Héros de guerre

After so many years waiting, there comes "Assembly", the first military blockbuster of China that Chinese movie and military fans have been hardly expecting for such a long time! I believe this movie will pose an extreme important position both in the movie history and military culture of China.

Since Steven Spielberg's "Saving Private Ryan" and Tom Hanks' "Band of Brothers", shooting an excellent and extraordinary warfare movie becomes a great dream among Chinese movie and military fans. Due to political and history reasons, military is a sensitive subject for normal directors and production companies. The official August 1st Movie Studio of PLA is nearly the only producer of military movies. Though there were also many famous works such as the epic trilogy of "Decisive Engagement", the majority of this studio's products are mainly designed to meet propaganda and political priorities, then secondly for art or to restore history. As for those so called "main theme of nowadays" military TV series and plays, absolutely rubbish! (Except "A Soldier's Charge")

"Assembly" becomes a turning point. Yes, August 1st Movie Studio did supply some assistance during the making, but "Assembly" is not an official product of the Authority. It aims at entertainment area, uses commercial method combined with modern movie technology, rather than compulsory propaganda, to win the New-Year-Eve movie mark campaign in China.

Director Feng Xiaogang did it. "Assembly" sets a new level for Chinese military movies. And wins the hart of many audiences, fulfills its mission to be the first military blockbuster of China that people expecting long. I don't mind the special effects of war were created by the same team in Korea's "Taegukgi hwinalrimyeo". I'm just so pleased that China is now also able to shoot such a warfare movie that shake my heart so greatly and touch my emotion so deeply, that reflect the brutality of war and restore history details so really! Just like the Hollywood did! Nearly-real combat scenes and explosions shot by a shaking camera, old weapons and uniform (Type 55 uniform of PLA) in history exactly restored, native language of that period, and so on…… These scenes only exist in our dreams before, now they finally come into big screen!

Unlike the epic works of August 1st Movie Studio that mainly focus on great leaders, "Assembly" precisely draws the inner heart of a normal person for the first time. What's more, the director didn't avoid sensitive history matters. In order to gain martyr identities for his gloriously died comrades, Company Leader Gu Zidi came through lots of unfair treatment after the founding of new China. He never gave up and continually to fight, to find his men's bodies, until they were formally confirmed as martyrs and buried in 1958.

By the end of the story, when 47 heroes finally received the medals and salute that belong to them, tears break out from the eyes of every audience. That is the real glory of a Chinese soldier, the real spirit of Chinese people!

ddeell72,Christmas Eve, 2007

Feng Xiaogang's Assembly was the opening film at last year's Pusan International Film Festival, and tickets were sold out in record time once they were made available online. Such is the faith (or curiosity) of the new film from the director who brought us movies like World Without Thieves, and martial arts Hamlet The Banquet. When you think of Chinese directors making a movie based out of Chinese history, you can't help but imagine the massive amount of propaganda that get so blatantly infused into the story and especially the dialogue. But here, Feng managed to bring about a movie which goes beyond the usual ra- ra, and shows us that a movie with universal themes can also come out from what is essentially a war movie based upon China's tumultuous era after WWII.

Assembly refers to the call of the bugle to retreat and regroup, and this is the call that Captain Gu Zidi (Zhang Hanyu) and his 47 men of the 9th Company, 3rd Batallion, 139th Regiment, are keenly listening out for, as they go about their mission in ill-equipped fashion, holding fort on a strategic plain. Sent to the frontlines for war-crimes, Captain Gu and his men, while being the best at trench warfare, find themselves severely lacking in essentials - manpower, ammunition and heavy weaponry, as they go up against the marauding forces of the Nationalist army, with their relatively superior armour. However, their mantra is old school - only the bugle will signal their fall behind, and everything else means fulfilling their mission objectives at all costs.

While all might seem lost, this provides the kind of tales of valour that comes out of these battles, something like 300's. Assembly honours the spirit of the unit, of their tales of bravery and unflinching under insurmountable odds. If you're looking for a war movie, then Assembly will not disappoint. For the first hour anyway. Told in three acts, the first act, all 60 minutes of it, is where the action takes place. The war sequences here aren't poetic in the veins of Terence Mallick's The Thin Red Line, but are more aligned with Steven Spielberg's Saving Private Ryan, with its gritty realism, strained colours, and bloody, gory violence.

We're probably, in recent years, in tune with war movies that put us in the shoes of aggressors, and that is to follow an assault team. Very rarely are we put into trenches and be seen to be on the defensive like that of Iwo Jima, soaking up wave after wave of attacks. And that's where Assembly shines, in having four intense battle sequences, three of which were on the defensive scheme of warfare, and the other, while an assault, does seem more to be on the losing end rather than achieving a clear, decisive victory. If details are what you're after, then you probably can't go wrong with the single bolt weapon, primitive artillery and the sharing of tin helmets. In fact, you'll probably be wondering instead that the PLA at the time was really backward, given the world's military technological advancement in the West/Japan during the 40s.

And given last year's double bill by Clint Eastwood in Flags of our Fathers and Iwo Jima, Assembly seems like both movies combined, in providing both an in-depth look at the battles fought, as well as taking time off to contemplate more serious issues in dramatic fashion. In the second and last acts which take up the remaining hour, we follow Captain Gu as he tries his darnedest best to get his company recognized for the contribution it made, no matter how minuscule it might seem compared to the helicopter view of achievements. These acts might bore those who came satisfied with the first half, but for those looking into a more intimate drama of one man's fight for his lost brothers, then this portion will likely appeal to you.

