Jeu fatal

OPEN GRAVES has a pretty good plot, its well acted by the cast, Eliza Dushku is delicious as always and the direction is okay but the film is actually not something to write home about, there aren't any real memorable moments that will leave you breathless even though some of the death scenes are rather weird, in fact there's nothing that stands out about this film, the best way to sum it up is that its nothing more than a time passer.

However, where I can give it credit is that it does try to be different but unfortunately like you could've guessed it falls short, I'd say only watch this if you want to kill time and if there's nothing else to watch which is the reason I watched it in the first place.

An obnoxious group of young twerps are partying in Spain, according to the story anyway, when one of the group runs into an oddball at a curio shop. The oddball correctly sizes-up this young jerk and gives him something he really deserves: a game, supposedly from the Spanish Inquisition. The game kills the participants in macabre ways. An added thread to the "plot" is a rouge cop who wants the game for himself, though this adds little to the movie. After 20 minutes, the audience is relieved when the main characters start to get killed one-by-one. The death scenes try to gross-out the viewer, but fail miserably. One scene with killer crabs reminded me of something out of the 3 Stooges. Really unconvincing CGI's; watch only if you want a few, very few, laughs.

OK, so I know better than to watch movies on SciFi . . . er, sorry . . . SyFy. Or shifafa. Or whatever it is now. So sue me. I spent my whole Saturday doing advisory-board brainstorming for a nonprofit. I can be forgiven for flopping into my armchair and wanting to watch some movie I'd never seen, rather than read Proust in the original or learn how to play the oud.

Which is to say, I didn't deserve Open Graves. Of which I saw none, incidentally. Were there any? Did I fall asleep? Why is it called this?

Some icky visuals. Not many scares. As with too many films in modern horror films, no reasons are given--apart from shared humanity--to care about any of these people. Half a point, though, for the legless entrepreneur, who was clichéd but did have one good scene.

It all sort of plays like Final Destination delivered via a board game. The game does have an intriguing look to it, and it involves one of my favorite old conundrums. I'll give it that much. The drawback there is that the game possessed more personality than most of the characters.

As for the end, if you didn't see it coming, then I think YOU fell asleep. Somewhere back around the dawn of the genre.

Handsome American guy is vacationing in Spain when some guy in a shop asks him if he has healthy desires and gives him a centuries old antique board game for nothing. No, sir, I see nothing odd or sketchy about that. He takes the board game and gets the other characters to play it with him. Hilarity ensues. I mean evil ensues. Oh no, you die for real if you lose the game.

So it's an about evil board game that kills people. This would be a tough premise to pull off effectively under the best circumstances. They don't really pull it off here. Eliza Dushku is always good and the rest of the cast is serviceable enough. The dialogue is more than a little stilted and awkward. The plot is a mish-mash of other movies about cursed, evil stuff that's cursed. They way it is set up takes away nearly all of the suspense. There's a fair amount of CGI and it's really bad even for the time. It's bad enough that it kind of ruins the impact of some of the death scenes. The ending is just terrible. I mean throw stuff at your TV bad. The ending alone brought this one from a 5 to a 3.

Open Graves starts out as something at least different enough from the repetitive ghost stories that became too common in the last few years.

Well technically it shares many similar aspects, but remains reasonably different mainly through methods of offing the victims. Unfortunately not different enough.

As oversaturate formula demands, we quickly learn several characters are going to die because of a certain event, and after the first few deaths we already know how everything's will play out. After which we're subjected to scenes of the remaining characters, or at least the central ones trying to figure out what's causing the deaths before it's their turn.

And of course, Open Graves follows the tradition of similar mystery- related films in the sense that once the cast discover an objective, any characterization disappears, the mystery itself becoming supposedly more important than giving the audience any interest in the people trying to solve it.