IMDb RATING
7.3/10
1.5K
YOUR RATING
Archival footage, animation, and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.Archival footage, animation, and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.Archival footage, animation, and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
- Awards
- 3 wins & 6 nominations total
Jeffrey Wright
- Bobby Seale
- (voice)
Nick Nolte
- Thomas Foran
- (voice)
Hank Azaria
- Abbie Hoffman
- (voice)
- …
Dylan Baker
- David Dellinger
- (voice)
- …
Mark Ruffalo
- Jerry Rubin
- (voice)
Debra Eisenstadt
- Mary Ellen Dahl
- (voice)
- …
Lloyd Floyd
- Robert Pierson
- (voice)
- …
James Urbaniak
- Rennie Davis
- (voice)
- …
Leonard Weinglass
- Self
- (voice)
David Boat
- Norman Mailer
- (voice)
- …
Julian Rebolledo
- Reporter 2
- (voice)
- (as Julian Dean)
Daniel Hagen
- Bailiff
- (voice)
- (as Dan Hagen)
Roger Jackson
- Marshal 2
- (voice)
- (as Roger L. Jackson)
- …
Ted Marcoux
- Robert Murray
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10kris-369
Just saw this at the Sundance opening. An absolute life changing film. There aren't words that could ever describe the feelings evoked by this extraordinary film. You could feel the heart and soul poured into every frame- and the mix of animation and incredible soundtrack was so moving. An absolute must see for anyone who needs to be reminded that they are the difference that is needed to stop the current war and the violence that is inherent today and since the beginning of time. This film leaves you feeling like standing up and taking flight and making a move toward what is truly important- the pursuit of peace and all that comes with-it- making a stand, courage, understanding yourself and your place in the world and knowing when to say when. I truly believe this film will change many lives.
This is a really poorly movie. It may have been an interesting time in Amerikan history but this movie is far from interesting.
The makers chose to use really bad cartoons and actors to play the Chicago defendants. It doesn't work. The cartoons look nothing like the characters and their dialog is forced.
Frankly, a way better movie could have been made using only archival footage of the characters involved. It could have been truly compelling. Instead we got a really boring piece of celluloid that isn't even truthful to the events at hand.
Throughout the movie there are shots of the characters speaking to "crowds" and shots of massive numbers of people rallying. This is phony. It never happened. They inserted footage from other rallies to try to pretend these guys had such a following!
Shame on you.
And of course they never even mentioned that Jerry Rubin became a rabid capitalist after jail time ( I met him during his networking days in NYC) and Abbie Hoffman (who I always thought was the real deal) started dealing coke big time, went on the lam for years.
The makers chose to use really bad cartoons and actors to play the Chicago defendants. It doesn't work. The cartoons look nothing like the characters and their dialog is forced.
Frankly, a way better movie could have been made using only archival footage of the characters involved. It could have been truly compelling. Instead we got a really boring piece of celluloid that isn't even truthful to the events at hand.
Throughout the movie there are shots of the characters speaking to "crowds" and shots of massive numbers of people rallying. This is phony. It never happened. They inserted footage from other rallies to try to pretend these guys had such a following!
Shame on you.
And of course they never even mentioned that Jerry Rubin became a rabid capitalist after jail time ( I met him during his networking days in NYC) and Abbie Hoffman (who I always thought was the real deal) started dealing coke big time, went on the lam for years.
The story telling in Chicago 10 is inviting. Once inside it transforms the audience into witnesses. With your own senses you see what many have for decades refused to see. It is a work well done. 1968 was a year that changed the US of A as much as May '68 changed France. The movie is not an history lesson. This movie brings us into that time in a way that allows us to reflect not only upon what happened in Chicago, but moreover what was yet to come in the USA. The trial of the Chicago 7 almost did not happen. Ramsey Clark the US Attorney General until January 20, 1969 was not going to allow this case to be prosecuted. After January 20th, Nixon's Attorney General John Mitchell made sure that the silent majority got their show trial. It backfired. The rest is in the movie.
I just attended a screening of Chicago 10 at Sundance. Wow. What a unique and important movie. The mix of archival footage and animation blend together much better than I anticipated. The animated scenes are primarily courtroom scenes. The dialog during the animated courtroom scenes are taken directly from the court transcripts. The soundtrack is perfect. There is a combination of old and new including songs from contemporary artists such as Rage Against The Machine & Eminem. Although archival footage was used, and court transcripts were used as dialog, I'm not too sure that I'd call this film a documentary. This film was moving, powerful, and well worth seeing. I thought that the film was such a gem that I'm trying to get a tickets to see it again during the festival.
