Kerala Varma Pazhassi Raja
- 2009
- 3h 15m
IMDb RATING
7.6/10
3.5K
YOUR RATING
Kerala Varma Pazhassi Raja is a 2009 Malayalam historical drama film based on the life of Pazhassi Raja, a Hindu king who fought against the British in the 18th century.Kerala Varma Pazhassi Raja is a 2009 Malayalam historical drama film based on the life of Pazhassi Raja, a Hindu king who fought against the British in the 18th century.Kerala Varma Pazhassi Raja is a 2009 Malayalam historical drama film based on the life of Pazhassi Raja, a Hindu king who fought against the British in the 18th century.
- Director
- Writers
- Stars
- Awards
- 20 wins total
R. Sarathkumar
- Edachena Kunkan Nair
- (as Sarath Kumar)
Kaniha
- Kaitheri Makkom
- (as Kanika)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
All the questions which people had before the release have vanished now. What were they cooking for more than two years- Hariharan, MT and Mammootty? Now, we know- The most classical most commercial most unbelievable Indian film of the century (As Mammookka himself said). Although everyone contributed well in this film, most technicians are passengers safely traveling with Hariharan in the driver's seat and MT beside him.To call Hariharan's contribution "the greatest effort by a Malayalam director ever" would be an understatement. The care he has taken to make it a classic, the power to control the actors & background, the conviction to make a film which no one would dare and his undeniable directorial brilliance is what primarily elevates the film. To think creatively while controlling a project like this for such a long time is not easy and he made it seem like a cakewalk. A special thank you to him for proving that silence CAN also get the attention of the people. There was pin drop silence in the theaters during some emotional scenes without dialogs. That's the power of cinema. NOT a hero,heroine, villain and comedian who keep speaking from start to finish in one frame (Like so many Malayalam films these days). Hariharan's craft is unparalleled.
So many accusations came for the film while it was being made and you have to hand it over to the crew for having faith in the film. MT Vasudevan Nair is undeniably one of the greatest living writers in India. There are people criticizing him for the film, but it is because they really just don't have anything bad to say about it, so they say something. We should remember that compared to any other Malayalam cinema, Pazhassi is miles ahead in terms of content and budget, and it has been possible because the script travels easily from one scene to the next. The second half just sails and I didn't feel a lag at any point. He deserves credit for making pazhassi's presence felt even in the scenes without him. Gokulam gopalan, what to say?. Considering the size of our industry, He is the bravest producer of ALL TIME in the history of world Cinema. I can only imagine how many people would have told him he is making a big mistake. He should thank hariharan and MT for being able to walk with his chin up. I doubt if he would have spent so much if it wasn't them in the movie. This movie is a testimony of all of their sincerity.
Mammuka! Nothing to say! He is the King! Purely majestic! He is magic! This is probably the only movie where he has acted the most with his eyes. Be it-the sandhi scene or the whole of second half. After getting disappointed with so many recent films, it was heavenly to see him in this. He should thank his gurus for this chance. At the same time, the fact is, this movie would never have happened if it wasn't for mammootty., who else will play the role? Padmapriya was the second hero in my opinion. FINALLY! A FEMALE CHARACTER IN A SERIOUS ROCKING ROLE! Phew! The way Malayalam cinema has been treating women in the past years has been disgraceful to say the least. All stereo typed roles of wives and underplayed sex objects! Kudos to hariharan & MT for bringing back woman power. (Panchagni is one of my favorites) I am happy Mt has nothing explicitly bad to say about women in this movie unlike OVV. Really I don't understand what his issue is sometimes. He almost bordered on it once in a scene with mammootty and kanihaa. The rest of the cast were top notch: Sarath (WOW), Manoj and kanihaa rocked! Jagathy and suresh and rest of the cast also! But really, this is a technicians film. All these actors have acted in a lot of other films, but could never get this reaction from us, that's purely because of the director. The other technicians were splendid too. Raman shetty, Resul, Ilaiyaraaja, Sreekar Prasad, art design and whole crew! Was fantastic. I don't know if Im eligible to criticize an Oscar winner, his sounds were great but sometimes there was too much in wars. There was no clarity overall. It was tough to separate the music and sound. I don't really care if there are other negatives. After such an effort, it is sinful to comment on the bad aspects. This is the best Malayalam film of all time so far (Especially considering the current situation of the industry). And the Malayalam audience can take pride in the fact that they have made it a success. This proves that we love good cinema more than just any star. One thing is for sure. Like OVVG, Pazhassi will live forever. Gopalan can take pride in the fact that he has made an investment that will live forever. He has to thank two people for it:
Heart of the movie: Hariharan Brain: MT
Gokulam gopalan and mammuka can take a bow.
