Bionic Woman

I don't know.

I was expecting a lot and it didn't deliver.

The one thing I do miss is the special effects noise that was made when Lee Majors and Lindsey Wagner ran. You know - Dadadadadadadada.

I was waiting for it and nothing.

And this BW seemed a little too upset at her boyfriend for saving her life - you would think should be grateful for being alive and put back together.

She could of been dead and/or no legs, arm, eye or ear.

I hope this show improves, if not - gone!!!!

I don't know - maybe I was looking for something and just wasn't there.

They seem to build on the characters of others beside Jaime. You know, she was like an after thought to the story.

Let's wait and see..

Firstly and foremost, I have to point out that I am a big fan of the new Galactica, although I don't personally see why that should apply to the reception of a separate show. And yes, I know there are considerable crossovers in writing and acting talent, but the show still deserves to be evaluated on its own.

Secondly, rose-tinted memories aside, remember that old seventies shows have not generally stood the test of time. They were strictly formulaic, beset by comedy fashion and hairstyle, and the bionic woman itself was a cheap knock off of its masculine origin show. For God's sake, they varied the implants just so she would be different to Steve Austin.

Of course, restrictions of formula still apply. An audience that has been gobbling up 24, Lost and Prison Break for the last few years now has higher expectations of a new show. Better production values, more stylised dialogue and a greater sense of mythology pervade these shows. And Heroes has pushed the benchmark out about as far as it can go.

So any new pilot on any network is going to come under serious scrutiny. And I think Bionic Woman holds up. I will concede that the script for the pilot was a little ropey - I had the distinct feeling a pilot movie script had been seriously hacked down to size. But the performances were strong enough to hold it, and the photography and visual design showed some innovation.

The biggest problem with series (as opposed to movies) is that it can take much longer for a show to build up the momentum it needs to create its identity. The Bionic Woman had always been a family show, just like The Six Million Dollar Man. If the new Bionic Woman is going to establish itself as the same, then it will have to pitched just right.

So it gets six out of ten. Better than average. Better than a lot of shows that somehow continue, but worse than many who have fallen by the wayside. Lets just hope that NBC give Jamie Summers time to show us who she really is.

Whether it's a hit or not, for me it has already wiped another laughable 70s show off the map. Maybe they could update The Fall Guy, only it would be about a CGI artist who used his power of computer graphics to help a different woman every week...

This show seems a little too youth oriented as far as the lead character - and is just not too interesting. There is a great storyline here, but the show doesn't seem to be able to utilize it well enough to be fascinating and captivating.

The series is basically about an early twenty-something girl who is in a bad auto accident. She is reconstituted with bio-engineered enhancements and emerges with extraordinary abilities.

The only problem is that she's not very interesting to watch. There is no spark - the scenes often drag on without ever building suspense or intrigue -- or even any sci-fi appeal. Plus, the character is a little too young to be the sole focus for a general audience show. The music, as if too back this up, is what you typically get in teen dramas.

Unfortunately, there's not much to recommend here. Check it out if you're curious, but my suggestion is to pass on it.

OK first things first..Michelle Ryan looks the part, seems likable and is attractive...however there is some depth missing in her performance. The premise is modern, or maybe typical is a better word, as this time around Jaime Sommers works as a bartender, yes a bartender. Gone is the high school teacher / tennis player. Maybe that was too 70's. Also gone are Rudy Wells and Oscar Goldman. However Rudy does have a cameo of sorts as Jaime's middle name is said to be Wells in the episode...Hmm maybe Rudy will show up. This Jaime takes care of her troublesome kid sister ( is there any other kind on these shows )is engaged and about to possibly marry her professor boyfriend and we find all this out within the first 10 minutes when....well here is where circumstances cause her to become, the Bionic Woman. Here is my problem with this version. Its dark, brooding, and comes across as Spiderman meets Alias meets X-Men. And half the show appears to be a night. Can I get some daylight please!!!! And the sister is an annoying addition and unnecessary. Another head scratcher is that after finding out what she is now...there wasn't much delving into her discovering and acceptance of her current state. The woman goes straight back to work serving drinks for god sakes like she just had a boob job and that was it and oh well back to work. Maybe this new Jaime is OK for the new generation but I don't find it appealing in its present incarnation. Maybe its the times we live in but almost every show I see on TV is dark, brooding and depressing. The bionic woman of the 70's was about adventure and action and a touch of tongue and cheek. This version is about violence, death, hit men, and dark depressing characters with ulterior motives. Yes there is action in it too but it all comes with all the extras above. Give me Lindsay and the fembots any day!!!! One good thing about this version I will say is they spruced up on how they show and deal with Jaime's speed. It doesn't come across silly or anything. Sadly Alias, aside from the superhuman strength, has already charted these waters of the beautiful babe with kickass fighting abilities. Been there done that. They should have just gone the way of an adventure/action show and maybe, just maybe...then again who knows...Dark , brooding, depressing seems to be the in thing these days.

