Halla Bol

This is one of the movies which will remain in my collection for lifetime, and like to watch it again and again. I am a big fan of Rajkumar Santoshi's movies except for Family which deserved nothing mark. Though he is considered as a commercial filmmaker, but the way he makes every movie has deep relations with the real world. Another example in this category is Prakash Jha.

Halla Bol is about Sameer/Ashfaque, a street actor turned superstar after stepping in Mumbai's B-Town. Before he was under guidance of old aged dacoit Siddhu for fighting against social and political corruptions. But after he gained superstar position in the film industry he avoids to step in controversy as it would spoil his stardom and popularity. In that way, he faces the case for Rashmi Sahani murder case, in which he was a perfect witness.

It is clear that Ajay is a favorite choice of Santoshi for casting in this kind of movies which have social messages to the citizens. Ajay and Vidya Balan couple looks great and cool. But the one who makes this movie interestingly worth a watch is Pankaj Kapoor. His convincing and motivating role as a dacoit turned reformer Siddhu is superb and deserved 10 out of 10 because only his presence takes the movie in forward. Santoshi did a brilliant job by casting such a talented actor in his project. But the most irritating role included here is of Darshan Jariwala as minister Ganpatrao. His performances look damn dull and blunt, as well it could have been prepared much more serious or lively.

After all, Halla Bol cannot be as great as Santoshi's previous The Legend of Bhagat Singh or Khakee but still can be accepted as useful to the audiences. This is not for them those who simply watch movies for timepass, leisure or fun...but for them those who want to view the world's real happenings inside a movie. So it's upto audiences to consider it great or junk.

I can rate it 7 out of 10.

Mr. Rajkumar Santoshi needs no introduction. In a true action hero style he made an entry with a "BANG!" (read that "Ghayal"). Then he went ahead and seized up movies like "Damini", "Ghatak" and highly under-rated "Andaz Apna Apna" (PS: the rest are not worthy mentioning anyway). If you look at "Halla Bol" it clearly gives away the fact that Mr. Santoshi has run out of steam. If "Family" was yet another "Ghayal" then "Halla Bol" is definitely "Damini". This time it is Ajay Devgan who witnesses a crime and decides to stand up against it. Coming to his rescue is not a drunkard lawyer with "Dhaai-kilo ka haath" but a reformed dacoit Pankaj Kapoor. The spouse in both versions lend a moral support to the proceedings. The plot has been tweaked to incorporate bits from A.) "Bollywood Calling"/ "Om Shanti Om", B.) Power of public and C.) Jessica Lal murder case.

Ajay Devgan:: Passable considering the plagiarised plot he decided to be a party to.

Vidya Balan:: Weak character which got compensated with a few fiery sentences like "My husband has got ****". Sorry but that cheesy line made me fall out of my chair.

Pankaj Kapur:: Saving grace. Anybody else instead, there would be nothing more than a zilch in the movie.

At least the Nadeem-Sharavan's music in "Damini" was melodious here there is hardly a number that stays with you when you walk out of cinema halls.

Finally Mr. Santoshi, nobody can fill in the shoes when it comes to your pairing with Sunny Deol. Your newfound partnership with Ajay Devgan is fine but the whole thing is akin to catching a tiger in the jungle. Only that you have caught a bear and trained him to mouth "I am tiger, I am tiger!".

What to say about Halla Bol...it is a commendable movie to watch. After a long time I have seen a movie which has so much power in it and it inspires all of us to fight against injustice. A must see film that lifts our spirits to raise our voice against crime.

I applaud the effort of the actors who did justice to their role and added strength to the movie. It is one of those rare films that motivate people of India to fight back. Ajay Devgan has given an outstanding performance. I believe that if more movies like this are made that bring social issues to limelight then the nation will be motivated to fight crime. And even if the public is not motivated, the film still conveys the message of standing up for what you believe in life and that is what I am taking from this movie. I thank the director for making an effort to reach the masses from this film.

In two words "Good Work".

Every time Pankaj Kapur's movie comes out, I eagerly wait to watch it. So I went to watch Halla Bol, but for the first half hour I could not decide if I am watching Halla Bol or Madhur Bhandharkar's "Page 3" or Jessica Lal murder case on some news channel. Its the same old plot, same old story. But as always Pankaj Kapur stands out. What an actor! Maqbool, Jaane Bhi Do Yaaro, Chameli Ki Shaadi, etc., awesome movies. Hope he gets more movies, and film industry does justice to his talent.

This movie is not up to the standard of what we expect from Raj Kumar Santoshi. The person gave us awesome movies like Damini, etc. but this movie is not like those movies. As for Vidya Balan, I don't understand how is she managing to get movies. She is not a good actor, and does over acting most of the time. Looks can only take you so far, but she doesn't have talent. She has this patent face expression in most of her movies. But anyways, do watch the movie, it is a one time watch.

A complete waste of time

Halla Bol is a complete waste of time. The script and dialogues are poorly written, the direction is lacklustre and the acting borders on hammy.This movie was clearly aiming for the Rang De Basanti crowd but it falls far short of the mark because it does not have even one of the elements that made RDB connect with its audience_great script, terrific acting, good direction and a powerful social message that was never preached but shown.

Compared to that near-masterpiece, Halla Bol takes a step backwards by resorting to scenes such as the hero taking a leak on the villain's Persian rug and the hero's mentor staring down bullets in a truck no less! All of this might have been acceptable in the 80s when there was a downturn in movie quality and bad movies like DivyaShakti and Phool Aur Kaante became big hits, but movie-making has become_should have become_more subtle and thoughtful of late.

Rajkumar Santoshi is a capable director and I appreciate that he wants to give a social message in every movie he makes but maybe he simply does not know how to do it! He resorts to sermonizing without a care as to the audience's intelligence in understanding what he is trying to say. Maybe he should just concentrate on entertainment and leave the social messages to the Rakeysh Mehras and Aamir Khans.

Even if you don't agree with everything I say, you will agree that throughout the screening you will be thinking that Rang De Basanti was much much better and Mr.Santoshi should have left the industry-bashing to Om Shanti Om. Industry-bashing? That's right!!Santoshi has depicted the industry as a place of back-biting, bitching and the casting couch which the hero happily indulges in with a starlet curiously named Sania. There are some people who will think that these portions show the real face of the industry. Don't believe everything you see!

All in all, raise your voice against movies like this and don't spend your hard-earned money on this bomb.

* out of ****.