La fille coupée en deux

The premise of the movie, that two super-size ego men, one young and rich and the other old and famous, go after a young woman, who doesn't know what she is getting into, is interesting. Unfortunately, the woman's feelings for the two seem to develop at a fast food pace that undermines the credibility of the entire story. Some reviewers have argued that the central female character is more complex and nuanced than previous attempts by director Claude Chabrol. If so, I cannot imagine how misogynist his previous movies were. Still worth it, especially for the acting performance by François Berléand. If you want to pay attention to a sexy and attractive woman in the movie, though, forget about the main character, and focus on Capucine, played by Mathilda May.

The Girl Cut in Two was one of the great Claude Chabrol's final films in an astonishing career that span 58 years before his death in 2010. The former Cahiers du Cinema journalist was famously a huge fan of the work of Alfred Hitchcock, writing about the Master of Suspense at length for the magazine before Chabrol's own work weaved together Hitchcock's sublime blend of melodrama and tension with Chabrol's own French New Wave (his debut Le Beau Serge is widely considered the first). This 2007 effort does much of the same, but the emphasis is more on the melodrama for the main bulk of the film and it lacks the New Wave edge of his early, greater works.

Pretty young weather-girl Gabrielle (Ludivine Sagnier) catches the eye of the rich and famous author Charles Saint-Denis (Francois Berleand) when the latter is interviewed at the TV station she works for. Charles performs a book signing at Gabrielle's mother's book store, where he is confronted by the filthy-rich heir to a pharmaceutical company, Paul Gaudens (Benoit Magimel), while Charles invites Gabrielle to accompany him to an auction. The clearly unhinged Paul also lusts after Gabrielle, and begins an aggressive pursuit of her while she is off falling in love with the arrogant and pretentious (and married) Charles.

Sagnier is particularly lovely as a character who may have come across as spoiled and selfish if not handled quite so delicately. There are fewer things quite as uncomfortable to watch than a nice girl caught up in a love triangle with two absolute arseholes, and Berleand and Magimel certainly bring a complexity, and even flashes of sympathy, to their loathsome man-children. Gabrielle is pulled back and forth between the two - the metaphor of the title also plays out almost literally in a slightly surreal final scene - and this goes on for quite a while. It gradually builds up to the inevitable and the film begins to feel more juicy, however by the time this happens there aren't quite enough minutes remaining to fully explore its full potential. Certainly engaging but one of the French auteurs lesser works.

Accordind to the IMDb's listing, "La Fille coupée en deux" is the 69th Claude Chabrol's movie since 1958 and his first movie "Le beau Serge". 69 : with that number, Chabrol has managed to outnumber his old master : Alfred Hitchckock. And if all of his movies are not as good as Hitchcock's ones (none of them actually), I'm sure his last one would have amused Sir Alfred, for it's certainly one of his richest and intriguing movie since many years. I thing I've not been such intrigued by a Chabrol's since "L'enfer" in 1994 and its "No end" ending.

"La Fille coupée en deux" apparently deals with the same subject as "L'enfer" : love, and it's tragic consequences. But if "L'enfer" mostly dealt with madness and jealousy, "La fille..." approaches tragedy (but always in a cynical and almost funny way : Chabrol's universe is alway game-full) with the thematic of desire. It's the girl cut in half of the tittle that crystallizes this desire : Gabrielle Aurore Deneige (Ludivine Sagnier), a young TV-host, desires an older and decadent writer Charles Saint Denis (the great François Berléand) and is desired by a young and crazy aristocrat (Benoît Magimel, it's the first time to me that he's quite acceptable in a movie). Chabrol plays for a time with his characters ans his spectators, who don't exactly know where he wants to bring us. But the game is interesting enough to be played.

This movie looks a lot like Woody Allen's "Scoop", with Ludivide Sagner as a french Scarlet Johanson. Chabrol even quotes Woody Allen in the movie, and shares with him the same tragic but insouciant thriller tone. But it's really the similarity with another director that stroke me with this movie. It's the first time that a Chabrol's movie strangely sometimes looks like a Brisseau's. Chabrol uses here, as in Brisseau's "Choses Secrètes", symbolic feminine mythological figures in order to develop his thematics ( it's particularly striking in the dichotomously representation of Charles Saint Denis' two woman : his white and angel-like wife, and his dark and mysterious Capucine). But it's mostly in the desire's representation in the strange club where Saint Denis likes to go that the two directors share some common points. Of course, whereas Brisseau is more than explicit, Chabrol doesn't show anything, but the moral fable aspect of the movie, with a Hitchcock's influence in the way Chabrol "suspenses" the desire representation, makes this movie quiet near to Brisseau's universe.

Anyway, it's been a very long time since a Chabrol's movie didn't appear to me as rich, original and surprising as this one.

"A Girl Cut In Two" is the kind of movie that requires a lot of patience from its audience (it moves slowly and runs long), without really rewarding them for it at the end. Listed by IMDb as a drama/thriller, it is basically a drama about a young weather girl (and later TV show host) caught in two parallel relationships with a middle-aged writer and a rich heir about her age, with the "thriller" part (such as it is) coming into play only in the last 20 minutes. One of the main problems with the film is that the viewer can see right away that neither of these relationships is going to work out - the older man is married and just looking for cheap thrills, the younger man acts borderline psychotic right from the start - and you wonder how the heroine, who seems fairly smart in most ways, can be so naive as to not see that these two men are unworthy of her time. Perhaps the two most likable characters - the heroine's uncle and the young man's little sister - have very little screen time. The film is very well-acted, especially by Ludivine Sagnier and Francois Berléand, but ultimately it is a minor work for someone of Claude Chabrol's great reputation. (**)

I'll be honest, I only watched The Girl Cut in Two because I think Ludivine Sagnier is a Class A hottie. So it's probably not a shock that I was underwhelmed by it.

It's a rather French movie about a woman (Sagnier) who is pursued by two men, a young and emotionally volatile rich man, and an older married writer. Both men are ultimately bad options, and the movie quickly changes from something of a charming romantic film to something much darker in tone. It could be called "a movie cut in two", if a person wanted to be clever (which I do). 

Anyway, neither half of the movie was particularly good, in my opinion. The narrative tended to wander, Sagnier's character seemed silly and unsympathetic with little explanation of why, and the other characters were almost universally unlikable or uninteresting. Combine all that with the odd (and not in a compelling way) ending, and The Girl Cut in Two becomes a movie that I probably wouldn't recommend.