Sanctum

Sanctum is a tense escapist adventure that is considerably better than it's 5.9 rating here.

The biggest problem with the film is the acting. It is easily my biggest gripe. Some of the writing (early) is a little cheesy too, but it doesn't take long to kick all the nonsense to the curb and escape, downward into the abyss.

This is where the film thrives. The last hour goes fast. The film is claustrophobic, bloody, and as harrowing as it gets. It is also one of the only decent, somewhat realistic caving movies of all-time. It doesn't have any gimmicks, just the cave, and the unrelenting power of nature.

Sanctum teeters between 6 and 7 for me. I don't know why, but every couple of years I yearn to watch it again. The film feels like an hourglass where the sand is about to run out.

Get past some of the rigid lines, and enjoy it for what it is.

66/100

You'll like this if you liked: The Rescue(doc/much better), 127 Hours(better), or The Perfect Storm(ever so slightly better).

Sanctum is an action thriller involving exploration of an extensive, world-class cave system in Papua New Guinea. The movie is inspired by an actual flood event in an extensive cave in the Nullarbor Plain of Australia in 1988. It is not a documentary, but designed to be a realistic, albeit embellished, account that includes non-stop action as the team is faced with its deadly situations and decisions. Although released in 2-D, 3-D, and IMAX formats, Sanctum is not a science fiction or horror movie. There are no monsters, weird creatures, on humanoid inhabitants, such as are found in the recent films, The Cave, The Cavern, and Descent (Parts 1 and 2). And it is not a fantasy underground adventure like the recent remakes of Journey to the Center of the Earth and Alice in Wonderland. Sanctum is about caving, an adventure sport that is practiced by knowledgeable and safety-minded people throughout the world.

Most movie goers may not recognize the authenticity of the techniques and equipment used in the film. As one who has spent over 45 years exploring and studying caves in over 35 states and several countries, I am familiar with modern caving in some of the great cave systems on the planet and I personally know many of the cavers who are making new discoveries every year. Therefore, I can attest to the great care that the director Alister Grierson and writer-producer Andrew Wight have taken to provide realism to the cave setting. In fact, Wight was a survivor of the Nullarbor event and is an experienced caver and diver. That having been said, Sanctum takes some liberties to create an exciting story. Nearly every activity in caving is included in this epic, such as climbing, rappelling and other rope work, squeezing and negotiating tight passageways, and of course cave diving. This story shows what can go wrong with each of these if care is not taken or if safety is ignored. Sanctum is an adventure thriller that consists of a long string of incidents, dilemmas, and solutions. Each situation is believable on its own merit and has happened at one time or another in caving. But in Sanctum, all of these have been combined, one after another, and continually pose challenges and demand solutions. It reminds me of the classic and entertaining cliff- hanger movies of old. This makes for an exhausting tale in which the audience feels the tense and claustrophobic situations. It is unlikely that such a string of events would ever be encountered by a single caving expedition. However, individually accidents do happen, although they are relatively rare because cavers strictly abide by established safety rules.

What disturbs me is that many of the reviewers of the movie to date miss the point of the film and show an ignorance of what caves and caving are like. Here are some typically unfair remarks and why these are so.

"There is little character development." Caving is very focused. When you are underground, you only think about your surroundings and mission. You do not think about the outside world and your life there, much less about your interpersonal relationships with your fellow cavers. It is true that when caving, you learn a lot about your compatriots and their personalities (just like in the movie), but you do belabor interpersonal relationships. Team members are selected based on their proved track record underground. If there are challenges and threatening conditions, you focus on those as a team, as in the film. Many reviewers apparently wanted more psycho-drama among the protagonists.

"The dialog is terse, unrealistic, and too loud." I disagree. Under the emergency conditions such as shown in the film, the dialog of the characters would be similar. There would be a leader and a plan would develop, just as we witnessed in 2010 in the case of the trapped Chilean miners. As for loudness and screaming, this is the only way to make yourself heard in the presence of running water in the echoing confines of cave passages. I know this from experience. One's senses in a cave are very much focused on sight and sound and the immediate surroundings.

"It is a tedious tale." Yes, trying to escape through a cave system that is flooding could easily be tedious and, given the extent of the cave in Sanctum, finding routes and traversing them would take considerable time. Cave exploration is not a fast process.

I have been on hundreds of caving trips, including some grueling ones in long and complex cave systems. For me, the representation of the features in the cave and the techniques of exploration are portrayed quite well in Sanctum. Again, this movie is an adventure story that accurately shows what caves are like, even though it combines many of the dangers into a thrilling series of unfortunate events. It is a fictional tale, but realistically portrayed.

Reviewers who expected Sanctum to be a high-culture movie or one that explores interpersonal interactions among the characters have missed the point completely. Unless they have gone on trips into extensive and wild caves, they have little idea of what caves and caving are really like and what this movie is all about. They can not possibly understand the dynamic among cavers under adverse conditions. I find more faults with the reviewers' logic and understanding than they can legitimately find in the film. The movie stays true to what extensive caves are like and the techniques used to explore them. Given that, it is also one heck of an adventure thriller.

Forget the critics, this is an awesome movie. It's fast-paced, action-packed and spectacular. I was tense the whole time and came out feeling like I'd been holding my breath for hours.

Seriously, most critics seem more interested in showing how cynical and cool they are than actually enjoying a great adventure film. I've read lots of reviews, so I'll address a few of the complaints made.

Bad dialogue: It's not Shakespeare, but it sets up the relationships between characters quickly and serves the action well. It also manages to explain the basics of caving and scuba diving (which most of the audience would be unfamiliar with) without seeming too preachy.

Bad acting: I thought everyone was pretty great with what they had to do. Again, it's not bloody Shakespeare.