Ultimately, Assembly is an ambitious film. It combines drama and action, and in both aspects, doesn't hold back in bringing about the best it probably could. Kudos go to actor Zhang Hanyu who plays Captain Gu, in what can be essentially a one man show, putting focus of his place in history and his solo fight against the system. And after watching this, you'll probably won't hesitate to watch another war movie coming out of China, if they meet the benchmark set by Feng Xiaogang. Recommended!

Assembly is a gripping film about the Chinese civil war and its aftermath, recounted through the story of a doomed company of Communist soldiers and the subsequent struggle of their commander, Gu Zidi, to win recognition for their sacrifice. Hanyu Zhang is superb in the role of Gu Zidi, carrying the memory of his lost and forgotten comrades, and is the focus for a film that is by turns brutal, moving and provocative.

The opening battle scene is Assembly is startlingly violent and throughout the film the portrayal of modern weaponry and its effect upon human bodies is truly frightening. The battles are impressively staged and meticulously detailed, from the soldiers' uniforms to the networks of defensive trenches. There are some eye-opening details about the nature of warfare in the Chinese civil war, including the deployment of 'political officers' to encourage Communist troops to act in line with Party doctrine.

Admittedly, much of the film's appeal stems from its foreign origins. The Chinese civil war and the subsequent war in Korea are not often portrayed in the cinema, and it is even more rare to get a Chinese perspective on these events. Certainly this makes it difficult to find a point of reference by which to assess the success of Assembly. Nevertheless, I did have some reservations, including the camera-work. The battle scenes cut frantically between different shots, unlike, for instance, the opening scenes in Saving Private Ryan, where the action relentlessly tracks the soldiers' landing on the D-Day beach. This repeated cutting and changing conveys some sense of the chaos of warfare, but I feel that the shaky camera-work was overplayed and found this a bit irksome after the first few battle scenes.

A more general problem is that this film focuses almost exclusively on the actions of the Communist soldiers. It would have been interesting to learn more about the Nationalist Guomindang soldiers, but they are barely afforded any speaking roles. Although Assembly is written from the perspective of the winning side, it does not begin to examine why the Communists were at one time so short of munitions and especially men in fighting the war against the Nationalists. The story of Gu Zidi's company of men is a battle against the odds, but the film does not delve into the root causes of their desperation.

But although Assembly is a portrait of one side in a long military conflict there is surprising depth to this portrait. The film does not follow a straightforward triumphalist narrative about Communist war heroes, but instead builds a complex tale of an individual (Gu Zidi) who struggles for the posthumous recognition of individual soldiers who made an individual sacrifice. These were soldiers who were scared and sometimes balked at the dangers before them – as would anyone – but they made the ultimate sacrifice and Gu Zidi strives to have their efforts recognised as a unique contribution to the war effort. That it is such a great struggle for Gu Zidi to secure a memorial for these fallen comrades is at least partly an indictment of post-war society and government in China.

Assembly achieves a remarkable amount in less than two hours. It is a vivid reconstruction of struggles during and after the war and is moreover a deeply moving experience, especially in its final frames. And if part of the appeal lies in the fact that this is a foreign film about a little-known war, then that is all the more reason to seek it out.

indeed,i agree this is a very powerful movie: chapeau to mr feng Xiaogang for this tour de force ! recent years war movies the like of "flags of our fathers", "saving private ryan","iwo jima" are certainly (and always will be) violent but with lesser gratuitous effects and they dealt very justly with the myriads of war consequences, first on the soldiers and the rest of us. i salute the initiative of mr feng. here, i am not comparing his 'the assembly' to the previous film titles, for no war is alike and comparable. but his courage in depicting a period of profound political disturbance in his own country make us all stop and ponder, and this is on a personal note since i am vietnamese and having lived through much of my own country's war, what are the tragedies of fratricide between brothers of same origins, beliefs and values. mr feng showed us the strong sides and the various weak sides of soldier in this part of the hemisphere. by that process, he erased those past clichés of Asian cultures in the practice of that belligerent art. is or are there any morality stemming out of this movie ? mr feng will be more apt to answer than myself. finally, i wish someone in my own country could have courage and integrity ( and resources !) to make this kind of movie for future generations to learn from our past. mr feng has carved himself an indelebile mark in Chinese filmaking. bravos...

I was attracted by the film when the trailers came out. I was at first shocked by its vivid, cruel and accurate description of the war scene. But when I watched this film at the cinema, I could hardly hold back my tears. It's not a pure military blockbuster. It's a story of a hero searching for the glory and the honor that he and his brothers deserved. It's a story of the return of a long-lost heroism.

I think the biggest breakthrough that Xiaogang Feng made is there was no propaganda for the Communist Party of China. Soldiers pulled the triggers of their rifles because it was their mission that demanded them to do so. They feared blood, feared death. They would step back when bullets were buzzing around. They would save their friend from dying at any cost. I'd say that director Feng had created some real vivid figures. The soldiers in the film are a real reflection of the true Chinese spirit.

As a Chinese, I loved this movie very much even though it was not 100% "Made in China", for it was a milestone in the Chinese film history where directors learned not to simply imitate how American or European directors to shoot a movie, but to use these technologies to tell a more convincing story. Heroes are still human beings, and this is what "The Assembly" actually wanted to tell.

I'll give a 10/10. It's really worth watching, at least from the point of view of a Chinese.