Musta jää

An explosion of Champaign sets the mood as laughter fills the room, she walks in with piercing eyes and a beautiful smile. She begins to inflate a piece of what seems to be "birthday party décor". As she blows air into the balloon she holds a questionable grin on her face, as this balloon fills with air the audience soon realizes that is not a balloon, but a condom. Using the condom as a metaphor to reveal to her husband Leo and his family that she is aware of the affair that he is having, Saara patiently glared into Leo's eyes with an eyebrow raised expecting an explanation. Throughout this scene the camera switches to a female character spying on Leo and his family. Soon this character is revealed as Tuuli, a student of Leo's and the female that he is also having an affair with. As Saara gains more insight on her husband's betrayal, I could not help but wonder who the victim is, who should be blamed, or who is right.

In many Norwegian films there are common themes which include sex, betrayal, alcohol, and smoking. This film does not shy away from these common themes. These themes I feel as though they are all used as a way to escape what is really going on. Saara, Leo, and Tuuli, all seem to be going through an identity crisis. Leo believes that he wants to be married to Saara, but cannot give up his addiction to other. Tuuli, believes that she is in love with a guy but tries to live around the fact that he is married to another woman. Saara wants to be happy with her husband and tries to achieve this sense of happiness by destroying the life of Tuuli. She fails at this due to her becoming friends with Tuuli and Tuuli learning her true identity. Seeing that this Love triangle was doomed to fail, as an audience you could only expect what each character will do once they realize they are being betrayed by the ones that they trusted. The common occurrences of alcohol and smoking, makes it seem as though each character had their own addictions. In most of the movie you could find Saara with a cigarette in her hand. I found this as a stress reliever for her seeing that she was under pressure the most. Tuuli on the other hand was viewed as a young girl similar to many young students who went to school partied and drank. Leo was the character who I believe was addicted to sex. As long as he could have sex he would be happy. He realized that he was losing Saara but he could not be without sex. In the scene where he and Saara had lunch together he could not restrain himself from staring at the waiters butt. Right after he was caught by Saara, he pleaded for her to come back and be with him.

Sitting at the edge of my seat from the beginning to the end of this movie, chills flowed through my body making my heart pound in nervousness and mind flow with confusion. I was not sure what I was feeling throughout this movie, and I was not sure if I was supposed to know how to feel throughout this movie. Although I felt sorry for Saara, and somewhat understood Tuuli, I could not help but to hate Leo seeing that he was the reason all of this happened. When his body was found froze in the woods I could not help but to think that this is where he belonged and this was what his character role was for.

Intense is just one of the many words that can be used to describe how this film is. Entertaining to say the least this movie was worth the hour and thirty minute airing time. Convincing actors, quality picture and sound fits in great with a masterpiece story that will grab and hold your attention and having talking about it through the next couple of days. As I Stated in the tittle a love triangle of heart breaking betrayal is to say the least.

Musta Jää is a dark and cold love triangle and at times quite humorous one. It makes you laugh the first moment and the second it gives you the chills. Director Petri Kotwica clearly had no rush making this, because it seem so well finished, with not much faults. The only thing that I think didn't work all the time was the score. It is a score by a talented cello player from Apocalyptica, but it was playing maybe a bit too much during the movie. It's a minor minus, but not a big one.

All the actors are just fantastic, and the characters are very interesting. Outi Mäenpää is one of the best finnish actresses and she plays Saara, who finds out her husband is cheating on her. It happens the day she turns 40. Husband Leo is played by Martti Suosalo, a very fine actor too. Leo is having an affair with his student, 29 year old Tuuli (Ria Kataja). Saara starts planning a revenge, that is megalomanic and wonderful to watch, she even creates herself a new identity for it. The plot twists are not stunning but very entertaining and well made.

Movie is good looking too, visually. I think it's not a bit lower than the European medium of cinema. In my opinion it is by far the best finnish movie made in last few years, with Kaurismäki's Laitakaupungin Valot of course. This makes Petri Kotwica one of the most interesting new finnish directors. And this proves he's a great writer too. Movie has a lot of small little things - of acting, characters, cinematography, dialog - that are just genius, not really that much seen in finnish cinema. Much of it happens in Saara's mind. Not that much that you could analyze it like Ingmar Bergman's Persona (which has some fine similarities), but still some. The whole masquerade sequence is one of the things i like a lot too.

I recommend Musta Jää to people who like a well written, well acted and well directed little dark but cleverly humorous European, almost an art film-like cinema. Not for ones who dislike semi-low tempo, and too intelligent structure.

"Black Ice" is a movie that deserves the name. A complex and multi-layered drama that investigates modern society and human relations in this society. Choosing a suitable metaphorical title and creating a good atmosphere of the movie is one of the key features of the movie. The weakness of the film, which reduces the impact and visual value of the film, is the inappropriate role of the soundtrack. The music of the film is added in most of the sequences and plays the role of negative filler. The characters are well-characterized and have a suitable job for the drama situation. I loved the movie and the only regret I have is the soundtrack.

who is the victim ? that is question who gives sense of movie. the fragile husband ? the cold powerful wife ? the young mistress ? innocent can be only the baby. so, a film like a labyrinth. no doors, no windows. shadow of Almodovar and crumbs of Bergman. a story and its plains. dark humor and slices of ambiguous fight. jealousy, refuges, empty friendship and survive. cruelty of revenge in spider way and two women as borders of circle. a film as catch. about snow and ice and need of certitudes and fall. about limits and image of the other. about lies as fermented feelings and slide of looks. series of shadows and complicated construction. happy-end as fruit of profound peace. silence from womb of strange war.

Both the concepts of cheating and of blaming the lover instead of the cheater are things I simply can't understand. Needless therefore to say that stories about cheating aren't my thing. This one though, it has something. Another user called it a 'twisted revenge', and that's pretty much what it is. It's weird, cold, manipulative and even disurbing at times. But the several layers of quiproquos and masquerades are clever, and the characters are very well portrayed and full of charisma, which makes the film entertaining.