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The Killing of John Lennon

  • 2006
  • Unrated
  • 1h 54m
IMDb RATING
6.1/10
1.6K
YOUR RATING
The Killing of John Lennon (2006)
DocudramaTrue CrimeCrimeDrama

A dramatization of Mark Chapman's plan to murder John Lennon.A dramatization of Mark Chapman's plan to murder John Lennon.A dramatization of Mark Chapman's plan to murder John Lennon.

  • Director
    • Andrew Piddington
  • Writer
    • Andrew Piddington
  • Stars
    • Jonas Ball
    • Mie Omori
    • Krisha Fairchild
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    1.6K
    YOUR RATING
    • Director
      • Andrew Piddington
    • Writer
      • Andrew Piddington
    • Stars
      • Jonas Ball
      • Mie Omori
      • Krisha Fairchild
    • 30User reviews
    • 28Critic reviews
    • 49Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Nominated for 1 BAFTA Award
      • 1 win & 1 nomination total

    Photos3

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    Top cast42

    Edit
    Jonas Ball
    Jonas Ball
    • Mark Chapman
    Mie Omori
    • Gloria
    Krisha Fairchild
    Krisha Fairchild
    • Mother
    Gail Kay Bell
    • Psych Bellevue
    Gunter Stern
    • Psych
    Tom Zolandz
    • Goresh
    Joe Abbate
    • Cab Driver
    Hernan Lucero
    • Doorman
    • (as Hernan C. Lucero)
    Dean Goldman
    • Doorman
    Robert C. Kirk
    Robert C. Kirk
    • Detective
    Richard Padro
    • Sheriff
    Anthony Solis
    • Gun Salesman
    Sofia Dubrawsky
    • Jude
    Richard Sherman
    • Lennon UK
    Tom J. Raider
    • Lennon US
    Yuka Sonobe
    • Yoko UK
    Yan Xi
    Yan Xi
    • Yoko US
    Sarah Jo Dillon
    Sarah Jo Dillon
    • Girlfriend
    • (as Sarah Jo Jones)
    • Director
      • Andrew Piddington
    • Writer
      • Andrew Piddington
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews30

    6.11.5K
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    Featured reviews

    Michael_Elliott

    Decent

    Killing of John Lennon, The (2006)

    ** 1/2 (out of 4)

    The first of two films looking at the murder of John Lennon in the past couple of years. This one here tells the story of Mark Chapman (Jonas Ball) starting three months before the murder and a year afterwards. This here is certainly a little better than Chapter 27 but both movies have major problems, which in the end means that neither are worthy of the subject matter. On a technical level this one here is pretty strong with its nice direction and performances but I think it's tries to do too much. The movie covers a pretty long period but it kept hitting me as a been there done that feeling. We've seen countless movies trying to get inside the head of a crazy person and this is where the movie fails. I never did feel as if we were inside Chapman's mind no matter what crazy sayings were coming out of his mouth or how many times he read from The Catcher in the Rye. This here makes the first thirty-minutes really drag as we are seeing Chapman in Hawaii as he slowly comes to realize that it's his destiny to kill the ex-Beatle. When things get to New York the movie picks up a bit but we still have to listen to Chapman talk, talk and talk. The most interesting part of the story being told happens after the 77-minute mark when Lennon is killed. Unlike other films, we get some rather graphic details of the murder with all five bullets shattering through Lennon. I'm sure some fans might find it hard to watch these moments but we also continue with what Chapman did after the murder. Everything involving what happened minutes and hours after his arrest are very well done and are quite interesting but soon we get more dragged out scenes of talk. I'm positive there's a very good movie to be told here but perhaps someone should look at the murder away from Chapman's eyes. Ball delivers a fine performance as Chapman and others in the cast fit their roles just fine. In the end there's a lot of interesting footage here and it's very well made but there's also a lot of weak stuff that really kills it.
    8ridleyrules

    Nonfiction drama about Lennon's killer is very well made

    I saw this movie at the 2007 International Film Festival of Rotterdam. The director was present at the screening for a Q&A. I saw a finished cut, "straight from the Avid", but with at least partly a temp soundtrack.

    Plot summary: This is a dramatized telling of the events surrounding the murder of John Lennon by Mark David Chapman. Chapman (Jonas Ball) is the central character here. We follow his footsteps in the months before and after the killing.

    I have recently seen the documentary The US vs John Lennon (2006), It filled a gap in my knowledge about Lennon in the 70's.

    This movie, "The Killing of John Lennon" is not a documentary, rather a nonfiction drama. It answers some of the questions about Lennon's death that I still had ofter seeing "The US..." The challenge with this type of story is of course: how do you keep a movie interesting when the protagonist is so obviously not a very nice character. I like how this was handled here. There is a good balance between keeping a healthy emotional distance from this criminal, while keeping things interesting. Ted Demme's"Blow" (2001), a similar type of movie about a famous drugs criminal did not have this balance,. I think, where "The Killing..." does.

    Director Andrew Piddington states in the opening titles "All of Mark David Chapman's words are his own." This is important to know, I think, because we get to hear Chapman's words during most of the movie. In dialogs and in voice-over as he recalls the events. It is clear that Piddington has put a lot of research into this, though , He obviously used other sources besides Chapman's testimony.