I am not usually a fan of added-in animation. There are a few movies, Pink Floyd's extraordinary antiWar film 'The Wall' one of them, in which the animation provides graphic imagery to enhance the surreal feeling for the viewer. But in that movie the imagery is mostly a nod to Jungian archetypes morphing as it does from animal form to out-of-control mechanical killing machines. There are times when it works beautifully to complement the protagonist's suicidal angst, and times when it doesn't work as well, but it meshes well with the score to heighten the mood of the music.
In 'Chicago 10' the animation provides the courtroom re-enactment to fill in the gap of not having actual courtroom video. The actual human beings are rendered in cartoon form.
Does it succeed?-- for me it isn't as powerful as having live actors either impersonate or interpolate the roles of the courtroom persona. I think for me it would have worked better to have re-done those scenes with actors. But . . .
But I want to say how powerful the movie is. . . I knew the outcome, I am of that time----but the tension continued to accumulate as the trial and the actual scenes wove a story of an overview of America in the heartland in 1968.
This should be required viewing for anyone born after 1965 and maybe earlier. It has always been difficult for me to describe to my children how polarized the nation was during this period... I've never felt I could generate for them that vicarious tension necessary for understanding. This movie accomplishes that. The animation isn't to my taste--but it works nonetheless. Would it have been more powerful if real actors were used for the court scenes?? Maybe. And maybe it is that cartoonish abstraction from reality that the filmmakers were trying to achieve, at an event which perfectly embodied the insanity of those who were siding with militarism while it was killing their own. There is enough actual video used to allow a lot of the film to show us the people involved as they were then, and what happened to them, with the animation overlaying.
I think that more footage of the Vietnam war, the obscene news footage that Americans were exposed to nightly, might have been useful too, in recreating the ambiance of that time. Quite the contrast to the sanitized photojournalism of the current war in Iraq which stays conveniently and purposefully out of view, out of mind for American citizens since 2003, the Vietnam drama took place live in primetime, and the shockingly visceral quality of that televised carnage finally overcame the credibility of government rhetoric about stopping the Red menace.
Thank you for this look, and feeling, back in time. Well done.
In 'Chicago 10' the animation provides the courtroom re-enactment to fill in the gap of not having actual courtroom video. The actual human beings are rendered in cartoon form.
Does it succeed?-- for me it isn't as powerful as having live actors either impersonate or interpolate the roles of the courtroom persona. I think for me it would have worked better to have re-done those scenes with actors. But . . .
But I want to say how powerful the movie is. . . I knew the outcome, I am of that time----but the tension continued to accumulate as the trial and the actual scenes wove a story of an overview of America in the heartland in 1968.
This should be required viewing for anyone born after 1965 and maybe earlier. It has always been difficult for me to describe to my children how polarized the nation was during this period... I've never felt I could generate for them that vicarious tension necessary for understanding. This movie accomplishes that. The animation isn't to my taste--but it works nonetheless. Would it have been more powerful if real actors were used for the court scenes?? Maybe. And maybe it is that cartoonish abstraction from reality that the filmmakers were trying to achieve, at an event which perfectly embodied the insanity of those who were siding with militarism while it was killing their own. There is enough actual video used to allow a lot of the film to show us the people involved as they were then, and what happened to them, with the animation overlaying.
I think that more footage of the Vietnam war, the obscene news footage that Americans were exposed to nightly, might have been useful too, in recreating the ambiance of that time. Quite the contrast to the sanitized photojournalism of the current war in Iraq which stays conveniently and purposefully out of view, out of mind for American citizens since 2003, the Vietnam drama took place live in primetime, and the shockingly visceral quality of that televised carnage finally overcame the credibility of government rhetoric about stopping the Red menace.
Thank you for this look, and feeling, back in time. Well done.
Did you know
- TriviaNick Nolte and Liev Schreiber both played the roles Gregory Peck played in the remakes of Cape Fear (1962/1991) and The Omen (1976/2006).
- How long is Chicago 10?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Chicago 10: Speak Your Peace
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $177,490
- Opening weekend US & Canada
- $42,724
- Mar 2, 2008
- Gross worldwide
- $177,490
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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