Harry hates being a TV producer and dreams of leaving his job to travel the world. He loves Alex, an aspiring actor who is struggling to create an identity for himself as a performer. Rugby ... Read allHarry hates being a TV producer and dreams of leaving his job to travel the world. He loves Alex, an aspiring actor who is struggling to create an identity for himself as a performer. Rugby player William's nine-year-old daughter is intent on sabotaging his relationships with new... Read allHarry hates being a TV producer and dreams of leaving his job to travel the world. He loves Alex, an aspiring actor who is struggling to create an identity for himself as a performer. Rugby player William's nine-year-old daughter is intent on sabotaging his relationships with new boyfriends, and he's finding it difficult to let Lawrence, the soap star, into his life. ... Read all
- Alex
- (as Luke De Woolfson)
- Waitress
- (as Sarah Massey)
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Featured reviews
The film is funny, smart, and very close to real. The first 10 minutes is enough to get you into it. There are all shades of characters and you may know some of them in real life too. They are believable. Some good songs, some laugh out loud scenes, and overall engaging. You won't be sorry.
There are some good performances by lead James Lance, and supporting actor Rocky Marshall, but neither are really strong enough to make up for a weak script.
The primary conceit of this movie--that a woman introduces her boyfriend to her gay friends and that makes him gay--is just sketched at. Essentially, we're observing her friends and their friends and their various respective lovers as they interact. Some of the characters are downright unlikeable, but how is that not true to life? At least among this bunch, some have interesting jobs, like the guy who produces a house/swap decorating show. And I liked the interaction with the aspiring actor/caterer and his family. When the actor/caterer's phone rings, his straight brother says, there it is, your agent. You got the lead in that snuff film. The mother looks up from her plate. What movie, she asks? It's funny.
As with most Brit movies, there is class friction which may go over the heads of Americans who are not attuned to the differences between posh and non-posh accents. And there's the usual clichéd urban gay men problems, lust, jealousy, money, jobs, etc. They ARE clichés, but let's face it, they're clichés for a reason--the problems exist.
Ultimately the movie fails, because, if it's primarily about a straight man becoming gay when exposed to gay life, that's the weakest part of the movie. Like I said, hardly sketched in. It's just an excuse to show gay life. I think the movie might have been better, in fact, if that flimsy framework had been abandoned.
All in all, I found this an easy watch, and it held my interest, despite the clichés, despite some unlikeable characters. If you approach this with lowered expectations you might actually like it. Faint praise, I know. But I have to give it, because the movie is a lot better than the other review would have you think. (And at this writing, there's only one other review.)
Did you know
- ConnectionsFeatured in The Birth of the Hom-Com (2009)
- SoundtracksEverything Is Everything
Written, Performed & Produced by Below-Fi for Warped Halo Records
Published by Warped Halo Music
Master License Courtesy of Ken Rose
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- Runtime1 hour 35 minutes
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