Saw IV

When I first sat down to watch "Saw IV", I was not expecting much as it seemed it would be very difficult to make a good sequel with Jigsaw dead. I am not a huge fan of the "Saw" movies, but I was very impressed with Saw IV considering it lacked the presence of Jigsaw.

The film opens up with an autopsy of Jigsaw/John, where an audio cassette is discovered in his stomach, and that sets out the whole plot for the movie. Throughout the film we learn a little more about Jigsaw's history, and why he did what he did. Of course Saw IV also includes some creative, painful and very gory traps which lead to a few slow and painful deaths, which will make even the strongest moviegoers cringe.

Saw IV is nothing like it's prequel, Saw III. It doesn't have a lot of random and somewhat pointless violence like Saw III, it makes you think and had a good twist which Saw III also lacked. If you go to watch Saw IV expecting an average, overly violent, torture porn horror film, I guarantee you will hate this movie. Much like the first "Saw" film, you will be pondering over the final twist for hours.

Overall I thought Saw IV was a decent film, it was entertaining and had a pretty solid script which keeps the audience interested, and the usual bloody "Saw" special effects. However, I thought that it did lack in suspense towards the very end and was a little too far-fetched in some scenes.

6/10 - Entertaining, hardcore "Saw" fans should be pleased.

Not as good as some of the other films, but not the worst. Besides the first movie, we only see these movies because of the gore. This one is alright with that. Opening autopsy was really gross. That first 2 man fight in the beginning was painful to watch. Scalp scene was also brutal. None of these scenes really pushed the limit though, unlike Saw 3 and 5, and those were the only fun scenes in the film. Much more slow as well, though not as slow as 2. Overall cheap acting and thin plot. MILD SPOLIER(didn't like how my favorite character was killed.)

As a die hard Saw fan, Saw IV was one of my top must sees of 2007. Fortunately, I didn't get my hopes up, and therefore I wasn't disappointed. The movie has its fair share of flaws, don't get me wrong. However, the movie made this Saw fan happy because it maintained the spirit of the series. The movie's biggest flaw is that it is by far the most unrealistic of the series and relies too much on chance within the story. Too many events are contingent on others, which makes Jigsaw look almost clairvoyant. However, I was able to look past this and enjoy the fourth Saw film.

Jigsaw (Tobin Bell) is dead. Though he is gone, he vows that his work will continue. And it appears he is true to his word, for SWAT Lt. Rigg (from Saw 2 & 3) is the latest member of the police force to be thrust into one of Jigsaw's deadly games. Meanwhile, Detective Hoffman (Costas Mandylor) is joined by a pair of FBI agents to help stop the Jigsaw killer once and for all...They'll start by looking into his past, beginning with his ex wife, Jill.

The acting is pretty good. Costas Mandylor, Tobin Bell, and Scott Patterson are the standouts. Bell brings so much more to the character this time around through flashbacks as we learn more about John Kramer. Showing that he has created one of the most memorable characters of recent memory, Bell makes us almost sympathize with him, despite the acts he has committed. Mandylor is really good as Detective Hoffman, even though he has limited screen time and dialog. I liked Patterson a lot because of the toughness and reality he brought to the character. Agent Strahm is a good character and definitely one of my favorites in the series. One big surprise was Lyric Bent as Rigg. He definitely showed a lot of range in this movie. He has a future.

The plot is probably the most complex, as there can be as many as 3 different subplots going on at the same time, all while the audience has questions from the first 3 movies answered. The ending also leaves a little to be desired, as it is the least impacting twist of the series (and most obvious). However, I really enjoyed the traps, which were definitely a step up from Saw 3. The random gore was kept to a minimum, but the beginning is absolutely horrifyingly gory. It also felt rushed, which means I can't wait to see the unrated DVD. Hopefully it'll have more extra footage than the others. Saw 4 has the weakest script of the series, but it's still better than I expected. At this point, it appears as if Darren Bousman is going through the motions, and that's what keeps the series spirit alive. As long as Bousman, Wan, or Whannell continue to be involved, the spirit should live on. I also have to give props to the editor for the smooth and catchy transitions, not to mention the production design is top notch. That and the lighting provide at least some horror realism, as the plot does border on absurd at times. The sound is better than ever, with the classic 'Hello, Zepp' tune that has become one of the most recognizable tracks in movie history making its dramatic appearance in the climax of the film. The ending also leaves us wanting more, so I'm expecting Saw 5 next Halloween.

8/10 --spy

Saw IV gives us more gore, less brains. Wait, poor choice of words. I should say we are *shown* more brains but not required to use our own.

Jigsaw, having been killed in an earlier movie, comes back but in the stupidest, most anticlimactic way possible. Almost as if the writers were sitting around 5 minutes til deadline, having elaborated on all the gory stuff, then suddenly realizing 'whoa wait, jigsaw is dead. Who's going to be behind all this crap? Aha..!' (I won't spoil it)

Aside from that, even the killings lack the poetic irony that made all the other movies so fun to watch. The whole gimmick of the Saw franchise is that the killings are each part of some twisted morality lesson, sorta like Mother Goose on psychotic drugs. But here, there didn't seem to be much effort put into the karma content; instead they focused on wacky gadgets that mutilate people in interesting ways. Cool stuff, but you're left wondering 'What did that have to do with anything?'

Example: Some drug addict is put into a contraption where the only way to free himself is to slice his face up with knives. Get it? I didn't either. But as the killer hastily explains: "Because you've acted so UGLY in life, now you'll have to live your life being UGLY!" Get it? I didn't either.

Ultimately the movie wasn't all bad because it held my attention hoping for some grand epiphany at the end. There is indeed a "surprise twist" but it seemed to be thrown in just for the sake of a surprise twist.

I'm pretty bummed because I bought the whole Saw set and was enjoying them all up until now. But SAW 4 threw a real WRENCH in the works.

So I went to see Saw IV yesterday night. What do we actually gain from this movie? Basically it shows nothing new, it's like a reprise of Saw III. And the question is, do we prefer Saw III or Saw? Saw started with only two guys, chained in a bathroom, wondering where they are and what's this all actually about, and those questions are typical for existentialism. The point of this movie reminded me a lot of "No Exit", written by Jean-Paul Sartre.

Both Saw II and Saw III distinguish from the first Saw but Saw IV doesn't bring anything new. It sticks to its prequel. We get to see the same scenes (flashbacks), the same places and again we face those Jigsaw traps that never seem to end. I think that we all know by now what Jigsaw really wants and how we are supposed to play. But the detectives and agents seem to lack intelligence and don't listen to his rules. That's how we face again the catastrophe of this spectacle. We also get to see a bit of John's past and his ex-wife, Jill. I thought she was there to reveal something new about John but she never does.

Actually, Saw IV offers quite a lot, many traps, many people who got into them, many stories and also a lot of blood and violence. The truth is, I don't want to see those things anymore. I have already seen all of that in Saw III. It's like the creators of the movie are falling with every sequel deeper and deeper into meaninglessness. They have forgotten a long time ago about the meaning of this whole thing and rather decided to focus on blood and violence. Too bad the team Leigh Whannell and James Wan, the founders of Saw, does not any longer exist. Nothing can save Saw anymore.

But the director Darren Lynn Bousman keeps on trying, which is actually a big plus. He really can create the atmosphere that fits best to the movie.

I have also nothing against the new actors that appear in Saw IV, p.e. Costas Mandylor and Scott Patterson, who played really professionally for those two roles that they got.

I guess I still hope that they will save Saw, because I'm a big fan, although I already assume that the situation is hopeless. They have sunk too deep.

Good luck with the next sequel. You will definitely need it.

7/10