Mer amère

Nimmermeer (AKA Nevermore) tells the story of Jonas, a young boy who lives a happy, albeit impoverished life with his fisherman father until one day his dad fails to return from the sea. He is adopted by a well-intentioned but heartless clergyman and loses all sense of joy in his life. Can he learn to smile again? Only a carny freak holds the key...

Beautifully filmed with a fairytale aura, this is German cinema at its best. Aimed at older children (it's too psychologically scary for younger ones) this movie will touch the hearts of all ages.

The German dialogue is straightforward for anyone with a working knowledge of the language, otherwise English subtitles are available from opensubtitles.org

After seeing this beautiful, mesmerizing piece at the Fantasy Filmfestival in Germany I was quite shocked that it was actually written, directed and shot by students! The beauty, sensitivity and magic of this film are rarely found in European cinema these days. The images of vast and haunting beaches, the great music, the subtle use of supernatural elements and the very good acting show a great amount of talent, dedication and truly cinematic taste! The story is simple, but has something fable-like and universal to it - and the little boy that plays the lead is very good!

I wasn't surprised to learn that NimmerMeer had won a couple of major awards. I wonder what these guys will be doing next, but I'll definitely keep my eyes open...

There're not many films around these days that could be described as sheer magic.

Nimmermeer - as I understand - is the premiere work of a young German director and it was made when he was still at filmschool. Alas! I don't want to know what we have to expect from this guy if this was really his first film!

The simple story revolves around a young boy in an ancient fishing village who must come to terms and start a new life after his father's gone. The storyline is linear, simple and one-dimensional - but everything else is pure magic. No film I've seen in a long time has so beautifully and imaginatively conjured up the spirit of childhood and innocence.

The young director has a firm grasp on actors and locations and supported by great camera work has created a unique and mesmerizing world. So if you're into haunting, dark, fairy-tale like images and Burtonesque atmosphere - watch it!

Before starting my review, I must say that I'm French... So, sorry for my English which is rudimentary! :-/ Let's talk about a German movie as rare as inspired: Nimmermeer (Nevermore, in English) ! Strongly influenced by very long Nordic films Pelle the Conqueror (by Bille August) and Fanny and Alexander (by Ingmar Bergman), Nimmermeer tells the story of a young child faced to the brutal world of adults. Jonas and his father, Helge, live in a small fishing village located on the coast of the North Sea. Very poor, they are very happy together and love each other greatly. The father, fisherman very respected in his community, often tells fantasy stories to his son who then starts to go deep in dreams… But Helge dies suddenly and Jonas becomes orphan from one day to another. The other fishermen of the village not very concerned by the situation, it's finally the pastor who decides to take him home... For the greatest misfortune of Jonas ! Tyrannical, demanding discipline and an unfailing submission from the child, this man proves to be not as sweet and loving as his late father and does not share the same values of respect, tolerance, work and love that are so many and precious legacies for Jonas ! As these wonderful stories that told Helge. Desperate, the young child meets one day Grido, a dwarf magician who works in a traveling circus and will restore him the taste of life telling fabulous stories and fairy adventures ! More than a new father, Grido will become a guide for Jonas and invite him to open the door of a magical universe... Toke Constantin Hebbeln's work deals with one of my favorite themes: the power of the dream and its positive impact on reality. As in Pan's Labyrinth and Brazil, only the dream can give strength and hope when everything is going wrong around you. And sometimes it is this immaterial force that could allow any of us to move colossal mountains ! I am intimately convinced ! Childhood (his relationship to the adult world and the "transition" from one to the other) is the second major subject of the film. The idea that adults must guide and respect the child as his equal and even more (childhood is future !) is implicitly pounded throughout the movie. Of course, the themes of education, family, fatherhood and love are also present, being directly related to childhood. Death and mourning are also discussed but treatment is quite classical on the whole. From a technical point of view, the "good points" are many: a haunting and melancholic soundtrack (a very great BRAVO to Martina Eisenreich for his work), a perfect photography (to tell you, I have not yet found better... This "mixture" of sepia, blue, black, and beige... Even the remarkable Avalon by Mamoru Oshii is a notch below !), an excellent interpretation (Manni Laudenbach, who interprets Grido, is prodigious and his elocution would catch the most undisciplined audience !) and a mastered direction. We understand better the awards obtained by this masterpiece, including the famous Foreign Film Award from the Student Academy Awards 2007. Sensitive, moving, poetic, beautiful, deeply intelligent and speaking both to adults and children, Nimmermeer has only a single default: to be on TV too rarely ! Between the Fantastico-philosophical tale and the social fable, this ambitious medium-length film was not far to be in my Top 30 ! But despite this, it remains my favorite movie in this so particular format of which is one of the worthy representatives ! A must-see ! To see my review in (good ^^) french, you can go on my website "Le cinéma d'Arkelios". Thanx :) - Arkelios -

Like others have said, this is a cinematographic masterpiece. It would be difficult to find very many other films that compare on that score. The camera work is excellent. The artistic elements are superb. Those parts deserves a 10. This by itself makes the film worth watching.

The acting was also quite good. I would give that part a 6 or 7.

Regarding the story itself, this is where some problems arise. As others have said, much was borrowed from other films, especially Pelle the Conqueror, but this film does not compare to that title. It fails to develop a story of similar depth, perhaps due to the short length of roughly one hour. One redeeming aspect is the attempt at a "happy ending" which is more "satisfying" than Pelle the Conqueror, but it still left me somewhat disappointed. So I give all those components a 3 or 4.

In spite of its flaws, I would definitely watch it again.