During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.
- Won 6 Oscars
- 125 wins & 130 nominations total
- Black Suit Man
- (as Suhail Al-Dabbach)
- Iraqi Police Captain at UN
- (as Imad Daoudi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
When I saw this movie, I found I have ended up watching not only the movie but something more than that. The Director Kathryn Bigelow has been fully able to depict the psyche of Bomb disposal squad and their breathtaking game. Though the movie lacks a firm story line up but here it is not needed. Breathtaking sequences, one by one, is the hallmark of the movie.In a war trodden place like Iraq, all aspects of war-psyche has been exploited to give meaning to the daredevils (Jeremy Renner and Anthony Mackie) and their work of disposing the bombs. The chemistry between the duo has also been fully depicted. The Director has not forgotten the emotional angle and the arouses definite kind of emotions and make you think after every sequence.
Though some sequences remind you of "Enemy at the gates" but rest assured the movie in itself is masterpiece.
With its subtle climax the movie wins more on account.
Worth watching flick........
This sad tale is centered on the unique skills of the tragically necessary field of bomb technician. Bomb techs, of course, are those heroic individuals who get called when a bomb or other explosive device is discovered. Their job, under life and death pressure daily, is to defuse the bomb and make things safe for the rest of us. Unfortunately, in war environments, this is a daily occurrence. What kind of person can do this kind of work? How do they do it day in and day out? Someone has to be a little crazy to do this in the first place, don’t they? These are the questions this movie explores. The movie evokes sadness, inspiration, sympathy, concern, and even awe as we watch the heroes of this movie struggle with their daily grind.
I have to say, this looks like a typical Oscar political win, because they needed to give a female director the nod this year - it's like the year that Halle Berry, Denzel Washington and Sidney Poitier all got awards! A lot of people were up in arms because Avatar did not win best film, but I thought that District 9 and Inglorious Basterds were both better films than this rather pedestrian war flick.
The film introduces a seemingly new and unique idea by following a U.S. Army Explosive Ordinance Disposal (EOD) team as they go around defusing potential bombs all around town– a concept that allows the typical fast-action war theme to take a backseat to the dramatic intensity of the three team members' escapades and arguments. It's all about survival and this time around, it's the calm, isolated atmosphere and the feeling of never being truly safe that creates the ever-present suspense. The exceptional editing is partially to thank for such constant energy and pace. Quick transitions ensure that there is never a dull moment and the audience is always thrust into the middle of the action. Plus, director Kathryn Bigelow employed some amazing cinematography (thanks to Barry Ackroyd, United 93) and some of the best shaky hand-held-cam and zoom work I've seen yet. It seems that, for some, this might be a turn-off, but personally, I believe those who complain about shaky cam need to take a closer look at its purpose and realize that it's far more effective in establishing a documentary-like feel for raw and engaging films such as this one.
The interaction between the soldiers is a key point of the film and the entire project is clearly intended to be largely character-driven. You will more than likely find yourself sympathizing with all of the main characters at some point and several others along the way. More than just observing a character's breakdown at the scene of war such as in films like Jarhead, The Hurt Locker immerses the viewer in the world of the characters themselves and practically forces you to care for them– and I mean that in the best way possible. And perhaps the difference is also partially distinguished by the quality of acting. And if there's anyone who deserves recognition for their acting, it's most certainly Jeremy Renner, who surprises with a top-notch performance as Staff Sergeant William James. His performance will have you laughing at bits of humor scattered throughout, gasping in disbelief at one point, shedding a sympathetic tear at another, and yelling at him in exasperation in yet another scene. The characters are never two-dimensional and the film always manages to provide constant reminders that all of the soldiers are just normal people in war situations, driving its purpose home even more effectively. Anthony Mackie and Brian Geraghty are impressive in their own roles and share great chemistry both with each other and with Renner. The relationships between the three follow no stereotyped guidelines and their interactions are almost always unpredictable. Further down the billing, Guy Pearce and Ralph Fiennes also give solid performances worth mentioning.
Overall, The Hurt Locker is a movie that keeps you on the edge of your seat the whole way through and packs a visual and cinematographic punch without the over-the-top Hollywood action scenes and special effects. While the storyline may be inaccurate when it comes to certain little details (as many war vets have noted), it's a unique one and allows for much more realistic and well-rounded characters. You'll walk away with your heart still beating fast for a good while after the credits roll and it'll make you think for an even further extended period of time. Everything about its design and execution will stick with you.
--The Motion Picture Underground
There are a few things that everyone must notice while watching the movie. There is some superb acting present throughout the whole movie, especially by Jeremy Renner and Anthony Mackie and I wouldn't be surprised to see one or more Oscar nominations for acting. There are also some pretty extreme editing achievements, that even I, an amateur movie-lover, could see. Cinematography and some other technical achievements are stunning as well. As far as technical part of the film goes, this movie is more than successful, it is to be expected that there will be some technical Oscar nominations as well. Writing is simple but that's the way it is and all my congratulations go to Mark Boal and Kathryn Bigelow for creating such a powerful war-drama that sticks with you even long after watching this film.
I honestly hope that the Academy members won't forget abut this phenomenal movie achievement. I recommend everyone to watch this "tool" that allows us to see what the word WAR really means.
Best regards from Slovenia
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Did you know
- TriviaFilmed in the country of Jordan. Access was denied for a week of filming at a U.S. Military Base in Kuwait.
- GoofsOne character says an Iraqi with a video camera is preparing a clip for YouTube. The scene takes place in 2004. YouTube was created in 2005.
- Quotes
Staff Sergeant William James: [Speaking to his son] You love playing with that. You love playing with all your stuffed animals. You love your mommy, your daddy, your nature pajamas. You love everything, don't ya? Yeah. But you know what, buddy? As you get older... some of the things that you love might not seem so special anymore, you know? Like your Jack-in-a-Box. Maybe you'll realize it's just a piece of tin and a stuffed animal, but the older you get, the fewer things you really love, and by the time you get to my age, maybe it's only one or two things. With me, I think it's one.
- Crazy creditsThere are no opening credits, not even a title.
- ConnectionsEdited into De wereld draait door: Episode #5.104 (2010)
- SoundtracksFear (is Big Business)
Written by Al Jourgensen (as Jourgensen) / Tommy Victor (as Victor) / Ministry
Performed by Ministry
Courtesy of 13th Planet Records, Inc.
Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $17,017,811
- Opening weekend US & Canada
- $145,352
- Jun 28, 2009
- Gross worldwide
- $49,259,766
- Runtime
- 2h 11m(131 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1