Network: NBC; Genre: Sci-Fi Action; Content Rating: TV-PG (for comic book violence); Available: DVD; Perspective: Contemporary (star range: 1 - 4);

Seasons Reviewed: Series (1 season)

"Bionic Woman" barrels onto the fall 2007 schedule with a typhoon of hype that it doesn't deserve and outspoken armchair critic repulsion that it also probably doesn't deserve. Worst show ever? Hardly. As with "Cavemen", the internet rebellion is on overdrive again to take something down.

A remake of the 1976 series of the same name (with a slogan taken from the 1975 series of a different name), NBC's "Bionic Woman" updates Jamie Summers and her ear, arm and legs (and installs a bionic eye) for a new generation. Now, that special effects have reached the technological point that they can be pulled off on TV cheaply without looking so, 70s sci-fi is fair game for any high-tech re-imagining.

I'll admit, I was taken with these visual effects in the first episode, when Jamie (the bodacious Michelle Ryan, perfectly up for all the action) escapes from the lab that re-assembled her and runs through a forest. We actually see her legs moving, instead of the blurred Tom Welling that dashes through "Smallville". Soon the pilot climaxes in a blurry bionic-woman-on-bionic-woman fight scene shot with such shot cuts it's guaranteed to pull you out of the action with it's trickery. As is all of the show's fighting. We can make a woman run at lightening speed look real but we can't make a fight scene look like it wasn't created entirely in the editing suite.

But let's talk about "Smallville". On that comic book series the action sequences are creatively constructed and bring to a head the emotional strands of the story. The acting, at least from the supporting players, is quite good and the show is a cinematic production, visually restrained and musically appropriated. "Bionic" is a cold, shallow exercise in frenzied fight scenes and time-tested shoot-outs.

The show doesn't have an original bone in it's body; and not just because it's a remake. Like any big budget production it plays everything safe from soup to nuts, following even it's own formula strictly. Jamie works for a secret government agency, led by Miguel Ferrer (still playing the gruff but concerned team leader from "Crossing Jordan"), who sends her out on assignments to foil terrorists across the country and around the world. It's "Chuck" without the quirky humor, "Heroes" without the invention, "Smallville" without the heart. It may be apples and oranges but look at the ho-hum episode in which Jamie returns to college for an assignment and compare that to a similar and far more inspired episode of "Chuck" where that show's unlikely secret agent returns to college.

I recognize this is all criticism you either know already or just assumed from the show's status as a remake. But you'd have to see it to know how just about everything down to the studs doesn't work. It's wildly over-directed and to counter-act that it's blandly scripted. It is a hollow-to-the-core Hollywood production, mechanically assemble out of condescension and laziness, betting that viewers will sit slack-jawed through the 50 minutes of routine, talky set-up just to see Jamie bust out a bionic feat of strength and save the day in the final 5 minutes. That's all we'll get and we'll be lucky to get it.

The biggest insult? For my money it's the way the show takes "Breath Me", a song that lent such beauty and such an emotional punch in the gut to the "Six Feet Under" finale and just slap-dash lays it over a training montage. Heresy!

* ½ / 4