Shuttle

On the surface, 'Shuttle' looks like it's going to be one of those slightly laughable high-concept movies like 'P2' - kids get on the wrong airport shuttle bus and all hell breaks loose. You'd be forgiven for expecting little more than incompetently handled third-rate genre clichés. This is one of those rare instances when you'd be wrong. Defying all the odds, writer/director Edward Anderson manages to craft a tightly structured thriller with a genuine sense of mounting dread and performances well above the norm for straight-to-DVD fodder. He's able to create some sequences of real tension and displays more talent and understanding of the mechanics of suspense than many more experienced directors. I, for one, found the story involving, the protagonists likable, and enough unexpected reveals to keep me guessing 'till the very end as to the true nature of the crime being perpetrated. All in all, 'Shuttle' is a solid horror-thriller that chooses suspense over violence, and does so admirably well for such an inexperienced director. I've no idea what Anderson's been doing in the three years since making this movie, but I hope his evident talents won't go ignored much longer.

I've just finished watching this movie and as always I refuse to give too much away on the plot and characters so here is my simple review.

The good points - Original plot, very acceptable acting by mostly unknown actors and OK direction by first time director Edward Anderson on a low budget. The bad points - Not enough time spent getting to know the characters i feel the movie could have spent the first 20 - 30 minutes getting to know about the characters, very poor colour and lighting in this movie everything seemed to have a pale complexion, its got your usual don't do that, why did he/she do that scenarios for thriller/horrors.

All in all could have been better maybe seemed a little too long based on the fact that there was no character development at all.

Average

Try and enjoy if you do watch it though.

What can you say about the film where the general idea behind it is good... but the construction is so appalling? Watching the last few minutes offered some semblance of satisfaction... but recalling almost everything that led up to this point... such as: twists you can see from a mile off, cretinous behaviour from all concerned and a ludicrously indestructible villain meant whatever good feelings I may I had towards the movie came crashing down like a lead balloon.

These two girls have just come back from Mexico, and are trying to get a ride home from the airport. Rather than take an official bus, they rather unwisely choose to hop on a dodgy looking blue van driven by a seedy looking geezer... with the offer of a 50% discount. A couple of lads desperate to get off with the two ladies join them, along with a nervous-looking businessman. His role will quickly become clear for anyone with a half functioning brain. Surprise, surprise... the truck doesn't stop where they want it to. Then, when the vehicle halts abruptly when it gets a 'flat'... that's where the ordeal begins.

And not just for the protagonists. Constantly, we see people having countless opportunities to run for it, kill the bad guy, escape with the van... and do they take any of them? Nope. Admittedly, this would have ended the film much sooner (not a bad thing). But to endlessly harangue us with these venues of retreat, only for the foolish characters to choose THE WORST POSSIBLE OPTION and muck them up is just an insult to the audience. This is a common problem to be found in a lot of recent films... if our heroes are going to fail, at least let them do it in a believable way, not by having them act dumber than roadkill. It also majorly diminishes what sympathy we may have had for the hapless fools... when they're the architects of their own downfall.

As for the evil dude, he can be involved in a major automobile accident, bludgeoned over the head repeatedly, stabbed in the thigh and shot through the skull... and STILL muster up enough strength to not only survive, but force a young woman into a box. Is he a cartoon? It just adds to the lunacy, anyway. And the few curveballs the script throws our way could be anticipated by the most inattentive of viewers. Shuttle could have been a noteworthy horror with originality, but thanks to poor treatment just ends up being a forgettable also-ran... 4/10

If you have seen Taken, then you will notice the similarity of the idea of trafficking. I know that both movies were released in 2008 but I don't know which one came first. However, the similarity in here is only in that point and other than that both movies are different and not to be compared in anyway. I loved both though Taken is much much more better but this doesn't make shuttle a bad movie.

Shuttle has good things about it in terms of getting you wondering what the bus driver will end up doing with the girls. It's not that you don't guess why he kidnapped them but you will wonder what will happen.

Overall, the movie does have bunch of entertaining elements in the plot and though the reviewers probably didn't like the characters, I did like them and they were convincing in some parts. One of the reviewers mentioned the fact that the characters were so stupid and at some points could have easily escaped but this is not true. The other day I was sitting in the hospital waiting for my turn to get into the doctor's office and my laptop was with me. And then I read a sign about what to do if a fire starts and started wondering if a big fire flamed out in the whole place and the only way to save myself is to run fast, What would I do? Would I choose to forget about my heavy bag of laptop and CDs to save my life? and I found it really hard to leave my expensive things behind right away. Things have to really get worse for me to start considering throwing my things away. So this is what usually happens with movies when you find some actions stupid and you can't understand them or find the rationale behind them from the comfort of your seat at home. I find these things true and serve the plot and increase the tension.

Interesting from the start, though far from riveting, the plot of Shuttle very slowly builds to an incredibly unsatisfactory ending. The premise is all right; people embark on an airport shuttle towards downtown only to discover that they are at the mercy of a psychopath who kidnaps them. What ensues, however, is a pretty by-the-number thriller where there is not one development, plot point or reversal that is unpredictable or surprising in the least. Even a supposedly midpoint twist is totally foreseeable only by the way the main characters are introduced at the beginning. From then on it's merely a long cat and mouse game that loses interest quickly.

Audiences of this type of genre fare are trained to expect a major twist at the end; no such luck here. There is a conclusion but it is neither truly shocking nor original. And to claim that the filmmakers wanted to make any kind of statement about the world and a sad phenomenon with this ending would be easily negated by referring to the sheer exploitative nature of everything that precedes it.

The length is way too indulgent for this material; at least twenty minutes could easily be cut without compromising this story. Shuttle is not without merits though. Acting is surprisingly accomplished throughout, particularly by the two girls, especially in light of the weakness of the material they have to work with. Their backstory, undoubtedly aimed at deepening their characters, is incredibly clichéd and poorly conceived. Directing is top notch, low-budget film-making at its best; again, too bad there is no properly developed screenplay to provide a solid foundation.