The Zombie Diaries

If you're going to make a film that doesn't have much in the way of a clear, evident story or plot-progression, then you better make a story that has some vividly drawn characters. Unfortunately, Kevin Gates and Michael Bartlett's Zombie Diaries has neither, and only serves as an exhaustive retread through lackluster horror filmmaking, peddled by the Dimension Extreme, the direct-to-DVD label mostly comprised of low-budget horror titles that fail to bring anything new or interesting to the game. As much as that seems to be an oversimplification, it's worth noting that the several films I've sought out from this label have all been met with some sort of butting disappointment.

The film bears a triptych structure, focusing on three different groups of people during an impending epidemic/viral outbreak and shows it all come together at the conclusion of the film. The film's first chapter, "The Outbreak," starts in London and details the paranoia and the fear circulating about the Asian countries experiencing a far-reaching and lethal virus outbreak. While it hasn't reached the Western Europe or United States areas at this time, the lax response from Asia's government suggests that it could in the near future, making the residents of London admittedly jumpy and unsettled. In this chapter, we follow a documentary crew's research and documentation of the viral outbreak in the countryside, unbeknownst to them they'll experience the hell first hand and won't just to be talking about the epidemic while filming themselves.

The second chapter, titled "The Scavengers," follows a young couple, an American man and a foreign woman, who are traveling in their car, equipped with a rifle, looking for food to ration and radio parts in order to send communication signal with the optimism they'll get rescued during this time. This chapter should logically be the most suspenseful, given the immediate idea, the circumstance, and the fact that, by this point, we're already in the second act of the film. Sadly, little occurs here that makes for an interesting setup, and by this time, the monotony and ugliness of the hand-held-camera really begins to takes a toll, and as somebody who scarcely complains about such a thing, this is when you know things aren't going very well for this film, aesthetically speaking.

Finally, the final chapter, titled "The Survivors," details a large group of uninfected souls who have found solace on a farm. They spend much of their time strategizing their next move and checking out surrounding areas to assure their safety is long-term and not a short-term illusion. In addition, their time is spending warding off large bouts of zombies along with fighting about how to assure their own safety. Again, this is another potentially riveting portion of the film brought down by the filming techniques of Gates and Bartlett and the overall repetition of the film and the lack of character investment.

The Zombie Diaries has an intriguing structure, but little to back it up in terms of achieving any kind of narrative success. Despite having three stories, its story and story-progression isn't the least bit evident, the characters remain flat and vague, almost as if they're mannequins given the ability to talk and move, and the entire aesthetic that Gates and Bartlett hope will achieve success only results in mounting tedium for the film's already short runtime.

Starring: Russell Jones, Sophia Ellis, and James Fisher. Directed by: Kevin Gates and Michael Bartlett.

When I read the description on the back of the movie, it sounded like I would be watching a WWZ-inspired series of interviews, or a news crew following some military forces. Instead, what I ended up with was a confusing and bland set of boring characters in a frankly underwhelming disaster. The most important things I noticed: 1. The film gives you no reason whatsoever to care about any of the characters. None of them are portrayed as anything other than arguing meatbags. 2. I really have no idea why they make a big deal about these zombies, or why there was an outbreak, since they seem to spend most of the movie standing in one spot waiting for their cue to collapse from a gunshot. 3. The movie didn't even use blanks for the film. The gunshots were added in after the shooting, leaving you with quite boring gunfire that didn't even feel like they were killing anything at all. I even heard the pistol sound effect from Killing Floor used for their handgun!

The movie ends abruptly and with little to no real impact, so I guess it stayed pretty level for the whole film. I wouldn't have bought it if I knew what it was, and I wouldn't recommend anything more than a day rent.

I'd been warned about this movie by several of my friends, but I was determined to accept it as a challenge to see if I could get through it.

Now, looking back at it, I wish I would've listened to them. I do agree with several of the reviews that the idea of the film sounded promising. Lost video diaries documenting the escalation of the zombie apocalypse sounds like something that would be a fresh change from the rest of the zombie genre.

Unfortunately, the acting and the dialogue doesn't hold up to the expectations you have for it. I'm not a big fan of the hand-held camera style. It's too jumpy and too hard to focus on any one thing. The use of night vision, while supposed to add an eerie feel to it, just makes the jumps and camera glitches all the more apparent.

The acting was mediocre at best and I didn't think that the special effects and makeup was up to snuff either. Could've been good, but unfortunately, it wasn't.

The Zombie Diaries was intriguing in the very early going. It had a low budget realism that actually worked for a little bit. I remember one scene early on where a character had trouble lining up a single close range rifle shot against a lone zombie. There's more realism in that than most movies that feature over-the-shoulder head shots on moving targets from 50 yards away. Unfortunately, that's about the best thing I have to say about this movie.

The Zombie Diaries consists of three separate stories that occur during a zombie epidemic in England. The stories intersect later on in the movie, and that's really about all you can say about it in a review. There are numerous characters in the various stories- so many in fact, that it's hard to identify one from the other after awhile. The virtually non-stop cinema verite shaky camera will drive you mad and makes it impossible to follow the storyline they're trying to set up. This is especially true during the nighttime scenes, and there are several of those. With all apologies to my British friends- the actors in this movie are so British that they're nearly incomprehensible.

So, if you've seen Zombie Diaries, you can scratch it off your list and move on. If you haven't, you're not missing much. With all that being said, I will say that there's a basis here for a much better movie. I would be interested if someone gave it another go with a script rewrite and some improvements in the basic cinematography.

I've seen many of these flicks over the past year. Some were pretty good (Cloverifeld, REC), some were bad (Diary of the Dead) but this lesser known entry is by far the most realistic. Shot for a much lower budget than the other films, it shows that you don't need a multi million dollar budget to produce an effective horror film.

I wouldn't go so far as saying its the best zombie film ever made. That honor goes to Night of the Living Dead, but The Zombie Diaries is definitely the most realistic ever made.

I thoroughly enjoyed this Brit-made movie and look forward to the next film from these guys.