Everything Will Be Ok
- 2006
- 17m
IMDb RATING
8.0/10
3.2K
YOUR RATING
A series of dark and troubling events forces Bill to reckon with the meaning of his life - or lack thereof.A series of dark and troubling events forces Bill to reckon with the meaning of his life - or lack thereof.A series of dark and troubling events forces Bill to reckon with the meaning of his life - or lack thereof.
- Director
- Writer
- Star
- Awards
- 22 wins & 2 nominations total
Don Hertzfeldt
- Narrator
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film was included in THE ANIMATION SHOW VOLUME THREE--a compilation of short films arranged by Don Hertzfeldt and Mike Judge. Overall, this is a very impressive DVD--and much of it is due to CITY PARADISE.
Even for Don Hertzfeldt, this is a super-strange short film!! While it is not funny like the films you find on Volume One, it is so incredibly creative and bizarre that it's also quite compelling.
EVERYTHING IS O.K. is a surreal stream of consciousness which features the usual Hertzfeldt stick men drawings. However, instead of violence (which we love) in this film, it's more about a guy who's going crazy. He's either got schizophrenia or a brain tumor (more likely) and you see through the course of this film as he looses his mind. What I particularly liked was his use of multiple screens to show how this sick man perceives the world. Some may find it all quite funny--I just found it strangely compelling.
Even for Don Hertzfeldt, this is a super-strange short film!! While it is not funny like the films you find on Volume One, it is so incredibly creative and bizarre that it's also quite compelling.
EVERYTHING IS O.K. is a surreal stream of consciousness which features the usual Hertzfeldt stick men drawings. However, instead of violence (which we love) in this film, it's more about a guy who's going crazy. He's either got schizophrenia or a brain tumor (more likely) and you see through the course of this film as he looses his mind. What I particularly liked was his use of multiple screens to show how this sick man perceives the world. Some may find it all quite funny--I just found it strangely compelling.
The banal life of a young man is represented by stick figures and described by a monotonous narrator. We hear about his moments of awkward social behavior, the silly ideas that occur to him, his goofy thoughts about death and dying; the stick figures and the narration make the banality funny. The audience laughs.
Then the one-joke premise overstays its welcome. We're waiting for this thing to end, barely aware that the writer and director Don Herzfeldt, through his narrator, is sneaking in some disturbing items on the list of banalities. It hits most of us that something is seriously wrong when the young man notices a trickle of urine sliding down his pants leg. Is he sick? It turns out he is, both mentally and physically; and it seems he may die. We see, and hear about, the reactions of his mother and uncle. They buy a casket for him. He loses control of his mind.
I found this animated short about illness and madness very moving. I know how I feel about it, but what did I think of it? Did Herzfeldt intend to make a short that initially appears to us as a one-gag cartoon? Whether he intended it or not, was this a mistake? Did it add to or subtract from our reaction to the second half? Did Herzfeldt intend to amuse us, then bore us, then frighten us, then sadden us? Is telling a serious story with stick figures a kind of joke? Or were the stick figures the most effective way of telling the story? Or both?
In asking these questions, I think I've come up with my own answers. I think Herzfeldt intended the effects he got, and I think they were good ideas. This film is highly recommended.
Then the one-joke premise overstays its welcome. We're waiting for this thing to end, barely aware that the writer and director Don Herzfeldt, through his narrator, is sneaking in some disturbing items on the list of banalities. It hits most of us that something is seriously wrong when the young man notices a trickle of urine sliding down his pants leg. Is he sick? It turns out he is, both mentally and physically; and it seems he may die. We see, and hear about, the reactions of his mother and uncle. They buy a casket for him. He loses control of his mind.
I found this animated short about illness and madness very moving. I know how I feel about it, but what did I think of it? Did Herzfeldt intend to make a short that initially appears to us as a one-gag cartoon? Whether he intended it or not, was this a mistake? Did it add to or subtract from our reaction to the second half? Did Herzfeldt intend to amuse us, then bore us, then frighten us, then sadden us? Is telling a serious story with stick figures a kind of joke? Or were the stick figures the most effective way of telling the story? Or both?
In asking these questions, I think I've come up with my own answers. I think Herzfeldt intended the effects he got, and I think they were good ideas. This film is highly recommended.
When I first watched this, the rest of the trilogy had not been completed yet, so I viewed this short film just by itself. At first it seems to show the inner life of a rather strange stick-man with whom some of us can relate. Then it goes completely off the rails and shows that he has a serious brain disease that is making his reality completely fall apart. This becomes terrifying and very affecting. I did not know that it would lead to another two great installments but even by itself, this is a truly terrific piece of animation.
10thfuthey
Hertzfeldt continues to completely out-do himself in a style that is all his own. Complex animation which looks incredibly simple. Dense sound layering over a beautiful narrated story. "Everything Will Be OK" continues themes that are touched upon in "The Meaning of Life" but expands upon them, going deeper into very real human emotions that are created through simple but complex character and action. A cartoon version if you will of Miles van der Rohe, in that 'god is (most certainly) in the details'. It could easily be his magnum opus but something tells me a year from now he will once again have left audience's around the world in soul shattering awe. Simplistic and existential.
10Hitchcoc
Life appears to be a nightmare. Bill, the stick figure character, goes through life, doing on mundane thing after another, redundant action being his pall. We are given a tour of his psyche and it is horrible. I'm convinced, as I've said before, that David Lynch portrays his own nightmares. But that's what is happening here as well. I really enjoyed this, but because of my age, it became a bit much for me. Crushing.
Did you know
- TriviaAlmost every scene in the short splits the screen up into multiple moving "windows". The whole movie and all of its special effects were photographed and carefully composited "in camera" - no CG was used in the production.
- ConnectionsEdited from The Meaning of Life (2005)
- SoundtracksMá Vlast, JB 1, 112: II. Vltava (The Moldau)
Written by Bedrich Smetana
Performed by Joseph Keilberth and Bamberg Symphony Orchestra
[Plays during the opening and ending of the film]
Details
- Runtime17 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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