Not Going Out

The following remarks applied to the episode that went out on 13th October. I'm sorry to say the next week's episode was less funny, and just to confirm the trend, last night's episode hardly coaxed a smile out of me! Either I'm rapidly losing my sense of humour or the format and jokes have slipped into a rut in record-breaking time. A shame - we need something out-of-the-ordinary on a Friday - or any night, for that matter!

For the record, here's what I said after the first episode: Witty, quick-fire, funny! I liked it - good twists in the plot, nicely set up contrasts and conflicts between the main characters: Brits v Yanks, northern v southern, sloppy slacker v diligent plodder, male v female. The characters are likable and intelligent, but troubled, (like most of us), and they're a great relief from the witless slobs mostly featured in new sitcoms 'next door' at BBC 3. The scene with the shrink was superb. With a bit of luck this show will make it up there with 'The Office' and 'Men Behaving Badly'! I'd include 'The Mighty Boosh', except that that fine show will probably never appeal to prime time audiences. i understand the next episode features an Australian - yippee, more opportunities for 'incorrect' racism! North/South, Male v Female, Yank and Aussie seem to be the only areas where 'we' can get back at 'them' (and vice versa of course), without the stifling hand of correctness coming down! Let's hope it stays that way.

Not going out is proof that British sitcoms can still be funny. There was a definite (and still is) baron period in Britcoms, Not going out proved a welcome show to our screens. Series one feels a little at odds to the rest of the show, Series one focused mainly on the cultural differences between Lee and Kate. Enter Lucy in Series two and the whole dynamic of the show changed. I love the entire cast, I am missing Tim Vine very much, but I just love Katy Wix, her scatty character is just too funny. I'm a huge fan of Lee Mack, I genuinely get and love his brand of humour.

For me the highlights have been episodes 'Camping' and 'The House,' a Christmas special from a few years back. Both are genuinely among the funniest things I have ever seen.

Brilliantly written, beautifully performed 'Not going out' is a definite winner. Let's hope another series returns soon.

Start with the first series. They are filled to the brim with Lee Mack's signature humour, there is also Miranda, and Tim Vine and later on the Daisy character. It is simply consistent. Good bread at the table of entertainment. Not too heavy, not superficial, because it manages to stay witty and clever most of the time. Then Tim leaves. The show goes a bit low, a bit more, but, hey, it is Lee Mack that carries it and so he does further. Enter new characters. Later on, the series makes a huge jump, in terms of premise and it feels somehow stuck for quite a few seasons. But hey, since it did not gave up, and because it became our friend, we can keep watching. Then it hits here and there a few better episodes. Too much bickering... a much waited Christmas special... a clever plot... a few stale episodes. Overall it is great that is goes on. Good news, the most recent series seems to have hit the jackpot with fresh jokes and fresh situational comedy. This sets up good expectations for the next one (series 12).

When I saw the write-up for 'Not Going Out', I was dubious - Friday evening on BBC1 isn't usually fertile ground for good comedy. I actually watched it almost by accident, but it turned out to be a happy accident, because 'Not Going Out' is an underrated gem.

Lee Mack ("always cheeky, never blue") is perfect and strangely charming as unambitious slacker, Lee, and Tim 'The Joke Machine-Gun' Vine is also excellent as his accountant best friend. Their friendship is really well-observed, even if they do spend much of the time trading in jokes and insults. Up against a pair of stand-up comedians, Megan Dodds has a tough job, but more than holds her own playing Lee's landlady (and Tim's ex-girlfriend) Kate. Dodds and Mack have a natural chemistry, and make you believe quite easily that an ultra-healthy Californian publisher could fall for an unemployed northern dosser. (It's interesting that comedian Catherine Tate was in the original pilot as Kate - somehow, I can't imagine it working so well without Megan Dodds. She and Mack play off each other so well.)

At times 'Not Going Out' seems like it's a framework for a bunch of stand-up jokes (and Mack does recycle some one-liners from his BBC radio show), but as the series goes on the story lines are getting better and the characters more engaging. It has genuine laugh-out-loud moments that stay with you for the next few days, and it's just refreshing to watch a comedy that doesn't mind being daft and isn't attempting to be political or subversive.

'Not Going Out' deserves a second series, because I know that Lee Mack and Andrew Collins have a lot more gags left in the tank - and I think the fall-out arising from a Lee/Kate romance could be pretty explosive, not to mention amusing!

I have to agree profusely with some comments that have been made on this title. Watching the two series I have been compelled by the nature of the comedy-which I have accertained as a compromise between stand-up comedy and a sitcom. Rather than to shroud the characters true feelings, as has been done before, all characters speak their mind. This brings the result of a comedic 'battle' between them in which their unresolved disputes and generic arguments are turned to light-hearted funny quirks in the viewers perspective, as the drama unfolds for all those involved-namely for the unfortunate Lee, who seems to be at the tail-end of most decisions and seems to have most bad-luck.

Conclusively, I believe that the more unnatural stance on this genre is very effective for a wide audience, and makes a welcome change from your standard sitcom. Moreover, I believe that an entertaining show such as this does not need to develop further. As has happened in many American comedy shows, characters and plots have been killed off by over-running; but a good show should end whilst it is still laughed at and enjoyed by its viewers, as to bring it into a reputable class of British comedy.