IMDb RATING
5.6/10
2.6K
YOUR RATING
A small town girl runs into big time trouble as she takes on her roommates identity as a dominatrix to pay the bills.A small town girl runs into big time trouble as she takes on her roommates identity as a dominatrix to pay the bills.A small town girl runs into big time trouble as she takes on her roommates identity as a dominatrix to pay the bills.
- Director
- Writers
- Stars
- Awards
- 2 wins & 2 nominations total
Nicolas Ouellette
- Trent
- (as Nicolas Oullette)
Omar Alex Khan
- Man on TV #2
- (as Omar Khan)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Tricia Helfer sparkles nicely in this "Bizarro World" comedy directed by Robert Cuffley. In some ways it hearkens back to the mid-1930s and to some of the great screwball comedies of that era, except with a much harder and daring edge to it. She's an old friend of the bungling ingénue from a hick town ( Lee Lee Sobieski ), who has made a niche for herself in the big bad city by becoming a pro dominatrix.
For those who don't know, being a dominatrix is a lifestyle choice with psychological and sexual overtones, but rarely involving actual sex. It is about psycho-sexual mind games and role-playing, with its own rules and subculture. In all of that, Helfer's characterization and charm seems to be admirably suited for the choice of Celine.
Sobieski takes a brilliant turn as the goofy young friend who simply cannot keep out of her own way. There is in all of this comedic action a dark undercurrent of criminal behavior, as Sobieski's character -- ironically named Alberta -- blunders her way into and out of real trouble where there's real violence done to the real people in her life. She's like a lightning rod in that regard.
The genius of the film lies in how the director and these two superb actresses move the story forward, almost effortlessly, as every time Alberta stumbles into a predicament whatever she does next fails to resolve the problem. It only brings a worse and yet even funnier predicament.
The DVD presentation is terrific and there's just enough of Sobieski's beautiful body shown ( for the right reasons ), to warrant this film having a most sensible R rating. There's just too much sexual role playing in the plot for young teens, and it is not something in the way of entertainment for pre-teen youngsters, at all, period.
Aside from that caveat, this is one goofy, wacky, well-done comedy.
The criminal behavior involved in the plot is diluted somewhat by the hapless nature of the three criminal characters. They are bad hombres for sure but just so darned incompetent that they don't really frighten anyone, all that much ... adults, that is.
They are not misunderstood, it should be noted, these characters -- but they are comically incoherent and impulsive.
So this film ought to and does get seven stars out of ten, with two additional boxes of popcorn tossed in for good measure.
For those who don't know, being a dominatrix is a lifestyle choice with psychological and sexual overtones, but rarely involving actual sex. It is about psycho-sexual mind games and role-playing, with its own rules and subculture. In all of that, Helfer's characterization and charm seems to be admirably suited for the choice of Celine.
Sobieski takes a brilliant turn as the goofy young friend who simply cannot keep out of her own way. There is in all of this comedic action a dark undercurrent of criminal behavior, as Sobieski's character -- ironically named Alberta -- blunders her way into and out of real trouble where there's real violence done to the real people in her life. She's like a lightning rod in that regard.
The genius of the film lies in how the director and these two superb actresses move the story forward, almost effortlessly, as every time Alberta stumbles into a predicament whatever she does next fails to resolve the problem. It only brings a worse and yet even funnier predicament.
The DVD presentation is terrific and there's just enough of Sobieski's beautiful body shown ( for the right reasons ), to warrant this film having a most sensible R rating. There's just too much sexual role playing in the plot for young teens, and it is not something in the way of entertainment for pre-teen youngsters, at all, period.
Aside from that caveat, this is one goofy, wacky, well-done comedy.
The criminal behavior involved in the plot is diluted somewhat by the hapless nature of the three criminal characters. They are bad hombres for sure but just so darned incompetent that they don't really frighten anyone, all that much ... adults, that is.
They are not misunderstood, it should be noted, these characters -- but they are comically incoherent and impulsive.
