It is a shame that the series was cut short but I'm glad that it was given a proper ending even if there were a few loose ends left untied the main story had nice conclusion. This series won't be for everybody but if you want to watch something a bit different I'd recommend giving this show a chance.

Flawless acting, unique stories, and visual eye candy.

This has to be one of the best examples of what TV should (and essentially) could be if you put it in the hands of real talent. Everyone behind and front of the scenes is working grade A performances. Lee Pace and gang have never fit so perfectly in an ensemble using each of their unique talents to deliver some of the best dialog and storytelling.

The visuals are an obvious standout but leave it to Creator Bryan Fuller to not focus entirely on special effects and set design. Instead, he shows the value of great characters and character development through intriguing stories. And that, my fellow Daisy fans, is why this series works so well.

The biggest frustration, of course, is the cancellation. Why would a show this flawless get canceled? What does ABC have to replace it with anyway? It's just a shame.

I highly recommend you buy the series (BluRay is a must for those with HDTVs) and enjoy what you may never see again on TV. Come for the pie - stay for the characters!

Pushing Daisies is just a lovely fairy tale, with shades of "Amelie"'s aesthetic and romance. It's got a beautiful palette, its shots well thought out and detailed, its names and dialogue whimsical and too cutesy to be real, its imagination great, and its romance deep.

Watch the blue in the sky pop out at you, as blue can't be found in the rest of the sets or shots (with few exceptions).

Watch a weirdly natural and totally satisfying song break out of a scene.

Its score is gorgeous, its cast is supremely likable, there's great music, and the two leading romantic stars can't touch each other or she'll die. How much more sexual tension do you need? (Actually, I had wished they found a way around this one, but c'est la vie).

It is simply a show that it is a pleasure to spend an hour with, and I recommend it highly. There hasn't been other television quite like it, and I would like to see more. It got me through a flu one crappy week, as it makes for good company.

Bring it back!

After 10 plus years I still miss this show. Lee Pace was born for this role and Chuck was adorable, but my favorite was Chi McBride. One of the best casts that has been on TV for long time. If it came out now it would be bing heaven. So many characters driven into one storyline, just a joy to watch.