    The end result is a well-made film. Jonas Ball is almost constantly on-screen, and he gives a very believable performance.

    Even though this was (as the director told later) made with a very low budget, it feels very well produced and expensive. The creation of the time period is very well done. The cinema scope photography is flawless. I also liked the score, but what I heard was at least partly a temporary soundtrack. E,g, for scenes in the car and taxicab a piece from "The Thin Red Line" (composer Hans Zimmer) was used. The director said this would not be in the final film.

    The only flaw that I can see, is that after 3/4 of the movie, it started to feel a bit longish. All in all a very worthwhile watch: 8/10.

    Screenplay Trivia: The movie was made without cooperation by Chapman (or Ono, for that matter. All of Chapman's testimonies are public, so that was used to get Chapman's words.

    Production Trivia: The entire project took 4 years to realize. Much of that went into research and getting financing.
    8EXodus25X

    Doucumentary?

    In ways this felt closer to a dramatization then a film in the classic sense which I think was a great thing. It makes it feel as close to reality as a movie can be without being a documentary. Jonas Ball who plays Mark Chapman in this film is just amazing, I don't know exactly how close to reality he plays this character but honestly, so what, he is intense, interesting, unique and a force on screen. The film maker used transcripts from the trial and the diary of Chapman to create the dialogue in the film and that authenticates it enough for me, it opens a window into the mind of Chapman that most people would never know. I think the film did a great job, no an amazing job of making everything feel real, like cameras were catching this all as it unfolded. Even with the outcome already known to the audience the anticipation and intensity was at times at a very high level. I was glad the film did not stop earlier but instead went on past the killing into what I feel is the best moments of the film when you see the immediate transformation of Chapman and then slowly his return to insanity. This film proves that a single actors performance can truly make a film. My hats off to this director for recreating such a horrible event with what feels like such authenticity.
    5pkwsbw

    Could have been better

    I watched this film on pay per view mainly because I remember that day so well. It's hard for me to say exactly why, but I don't think the film quite works. Somehow the character development didn't click for me. The film was a bit slow moving, and I didn't like the occasional surrealistic asides showing him freaking out, descending into madness.

    Technically, there were many flaws. They didn't try very hard to get the period right, other than obvious things like his haircut, car, and the 1980 presidential campaign. Also, I recall reading that part of Chapman's motive was that he was a rigid Christian, and he still smarted from Lennon's offending of the faith way back in the 60s. I think he had been some sort of youth counselor as well.

    Overall, there was too much of an amateurishness to the production for me to recommend.
    6dbborroughs

    Too long in the mind of a killer

    Re-enactment of the months leading up to the shooting of John Lennon in the life of Mark David Chapman using his own words and the actual locations.

    Stunningly made and extremely well acted film is the cinematic equivalent to being dropping into the mind of a mad man. This is a often a scary portrait of a man on the edge. Through the use of words and images one can get a sense of what it may have been like inside the brain who killed John Lennon. Its a wonderful achievement that makes me want to see what director Andrew Piddington has done before and will do after (It appears he's done mostly TV documentaries). The early part of the film is very unnerving since you begin to see and understand what Chapman was thinking and going through. It is not an easy thing to identify with a killer and there are moments when Piddington makes you do that. (I know several people who don't want to see this film at all because they want to have nothing to do with the subject) As well made and well acted as the film is the film falls down in one key area, its simply too long. Running almost two hours the film simply begins to run out of steam as we watch the monotony of Chapman's life become monotony on screen. Some scenes seem to go on too long and others seem be a repeat of things we've seen before. What worse is that its an intriguing thing to think and feel like a madman its another to feel trapped in his mind and after a while the sensation becomes one similar to drowning and one wants to simply tune out and shut down. I hate to say it but I think probably a half hour could be removed to speed things up.

    Well made enough to be worth a look on cable (I saw this on the pay service IFC on Demand) or as a rental where you may be ale to get through the slow bits by walking away for a while.

    6.5 out of 10.

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    Storyline

    Edit

    Did you know

    Edit
    • Goofs
      (at around 30 mins) When Chapman is riding in a taxi at the start of his first trip to New York, he is driven through Times Square. A number of stores that weren't in Times Square in 1980 clearly can be seen, including Foot Locker, a Virgin Megastore and Planet Hollywood.
    • Connections
      Edited from Koyaanisqatsi, la prophétie (1982)
    • Soundtracks
      Pua Sadina
      Written by Raymond Kane

      Performed by Makana

      Published by Makana Music 2003

      from the album "Makana Ki Ho'alu"

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    FAQ

    • why did he shoot John Lennon?

    Details

    Edit
    • Release date
      • December 7, 2007 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Убийство Джона Леннона
    • Filming locations
      • Hawaii, USA
    • Production company
      • Picture Players Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $6,975
    • Opening weekend US & Canada
      • $3,077
      • Jan 6, 2008
    • Gross worldwide
      • $53,117
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 54 minutes
    • Color
      • Color
    • Aspect ratio
      • 2.35 : 1

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