LAST NOTE: This is a once in a lifetime Malayalam movie. No matter how optimistic we be, the truth is our generation will not witness such crowds and excitement again.
So many accusations came for the film while it was being made and you have to hand it over to the crew for having faith in the film. MT Vasudevan Nair is undeniably one of the greatest living writers in India. There are people criticizing him for the film, but it is because they really just don't have anything bad to say about it, so they say something. We should remember that compared to any other Malayalam cinema, Pazhassi is miles ahead in terms of content and budget, and it has been possible because the script travels easily from one scene to the next. The second half just sails and I didn't feel a lag at any point. He deserves credit for making pazhassi's presence felt even in the scenes without him. Gokulam gopalan, what to say?. Considering the size of our industry, He is the bravest producer of ALL TIME in the history of world Cinema. I can only imagine how many people would have told him he is making a big mistake. He should thank hariharan and MT for being able to walk with his chin up. I doubt if he would have spent so much if it wasn't them in the movie. This movie is a testimony of all of their sincerity.
Mammuka! Nothing to say! He is the King! Purely majestic! He is magic! This is probably the only movie where he has acted the most with his eyes. Be it-the sandhi scene or the whole of second half. After getting disappointed with so many recent films, it was heavenly to see him in this. He should thank his gurus for this chance. At the same time, the fact is, this movie would never have happened if it wasn't for mammootty., who else will play the role? Padmapriya was the second hero in my opinion. FINALLY! A FEMALE CHARACTER IN A SERIOUS ROCKING ROLE! Phew! The way Malayalam cinema has been treating women in the past years has been disgraceful to say the least. All stereo typed roles of wives and underplayed sex objects! Kudos to hariharan & MT for bringing back woman power. (Panchagni is one of my favorites) I am happy Mt has nothing explicitly bad to say about women in this movie unlike OVV. Really I don't understand what his issue is sometimes. He almost bordered on it once in a scene with mammootty and kanihaa. The rest of the cast were top notch: Sarath (WOW), Manoj and kanihaa rocked! Jagathy and suresh and rest of the cast also! But really, this is a technicians film. All these actors have acted in a lot of other films, but could never get this reaction from us, that's purely because of the director. The other technicians were splendid too. Raman shetty, Resul, Ilaiyaraaja, Sreekar Prasad, art design and whole crew! Was fantastic. I don't know if Im eligible to criticize an Oscar winner, his sounds were great but sometimes there was too much in wars. There was no clarity overall. It was tough to separate the music and sound. I don't really care if there are other negatives. After such an effort, it is sinful to comment on the bad aspects. This is the best Malayalam film of all time so far (Especially considering the current situation of the industry). And the Malayalam audience can take pride in the fact that they have made it a success. This proves that we love good cinema more than just any star. One thing is for sure. Like OVVG, Pazhassi will live forever. Gopalan can take pride in the fact that he has made an investment that will live forever. He has to thank two people for it:
Heart of the movie: Hariharan Brain: MT
Gokulam gopalan and mammuka can take a bow.
LAST NOTE: This is a once in a lifetime Malayalam movie. No matter how optimistic we be, the truth is our generation will not witness such crowds and excitement again.
10bickerer
The movie is recommended since: 1. It has a gripping script even though it stays true to history. 2. The fight scenes are awesome 3. The cinematography is praiseworthy. It captures the beauty of Wayanad forests and war scenes well. 4. The sound design is one of THE best ever in Indian films. Resul Pookutty captures the sound of war and the song of rain effectively. 5. You won't be bored for a minute considering that the movie is around 3.5 hours 6. The film uses the best talent in Indian film industry. Lead actor with more National awards than anyone else, music maestro Ilayaraja, singers Yesudas and Chitra who holds the maximum national awards for the best male singer and female singer respectively, editor with the most number of National Awards, script writer with the most number of national awards and Resul Pookutty who won a Oscar. The team can't be better!
Indian ANSWER TO TROY,GLADIATOR BRAVE HEART. Its most awaiting movie in India.Its just not an Indian Cinema. Its a world cinema. Famous Indian actor, who won 3 National awards in Two different languages Padmasri Bharath Mammootty done the title role. The movie is simply awesome telling the story of one of the first freedom fighter in India Kerala Varma Pazhassiraja. Film is directed by Hariharan and the story is written by Famous award winning Indian writer MT Vasudevan Nair. The film is dubbed in to 5 languages. Hope this film will be rock in red carped. The sound mixing is done by Oscar winner Resool Pookutty. For more just watch the movie and enjoy.
The long anxious wait is over and the classic movie Pazhassi Raja has released in all the major theatres with much enthusiasm.
The Hariharan – MT Vasudevan team is back with their historical venture with Mammootty at the helm. Oru Vadakkan Veeragatha was a novel venture and Pazhassi Raja can only heap laurels on the makers for their creative endeavor.