So this film ought to and does get seven stars out of ten, with two additional boxes of popcorn tossed in for good measure.
This movie gives a decent introduction to viewers who love to know what is S&M about. The storyline is not disturbing and people who accept this lifestyle will understand that its normal to watch this movie. Some might find it silly, but it was ok for me. The leading actress done a decent job in her performance
This is a movie that sort of starts off at a slower pace but as it trundles along, gets more involving and enjoyable. Really liking some of the off-beat, Canadian humour and with charming, engaging characters. I think the 18 rating is not a good reflection of the content. It's neither sexy or a violent thriller but being hard to classify is great plus point.
This is the kind of film you could watch if you were sick in bed with the flu and there was nothing else on TV. Beyond that, consider lowing your expectations.
I remember when Leelee Sobieski and Natalie Portman were considered rivals in the media for being precocious up-and-coming teenage actresses. Both girls have grown up, and Hollywood has done them no favours. Ms. Portman will have to work very, very hard to overcome Queen Amidala, and Ms. Sobieski has gone from the supernova superwierd vixen in Stanley Kubrick's "Eyes Wide Shut" to, well, this film.
That's not to say she doesn't have appeal, at least to some folks. In this show, however, talent is wasted, ability is squandered, and the audience is assumed to be sick in bed with the flu. I would compare this film to "Bon Cop, Bad Cop", another Canadian production that took actors with chops and turned them into chopped liver.
Put another way, I think if you laughed uproariously at the humour in "Bon Cop, Bad Cop", and you never figured out that "Harry Buttman" in that film was a parody of a real person, then you will love "Walk All Over Me". I didn't think "Bon Cop, Bad Cop" was funny at all, nor entertaining, but it was "Heat" combined with "Ghostbusters" compared to this turkey.
Screwball comedies work because the humour arises from the peculiar logic of the situation. "Walk All Over Me" has precious little logic, just a long list of cliché peculiarities that fail to amuse or arouse.
I remember when Leelee Sobieski and Natalie Portman were considered rivals in the media for being precocious up-and-coming teenage actresses. Both girls have grown up, and Hollywood has done them no favours. Ms. Portman will have to work very, very hard to overcome Queen Amidala, and Ms. Sobieski has gone from the supernova superwierd vixen in Stanley Kubrick's "Eyes Wide Shut" to, well, this film.
That's not to say she doesn't have appeal, at least to some folks. In this show, however, talent is wasted, ability is squandered, and the audience is assumed to be sick in bed with the flu. I would compare this film to "Bon Cop, Bad Cop", another Canadian production that took actors with chops and turned them into chopped liver.
Put another way, I think if you laughed uproariously at the humour in "Bon Cop, Bad Cop", and you never figured out that "Harry Buttman" in that film was a parody of a real person, then you will love "Walk All Over Me". I didn't think "Bon Cop, Bad Cop" was funny at all, nor entertaining, but it was "Heat" combined with "Ghostbusters" compared to this turkey.
Screwball comedies work because the humour arises from the peculiar logic of the situation. "Walk All Over Me" has precious little logic, just a long list of cliché peculiarities that fail to amuse or arouse.
A pleasant surprise that had some unexpected developments and interesting characters.
Did you know
- TriviaMark Hall took part in this film as a featured extra as a mall security guard, and is briefly visible during the scene in the food court where Alberta throws orange soda on Isaac. While wiping the soda from his face, Isaac briefly glances behind him to see Mark Hall's character staring back at him.
- Crazy creditsTruck costumer Heather Neale is mistakenly credited as Props Builder.
- ConnectionsEdited into Walk All Over Me: Deleted Scene (2008)
- SoundtracksThe Upwards March
Performed by Bell Orchestre (as Bell Orchestre)
Written and Published by Pietro Amato, Kaveh Nabatian, Richard Reed Parry (as Richard Parry),
Stefan Schneider (SOCAN)
Courtesy of Rough Trade Records
- How long is Walk All Over Me?Powered by Alexa
Details
Box office
- Budget
- $3,200,000 (estimated)
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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