Les Anges noirs

In New York, Detective Alberto Santana (Benny Nieves) comes with his partner Joseph Bruno (Harvey Keitel) to meet his wife Gina and his daughter Celeste (Gabriella Fanuele) to celebrate her eighteenth birthday. Out of the blue, Alberto is shot in his head on the sidewalk by a man wearing a hood that delivers a religious message from the Lord. Many years later, Celeste (Florencia Lozano) is a detective of the New York Police Department and partner of Joe Bruno.

When the crooks Alden and Jeff Kane, who had torched their buildings to receive the insurance, are released from prison, they are executed by two criminals in the same modus operandi of detective Santana, and the police department concludes that they are the same killers. Lieutenant Diaz (Wanda de Jesus) assigns Detective Manso (Manny Perez) and Detective Demarco (Saul Stein) from narcotics to investigate the case, for the deception of Celeste. Then the drug dealer Chino and his gang are executed in Manhattan's Lower East Side by the killers Dante and his deformed and deranged twin brother Perfecto (John Leguizamo), and Lieutenant Diaz teams up Joe and Celeste with Manso and Demarco. Meanwhile, Dante meets Celeste in the church and they date first and have a love affair. When Perfecto decides to kill Joe, Dante argues with him but the dysfunctional brother does not listen to him.

"The Ministers" is a film with a good police story ruined by a messy screenplay and a melodramatic direction that transforms a gloomy story with great potential in a soap opera. John Leguizamo and Harvey Keitel have reasonable performances, but Florencia Lozano does not convince as a detective and does not show any chemistry with John Leguizamo. This film really deserved Abel Ferrara in the direction. My vote is six.

Title (Brazil): "Justiceiros de Deus" ("Vigilantes of God")

This one is hard to watch. The serious tone of the story line, the edgy dual performance by John Leguizamo, and the dark Christian perspective will not win this work any fans in the Bible-Belt, for sure, but they also factor into the equation of elements adding together to make the viewer cringe and pull back not only from the story, but from the characters. By the time you decide whose side you're on, the movie is over and you're left feeling empty and incomplete from the experience. This is, without a doubt, John Leguizamo's "the Libertine," in that it may well be his best performance ever, and maybe 12 people will see it. I cannot say this film is fabulous, but I will say that John Leguizamo purely shines, so if you're a fan of his work, do yourself a favor and redbox this (at least), but if not, you may want to try "What's the Worst that Could Happen?" instead, wherein he costars with Martin Lawrence and Danny DiVito.

All in all? This is one of those dark obscure pools of goodness whose appreciation calls for a genre-fan, or a fan of the principal actor, to really enjoy the work. Otherwise, you may be disappointed.

I love John Leguizamo, so for me, it rates a 7.6/10 from...

the Fiend :.

In the flatfooted psycho-religio thriller "The Ministers," John Leguizamo plays Scripture-spouting twin brothers - one with a scarred face for purposes of differentiation - who've made it their life's mission to gun down those responsible for the deaths of their parents and brother, leaving religious tracts with the bodies as calling cards. Florencia Lozano plays a beautiful cop from the Bronx whose father, also a cop, was dispatched by the hood-and-mask-wearing boys years earlier for reasons that aren't entirely revealed till the end.

This Avenging Angel scenario has pretty much been done to death at this point, and "The Ministers" brings nothing new or interesting to the genre. Franc. Reyes is responsible not only for the contrived, melodramatic screenplay and lackluster, pedestrian direction, but also for eliciting some of the worst performances of their careers out of Leguizamo and that crusty, battle-scarred stalwart, Harvey Keitel, as a veteran cop with a secret. After all, with material this lame, it's rather hard to lay too much of the blame at the feet of the actors.

Rarely have I watched a movie that is so consistently bad in every scene; there is not one moment in the whole film that moves beyond bad. Not even a tiny spike. Harvey Keitel plays badly, Florencia Lozano plays badly, John Leguizamo plays badly... twice!

The story is probably recycled from a script back from the 70s and it feels as dated as you can possibly imagine. The only thing modern in the film were the cellphones and there were one or two scenes that featured them. Cops act like they are goons, everybody is Latino, the police work is prehistoric and so on.

Bottom line: avoid this movie at all costs. If you are really bored, try ripping out your own nails, it will be quicker and less painful.

Of course Boondock Saints wasn't the first movie, with people on a "mission", but you kinda feel like this goes a similar way. It also has some other people in it though and does not play for laughs or strays off into another reality. This stays grounded in "our" world, with real problems and some confusion (character and otherwise).

It stays morally ambiguous, which may or may not be a good thing (depending on your view of things, or how you liked the acting. Name checking aside (also character names, see John L. for that), it does not bring completely new things on the table. But what it serves, it serves up pretty good (for a low budget movie that is). Harvey ("Bad Lieutenant") Keitel is always dependable, though John L. seems not at the top of his game. I've seen him do better things, with his roles.