Mammootty has proved once again that he has more mettle than anyone can vouchsafe for. Mammootty with his royal looks and majestic voice shows us why he is considered as the best in Indian Cinema. Tamil actor Sarath Kumar is a pleasant surprise and Manoj K Jayan is back with a bang. The manliness of these three characters is a novel sight for the audience. Kaniha as Pazhassi Raja's wife Makkam, Suresh Krishna as Kaitheri Ambu, Lalu Alex as Emman Nair, Captain Raju as Unni Mootha add to the meaning of the cinema. So also Peter Evans as Major James and Harry Key as Thomas, the representatives of the East India Company deserve special credit for their performance
With the music by Ilayaraja and special sound effects by Resul Pookutty, which is very evident in the war scenes, the movie is a treat for movie lovers. This film is technically several notches above the standard fare offered in Malayalam cinema. It would not be an exaggeration if we say that it is comparable to the best in Indian cinema.The camera work by Venu and Ramanath Shetty give the film a sleek look. The action sequences remind us of the internationally acclaimed Chinese martial art movies of recent times like Crouching Tiger Hidden Dragon and Hero.
Gems like these happen only once in a while and when it does, never give it a miss. Two big thumbs up for this masterpiece of our times!
The Hariharan – MT Vasudevan team is back with their historical venture with Mammootty at the helm. Oru Vadakkan Veeragatha was a novel venture and Pazhassi Raja can only heap laurels on the makers for their creative endeavor.
Mammootty has proved once again that he has more mettle than anyone can vouchsafe for. Mammootty with his royal looks and majestic voice shows us why he is considered as the best in Indian Cinema. Tamil actor Sarath Kumar is a pleasant surprise and Manoj K Jayan is back with a bang. The manliness of these three characters is a novel sight for the audience. Kaniha as Pazhassi Raja's wife Makkam, Suresh Krishna as Kaitheri Ambu, Lalu Alex as Emman Nair, Captain Raju as Unni Mootha add to the meaning of the cinema. So also Peter Evans as Major James and Harry Key as Thomas, the representatives of the East India Company deserve special credit for their performance
With the music by Ilayaraja and special sound effects by Resul Pookutty, which is very evident in the war scenes, the movie is a treat for movie lovers. This film is technically several notches above the standard fare offered in Malayalam cinema. It would not be an exaggeration if we say that it is comparable to the best in Indian cinema.The camera work by Venu and Ramanath Shetty give the film a sleek look. The action sequences remind us of the internationally acclaimed Chinese martial art movies of recent times like Crouching Tiger Hidden Dragon and Hero.
Gems like these happen only once in a while and when it does, never give it a miss. Two big thumbs up for this masterpiece of our times!
For a Mollywood cinephile, there are quite a few reasons to watch Pazhassi Raja .Not only that it is made in the biggest budget ever in Mollywood, it is also an offering from the masters of the media, including Mammootty, M T Vasudevan Nair and Hariharan. Moreover, there are a plenty of other great names including Rasul pookuuty, Ilayaraja, Sharath Kumar and a plenty of others whose credits itself demand interest. Above all, it is the first visual rendering of the most fascinating epoch making struggle of the great leader, against tyranny and oppressions of the British.
Expectations are obviously sky high. And the question is whether it has lived up? And the big answer is 'yes'. The movie is indeed a masterpiece, which grab your attentions from the word go, taking the acceptable cinematic liberties to keep your attention all through, though in a story that everyone knows very well. Set in the final years of seventeenth century, the brilliant writer in M T has taken extreme caution to avoid the complications in narrating history. He goes by the safer path , concentrating more on pazhassi and his men and just giving out the necessary touches of historical facts .And thus the movies gallops over the first barricade of just being a realistic historical.
The movie begins with the Britisher's decision to levy heavy takes from the local rajahs. Pazhassi who belonged to the Kottayam Royal family of Thalassery region oppose this and becomes the first ruler from the state for British, to be branded as a big enemy to fight it out. Pazhassi who is forced to flee from the his palace starts a carefully planned counter action ,with the aid of his trusted lieutenant Edachena Kunkan, Sharath Kumar, Kaithery Ambu (Suresh Krishna). He gets the full fledged support from the kirichiers and tribes headed by Thalakkal Chandhi and Neeli who fights the Britishers wit Guerrilla warfare , with tribal weapons .British face heavy setbacks in various confrontations and as many as five hundred from British army are killed in fight with Pazhassi. Though Pazhassi was able to surprise the British with his tactics and bravery, traitors like Pazhayawvedam Chandhu helps the British to gain momentum and capture each of Raja's men.