Predictable: not to me. Yes, they're stuck in a cave so there's only so many things that can happen. But what does happen is really bloody exciting. I guess if you spend your whole life watching movies (as critics do) then any action movie would be predictable after a while.

Unlikeable characters: Um, since when did every character have to be likable? And even if you don't particularly like a character, surely you don't want them to die a horrible death down a cave. The truth is some of the characters you really like, some grow on you and some you almost want to drown with your own bare hands. So a good mix.

Weak roles for women: I disagree. The women are put in freaky situations and react in human ways. Though I didn't quite understand what happened to Victoria - that's one thing the film could have done slightly better.

I've also heard critics complain about too much swearing (seriously, if you've ever spent time around real-life explorers they're generally not too concerned with social niceties, especially in life-or-death situations). And some reviewers complained that there were no monsters in the cave - seriously! That was what was so great about the story - it was extreme but it all could have happened. Man vs nature and vs each other - much more interesting than another monster flick.

Anyway, Sanctum is excellent. Go see it.

For a film that goes so deep underground, Sanctum is a remarkably shallow experience. Playing out like The Descent with more water and no monsters, it's a beautifully shot survival flick but it's populated with characters so bland that you won't care one bit if they survive or not. And you'll probably be able to figure out what order they'll run out of oxygen in as well.

In fact, it's not that surprising that as his sticky fingers are all over the post-production and cinematography, this feels like a James Cameron flick where the script never got past the first draft. So when Grrr, Aaargh (Frank MacGuire), Whinging Son (Rhys Wakefield), Millionaire Jerk (Ioan Gruffudd), Comic Relief (Dan Wylie), Woman (Alice Parkinson) and Expendable Foreigner (Cramer Cain) find themselves trapped underground, you'll be more interested in how they're going to die than in the clunky dialogue.

That said, there's some eerily beautiful moments of utter horror to be found. From the ethereal splendour of a vast underwater cave to the pockets of air bubbling like mercury on the rocky ceiling, it's a feast for the eyes even when it leaves the brain starving.

Yes, it's clunky. Yes, the cave is surprisingly well-lit and yes, saying "what could possibly go wrong" before abseiling into the bowels of the earth is utterly stupid. But it's pretty, has a couple of cool death scenes (the "hair" moment is horrible) and it's much, much shorter than The Abyss.

I was expecting this film to be a lot worse but it was supported by my JC - James Cameron as executive producer and it does have some of the best 3D visuals out there. I praise Alister Grierson for using proper 3D cameras and not only that, the ones JC prefers and created. It was a joy to actually watch a proper 3D film and not the hideous post production 3D I have bitched about on numerous occasions. I think the utilizing of JC written everywhere will definitely help this film immensely and to some extent it truly deserves it.

Some of the scenes in this film are poetic artwork and sheer beauty and provide some mouth agape splendor. And the 3D really does immerse you in the environment, there were moments of vertigo and a constant claustrophobia suffered by myself. The only thing I have struggled to do that I have tried is scuba diving - I chewed through the mouthpiece and kept wanting to rip my mask off - not a cool way to dive . If you can see this one in IMAX 3D then do it - would be totally worth it.

The film also has a really worked out plot, the story is great, although it has been done to death before in different settings, it's an escape film like Towering Inferno. In fact think of The Poseidon Adventure minus the boat . If you don't work out who will survive in the first ten minutes then good for you . It is extremely clichéd with some obvious flaws - for example, the one lady who doesn't wear a wetsuit but wears this huge red outdoor storm gear thing nearly dies of hypothermia and shivers the whole time and yet all the guys are wearing wetsuits, although all sleeveless so we can see some flesh and they are always nice and cosily warm. What this film really lacked though was a decent script - some of the lines in this film had me laughing and cringing in equal parts. It really needed someone like Roberto Orci and/or Alex Kurtzman from Star Trek fame to flesh it out and make it justifiably awesome. But the script brings a lot of the film to B grade level.

Then the other thing that let this film down was one actor, Ioan Gruffudd - I could not believe how bad he was in this film. This guys is a lead in Fantastic 4, was in Titanic, King Arthur and numerous other films but in this he plays this over the top, heavily and badly accented American and it was so badly played he brought the film down a few notches - there were scenes I was hoping he would die so he would be gone from the film. It was shocking.

I will say thank god for the two main leads, Richard Roxburgh and Rhys Wakefield, playing his son. When I first saw the trailer I wasn't too impressed with Roxburgh - he always puts on a silly accent in films and in things like MIssion Impossible 2 he was this hideous bleach headed idiot. But in this film he really pulls it off and I preferred him as a leading man than as a supporting cast member. I found his role very believable and a strength in the film.

Then there was Rhys Wakefield, I found him great in the film and see a strong future for him following that Australian to US market. He is incredibly attractive and has smoother skin that Just Bieber after a buffing. Josh (Wakefield) has a superb relationship with his father in the film, Frank (Roxburgh). It is a love hate, make them tough relationship and it developed nicely and made Josh a man by the end of the film. His good looks were quite distractive in some scenes - as Josh is holding someone dying both Paul, my viewing partner, and myself were going oooh - nice arms. LOL. I am sure this is not what they were after in this scene . He holds the camera well and I look forward to his next role - those Hemsworth boys need to watch out - this guy is coming for all your parts.

I think this film will do OK. It is a guilty pleasure action film that requires limited thinking. It will be a teenager's dream film . I think with the combo of JC, some great direction in a difficult environment by Alister Grierson and the acting of Roxburgh and Wakefield really made this film a pleasure for me. If Gruffudd was never in this film and the script got a work over this could have been a much much better film. It is out this Thursday Feb 3rd in Australia and I recommend a big screen in 3D. Worth 6/10. Suss all my reviews at SaltyPopcorn.com :)