Ghosts

A shaming portrayal of the way the UK benefits from cheap labour of illegal immigrants. The format is feature film, rather than fly on the wall documentary that audiences are used to, from Nick Broomfield.

It's superbly done and Broomfield has made it easy on the viewer with a very straightforward blow-by-blow account. The camera seems to go right to the heart of the lives of these unfortunate people, without being overly sentimental.

It's an arresting film, very beautifully composed and with a soundtrack that only assists in forcing you to quietly question why this happened.

It would do little Britain some good if this film was part of the national curriculum, in 'our' schools.

i saw this very recently and i implore everyone to see it.

this film is brilliant in it's illustration of the lives of people forced to take desperate measures.

the need for money being at the heart of the story, and money having no heart being part of the problem.

one question it raises is responsibility, and you can't help but think governments across the world must change the

economic and subsequent social situations that require these pyramids of suffering to occur.

i particularly enjoyed the depiction of English racists, very life-like disgusting ignorant and often ugly.

the greed greasing the wheels of exploitation on every level was thought provoking.

in all an absolute masterpiece

I'm disappointed that only one comment on Ghosts has been posted since the film's release. It is, I think, an important film that deserves commentary.

On the whole, I'm not a fan of Nick Broomfield and his usual technique of 'authored' or 'performed' documentaries, in which he often plays a starring role. As a consequence, I've never before been to a theatrical screening of one of his films. In the early sequences of Ghosts, the approach is very much like a television documentary or a reality TV show. As I don't like reality TV, my interest was held less by style and more by the details of the narrative and by the chance to compare the notion of a long journey of illegal immigration with that shown in Michael Winterbottom's In This World. Broomfield doesn't display Winterbottom's creativity in conveying the horrors of the journey and I began to worry that the film wouldn't take off. However, it does, largely because the central characters become more 'narrativised' -- by which I mean that they become more like characters in a fictional narrative and I began to feel for them and their terrible predicament.

The film is based on real events, so in a sense the audience knows what is going to happen, if not precisely what will happen to individual characters. Nevertheless, I found the last 20 minutes both riveting and terribly distressing. I've walked in Morecambe Bay, but not out into the estuary where I would never go without an official guide. Knowing how dangerous something is makes the suspense even worse for me.

Overall Broomfield and Jez Lewis are remarkably restrained in not trying to present a black and white world of wrong and right in the film. The story is told from the perspective of the Chinese workers. I haven't read all the details of the trials of the Chinese gangmaster and his accomplices which took place in 2006, but at first glance, the film offers something that is not a conventional crime/exploitation story and more an affecting personal drama. There is relatively little 'plot' and much more about developing understanding for the characters. Unfortunately I suspect that not many audiences will see the film in cinemas and when it appears on TV, it will be lost amidst Channel 4's reality TV wallpaper. I hope not, because it deserves to be seen and discussed.

I went to see this movie without really knowing much about it beyond that it was the story of the cockle pickers tragedy, and I left the theatre feeling utterly empty and shocked. It is an incredibly moving piece of work, cast by non-professionals, who I thought did a great job. The movie at times has a documentary feel about it because it is very natural, no special effects of fancy lighting, and the ordinariness of the household and factory scenes convey the grimness of the workers' existence.

The music is very apt as it has an Oriental dreamlike quality about it, which made me think that the workers probably spend their humdrum lives daydreaming about being back in China with their families.

It was a depressing movie for me as it casts us British people in a bad, but not unrealistic, light, and here we see some parts of British culture that most of us feel uncomfortable with - we love getting cheap supermarket food but don't really want to know how it gets to our shelves.

I really recommend this movie to everyone, but warn you that it is a very powerful, affecting movie that will stay with you for the rest of the day. I almost felt like crying at the end, and it has been a long time since a movie made me do that. In fact, I felt so upset when I left the theatre that I made myself go to see another movie just one hour later to clear my head (that movie being the truly awful 'Epic movie').

This movie will make you feel bad and good all at the same time, and I recommend it wholeheartedly.

This DVD had been resting on my shelf for some months - I kept putting off viewing it because I feared it would be a depressing watch. On the contrary, I found it to be hugely involving and, at times, extremely funny. It is incredibly moving (you will have to have a pretty hard heart not to cry at some scenes) but the eye-opening and potentially 'worthy' message is communicated with a humanity that is motivating and positive rather than simply depressing.

Nick Broomfield tells the story with subtle skill. The illusion of documentary reality is almost perfect but this does not distance the viewer from the characters - we enter into their thoughts and feelings partly through the excellent and subtle use of music and partly from utterly convincing performances.