The movie shows the grace of its great names in many a points and it is sure without an expert team of technicians like this, it's just impossible to execute a movie of this magnitude. In terms of visual and creative terrain that this movie covers, the big salute must be given to Rananath Sheety and Venu's mind blowing Camera-work, Ravi Dewan's action direction, splendid costume and art direction by N Muthuraj . The only aspect that could have been better include Ilayaraja's music and background scores, though songs like'' kunnathe'' are gems which may once again give the desi nightingale ''Chithra'' another big accolade. And some have craved for some more brilliant dialogues form M T, to be planted on the megastar's character.
Coming to the performances, Mammootty has given a restrained performance as the graceful raaja, but his screen presence and body language is s enough to carry the heavy character with ease. The director also seems to have decided to keep the central character more manly, without heroic build-ups until the last reels. Sharath Kumar comes up in a surprise package, with fantastic heroic looks and emotes well and gives some great action sequences. It is definitely one of the best roles ever by the Tamil Star. Manoj K Jayan and Suresh Krishna, along with Padmapriya and Kaniha, make the movie a treasure of performance with exhilarating performances.
Overall, Pazhassi Raaja remains as a great movie with brilliant direction, solid performances spectacular visuals. Never miss it, of you will be missing a classic, a brilliant tribute to the first freedom fighters who fought a valiant battle realising the inherent death, but to safeguard their honour and their land.
Expectations are obviously sky high. And the question is whether it has lived up? And the big answer is 'yes'. The movie is indeed a masterpiece, which grab your attentions from the word go, taking the acceptable cinematic liberties to keep your attention all through, though in a story that everyone knows very well. Set in the final years of seventeenth century, the brilliant writer in M T has taken extreme caution to avoid the complications in narrating history. He goes by the safer path , concentrating more on pazhassi and his men and just giving out the necessary touches of historical facts .And thus the movies gallops over the first barricade of just being a realistic historical.
The movie begins with the Britisher's decision to levy heavy takes from the local rajahs. Pazhassi who belonged to the Kottayam Royal family of Thalassery region oppose this and becomes the first ruler from the state for British, to be branded as a big enemy to fight it out. Pazhassi who is forced to flee from the his palace starts a carefully planned counter action ,with the aid of his trusted lieutenant Edachena Kunkan, Sharath Kumar, Kaithery Ambu (Suresh Krishna). He gets the full fledged support from the kirichiers and tribes headed by Thalakkal Chandhi and Neeli who fights the Britishers wit Guerrilla warfare , with tribal weapons .British face heavy setbacks in various confrontations and as many as five hundred from British army are killed in fight with Pazhassi. Though Pazhassi was able to surprise the British with his tactics and bravery, traitors like Pazhayawvedam Chandhu helps the British to gain momentum and capture each of Raja's men.
The movie shows the grace of its great names in many a points and it is sure without an expert team of technicians like this, it's just impossible to execute a movie of this magnitude. In terms of visual and creative terrain that this movie covers, the big salute must be given to Rananath Sheety and Venu's mind blowing Camera-work, Ravi Dewan's action direction, splendid costume and art direction by N Muthuraj . The only aspect that could have been better include Ilayaraja's music and background scores, though songs like'' kunnathe'' are gems which may once again give the desi nightingale ''Chithra'' another big accolade. And some have craved for some more brilliant dialogues form M T, to be planted on the megastar's character.
Coming to the performances, Mammootty has given a restrained performance as the graceful raaja, but his screen presence and body language is s enough to carry the heavy character with ease. The director also seems to have decided to keep the central character more manly, without heroic build-ups until the last reels. Sharath Kumar comes up in a surprise package, with fantastic heroic looks and emotes well and gives some great action sequences. It is definitely one of the best roles ever by the Tamil Star. Manoj K Jayan and Suresh Krishna, along with Padmapriya and Kaniha, make the movie a treasure of performance with exhilarating performances.
Overall, Pazhassi Raaja remains as a great movie with brilliant direction, solid performances spectacular visuals. Never miss it, of you will be missing a classic, a brilliant tribute to the first freedom fighters who fought a valiant battle realising the inherent death, but to safeguard their honour and their land.
Did you know
- TriviaThe first malayalam film to gross 45 Crore from the box office and became Indistry hit.
- ConnectionsReferenced in Paavada (2016)
- SoundtracksAadhiyushasandhya Poothathivide
written by O.N.V. Kurup
Composed by Ilaiyaraaja
Performed by K.J. Yesudas,M.G. Sreekumar,Vidhu Prathap and Madhu Balakrishnan
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Раджа Парасси
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- ₹270,000,000 (estimated)
- Runtime3 hours 15 minutes
- Color
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Top Gap
By what name was Kerala Varma Pazhassi Raja (2009) officially released in Canada in English?
Answer