Amal

I saw this film during an Air Canada flight (thanks to their private screens for every seat). My favorite films are always the ones without special effects. Simple story and great actors make a good film and Amal is very very good for all who appreciate this type of movie. I saw a short version and the long one which was much better since it lets you know more about Amal, the main character. Thank you for the magical moment when the old man sings the poetic song in the restaurant, very moving. It almost goes too far preaching about the goodness of being poor, and the greed of the rich. But the cinematography, the music and the location help me enjoy every minute of it.

A simple but solid story on the character. A great story with thought provoking message. A person who don't take tips of Rs 3/-, what will happen and how does he spends 300 million gift by an unknown person.

As I watched Amal, I thought "This is two films which won't please Indians because both present the beggar child as working for some slumlord."I fully expected rags to riches would win out as in Slumdog; but no, something special and unexpected here. Amal is a lovely film, rich photography, wonderful subtle acting, suspense, love, moral values,great yarn. A rich hotelier, disillusioned by morals of family,colleagues and other service providers goes vagabond in search of the 'honest person" The one he finds is a humble autorickshaw driver. His decision to endow Amal upon his death leads to a great story.

Following the legacy of his deceased father, Amal Kumar (Rupinder Nagra) turned down a higher paying job at the post office to drive an auto-rickshaw on the streets of Dehli, India. Maneuvering daily through crowded streets daily to barely eke out a living, Amal is good natured to a fault, refusing to accept tips and always charging the meter rate. Shot on location in India by a Canadian and Indian crew, Richie Mehta's low-budget feature Amal is a charming O'Henry-like tale about class, wealth, and family in India. It is a very worthy first effort that captures the frenetic street life of the city of Dehli and provides a sense of immediacy in the style of Michael Winterbottom, but without the hand-held camera cliché.

When Amal refuses to accept a tip and offers cough drops to a gruff old man dressed in rags, G.K. Jayaram (Raseeruddin Shah), the man is convinced he has finally found a good man, a man of principle. When the old man dies suddenly, his family discovers that he has done something no one expected. Though we hear G.K. beautifully singing a traditional song in a café, we are still astonished when the eccentric old man turns out to be a man of means who leaves his fortune to Amal, though the rickshaw driver remains totally unaware of these events. The story concerns how the old man's request is handled by his business partner Suresh (Roshan Seth), his lawyer Sapna Agarwal (Seema Biswas), and his scheming sons Harish (Siddhant Beh) and Vivek (Vik Sahay) who simply want what they feel is owed to them.

G.K.'s will contains instructions that his assets will remain locked for thirty days until Amal can be found and the dead man's attorney sets out to locate Amal, not an easy attack in a city with thousands of Amals. Then again, it might be in his attorney's best interests not to find him: if Amal doesn't show up within thirty days, G.K.'s fortune will revert to his sons, with whom Suresh has a secret deal. A few subplots spice up the intrigue over the will but serve only to reinforce the film's underlying message.

Amal's develops a romantic interest in Pooja Seth (Koel Purie), a passenger he picks up every day and becomes devoted to the health of a young girl who is run over and injured by his rickshaw while begging in the streets,. Filmed in English and Hindi, Amal was inspired by a real-life experience and story idea by his brother, Shaun Mehta. Together they turned it into a short and then expanded it into a full-length feature in time for the Toronto Film Festival in 2007. While its theme of happiness trumping wealth has been done many times, Amal feels original and an impressive performance from Toronto actor Nagra holds the film together.

http://ca.youtube.com/watch?v=vt8n0VydHys

I really liked this film too. Story was just so good, it leaves you saying, "But, wait...!" Rupinder Nagra was great. Very understated. And I liked the young girl in it as well. It has some really funny moments, too, but it doesn't try too hard and push for the laughs, they are just right. No wonder it was in the TOP 10 FILMS of 2007. I agree with that distinction. Apparently it made quite a splash at TIFF '07, although I missed it there, and am kicking myself. We should all be supporting Canadian movies like this to continue being made. Its being released in major cities this weekend on August 8th, like Toronto and Vancouver where they can count on me to be watching it.