The Flock

The films starts of good: the premise is intriguing and there are some scenes that get you dragged into the movie. As the movie progresses, the script starts making less and less sense and the last twenty minutes felt incredibly rushed and out of tone.

The direction wasn't good at all. What bothered me for instance was the camera-work. Too many different styles are mixed and it all ends up looking incredibly sloppy instead of the intended 'modern/flashy' effect. The music should have been better too. There were numerous examples of scenes that should have been silent that had music playing in the background and vice versa. Also, the music played was not of the highest quality.

The film is somewhat engaging, it deals with a sensitive subject and tries to deal with it in an honest yet confronting matter. At least, in the beginning. In the 2nd part of the movie there's little left of the objectivity in the script. I won't name any concrete examples because I don't want to spoil it for anyone but I'm sure you'll know what I'm talking about if you ever see it.

The acting was all right in my opinion. Not top notch but not horrible either. Gere is average like always and Danes doesn't really leave big impression either. The supporting cast should've been better, the example of Miss Avril Lavigne immediately comes to mind. She manages to ruin the only scene she has.

Many people will compare this movie to 8mm, because of the similar harsh theme but they have little in common. 8mm is a lot more powerful,darker and shows more guts(not literally). It's easily the better film. There are some shocking scenes in 'The Flock', one of which resembles a scene in 8mm a lot but this time they lacked the nerve to go all the way.

To summarize, is this movie bad? No, but it won't blow you away. The ideas are interesting but after a while the script feels uninspired and formulaic. The acting is mediocre and the score is bad. It's not really worth seeing but it'll briefly entertain you.

5.4/10

So there you are, in a car, driving after a guy who is running down a back-street and who has just been doing nasty things to a girl who was tied up by her wrists to a wall. You really, really, want to catch this guy 'cause he's a mean bugger. So you're driving and he's running, and as you get close to him he has the cheek to pick up a rubbish bin - you know, one of the small metal "trash cans' that you see in every back-street.

So when this desperado throws the trash can at your car, what do you do?

I'll tell you what I would do. I'd keep going straight and run the bugger down! But what does Richard Gere do? He's turns sharp left and crashes into a pile of rubbish, gets out of his car and lets the guy get away.

Who the hell wrote that piece of this pathetic script? Too unbelievable. I guess that's why I've never heard of this film.

Please try to choose better scripts, Mr Gere. You're a great actor - you just need to be more picky.

The Flock was nothing too original, but a movie doesn't have to be original in order for it to be good. For its few, if any, forgivable flaws as a by-the-books detective/Seven thriller, the Flock as a whole is still a taut, brooding, gritty, intense and fun little popcorn flick. Like I said, the material isn't exactly fresh but it is still far from stale and Richard Gere, who act as though he were a man possessed, elevates the script and the film that much higher in terms of overall quality. This is not bargain basement entertainment, nor did it deserve to go straight-to-video in the US, especially given the talent involved both in front of and behind the camera. The list includes: Richard Gere (in his prime), Claire Danes, Andrew Lau (director of Infernal Affairs), and of course, the Weinstein Company (who need no introduction seeing as they are Hollywood.)Despite the lack of hype, the Flock deserves recognition for its solidity, or at least a watch. trust me, its a hell of a lot more thoughtful and entertaining than 99% of the garbage that continues to get released on a daily basis.

After Chicago, I was beginning to lose all respect for Richard Gere and then along came The Flock. There's just so far a nice smile and a couple of stock facial gestures can get you, but he proved to me that he's finally gotten hold of his craft and can act with the best of them. Clare Danes was also super as his "trainee/replacement". Some have suggested there was too much unnecessary violence, but I don't see it that way. Nothing I saw detracted from the power of this film. I was really shocked I hadn't heard of it being released in theaters and came across it at Blockbuster instead. Really an exceptional film with just the right blend of action, suspense, thrills, and social consciousness. As good as 7even? Well, maybe. And you'll see better acting out of Gere than anyone's ever gotten out of Pitt.

I have just seen this movie. It just opened today (November 9th 2007) in Spain. Let me say that I understand the bad word of mouth the movie is having, it deals with a difficult subject (sexual abusers) and its tone is as dark as say "9 MM", if not darker.

But all things considered it's a pretty good film. The investigation angle makes for a very tense thriller, but where the film really shines is in the depiction of Richard Gere's characters, as well as the villain's, which I won't reveal.

Gere is really all stops go here, it's easily his most intense role since "Internal Affairs". Even if you are not Gere fans, you're gonna love him in this.

On the minus side, I didn't like the way the film is edited. It's full of flashes, freeze frames and all those "arty" stuff they cram into your TV series and direct-to-DVD movies. I understand they wanted to give the movie a hard edge, but it's often too distracting. The film is already dark and gritty enough as it is, and this bells and whistles don't add a damn thing.

And then there's Claire Danes. look, she's an OK actress, but she was like a fish out of water here. They give her character some interesting background, but she's constantly out off key. She looks like a raving lunatic when she tries to act quirky or vulnerable, and not very convincing when the script calls for her character to toughen up a little.

So, it's an interesting movie if you can go beyond the surface of its visual trickery, but not as good as it could be. I would say it earns a 6'5 - 7 in my scale.