IMDb RATING
7.2/10
9.4K
YOUR RATING
All Thomas wants is a normal adolescence but his autistic brother, Charlie, thwarts his every opportunity. Will Thomas, with the help of his girlfriend, Jackie, accept his brother?All Thomas wants is a normal adolescence but his autistic brother, Charlie, thwarts his every opportunity. Will Thomas, with the help of his girlfriend, Jackie, accept his brother?All Thomas wants is a normal adolescence but his autistic brother, Charlie, thwarts his every opportunity. Will Thomas, with the help of his girlfriend, Jackie, accept his brother?
- Awards
- 18 wins & 24 nominations total
Jim Maxwell
- Cricket Commentator
- (voice)
- (as James Maxwell)
- Director
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- Production, box office & more at IMDbPro
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Thomas (Rhys Wakefield) has just started at a new high school. His father serves in the armed forces and the family has to relocate regularly. His brother Charlie (Luke Ford) has severe Autism and Attention Deficit Disorder. He's not able to speak and because he's the size of an adult, caring for him is not easy. At the start of the film we see him grunt with delight as he tramples a newly-bought carton of eggs into the kitchen floor.
While Thomas's mother (Toni Collette) has accepted her son's condition, Thomas has not. He wants to keep his brother a secret from his new schoolmates but when one student (Gemma Ward) learns of his sibling, she's not put off.
It's been a number of years since I've connected with an Australian film to the extent that I did with THE BLACK BALLOON. From the interesting title sequence at the start, we're drawn into the challenges of life with a family member suffering a developmental disability. While, I suppose, an outsider could never fully appreciate just how demanding such a life could be, the film gives us a very good idea.
One of the film's many accomplishments is its successful blend of drama and comedy. It could quite easily have been a depressing affair but many of the brother's outrageous acts prove most amusing. On other occasions, they're heartbreaking.
Equally fine is the performance by Luke Ford. Playing a handicapped character is a challenge for any actor, but Ford is totally convincing as Charlie. Never do we consider he's an actor playing a role.
Toni Collette is first-rate as the ever-loving mother. She's heavily pregnant and when complications arise from her pregnancy, we can't help but wonder if the third child will be like Thomas or Charlie.
The most likable of the characters is Thomas's classmate and later girlfriend, Jackie, played by Gemma Ward. Her acceptance of Charlie and her solid support for Thomas makes her most appealing. It's interesting to note that while Thomas sees Charlie as a burden, his formal introduction to Jackie and the development of their relationship has much to do with his brother.
THE BLACK BALLOON is the work of first-time director Elissa Down, who studied film-making in Perth. She has done a sterling job. Having grown up with two Autistic brothers, it must be a profoundly personal work. The screenplay, by Down and Jimmy the Exploder, is honest and moving and the photography by Denson Baker is fine. I particularly appreciated his low- angle wide shots.
THE BLACK BALLOON won the Crystal Bear at this year's Berlin Film Festival. It's an important film and deserves to be seen. The Australian Film Industry, sadly, does not have a good reputation, at home or overseas. But if we make films like this one, that's sure to change.
While Thomas's mother (Toni Collette) has accepted her son's condition, Thomas has not. He wants to keep his brother a secret from his new schoolmates but when one student (Gemma Ward) learns of his sibling, she's not put off.
It's been a number of years since I've connected with an Australian film to the extent that I did with THE BLACK BALLOON. From the interesting title sequence at the start, we're drawn into the challenges of life with a family member suffering a developmental disability. While, I suppose, an outsider could never fully appreciate just how demanding such a life could be, the film gives us a very good idea.
One of the film's many accomplishments is its successful blend of drama and comedy. It could quite easily have been a depressing affair but many of the brother's outrageous acts prove most amusing. On other occasions, they're heartbreaking.
Equally fine is the performance by Luke Ford. Playing a handicapped character is a challenge for any actor, but Ford is totally convincing as Charlie. Never do we consider he's an actor playing a role.
Toni Collette is first-rate as the ever-loving mother. She's heavily pregnant and when complications arise from her pregnancy, we can't help but wonder if the third child will be like Thomas or Charlie.
The most likable of the characters is Thomas's classmate and later girlfriend, Jackie, played by Gemma Ward. Her acceptance of Charlie and her solid support for Thomas makes her most appealing. It's interesting to note that while Thomas sees Charlie as a burden, his formal introduction to Jackie and the development of their relationship has much to do with his brother.
THE BLACK BALLOON is the work of first-time director Elissa Down, who studied film-making in Perth. She has done a sterling job. Having grown up with two Autistic brothers, it must be a profoundly personal work. The screenplay, by Down and Jimmy the Exploder, is honest and moving and the photography by Denson Baker is fine. I particularly appreciated his low- angle wide shots.
THE BLACK BALLOON won the Crystal Bear at this year's Berlin Film Festival. It's an important film and deserves to be seen. The Australian Film Industry, sadly, does not have a good reputation, at home or overseas. But if we make films like this one, that's sure to change.
This film is an effective coming-of-age drama with the backdrop of autism. Erik Thomson plays a shy 16 year old who's constantly embarrassed by his severely autistic brother, an excellent Luke Ford. Toni Collette plays the pregnant mother and is solid as usual. The drama never becomes morose and there's a playful tone running through the film. Some events are predictable (like the taunting by class-mates and social awkwardness) but they are probably part and parcel of every coming of age drama. The film shows in harrowing detail what it's like to take care of someone with severe autism. Informative and worth watching.
Overall 7/10
Overall 7/10
The Black Balloon opens with an awkward dance between filmmaker and audience, the latter trying to suss whether the able-bodied actor is playing an autistic character or is lazily impersonating the illness, all obvious ticks and embarrassingly broad gestures. Filmmakers often deploy mental disability for shallow manipulation (hello The Proposition), wherein the strings of the characterisation appear painfully obvious.
It becomes apparent, however, that debut filmmaker Elissa Down has instead crafted a very fine and perceptive film, indeed. A semi-autobiographical, coming-of-age drama, The Black Balloon connects for its frank exploration of a difficult subject. Though she opts for every cliché imaginable- the ocker father (Erik Thompson), the tireless mother (Toni Collette), the wish-fulfilment girlfriend (model Gemma Ward), family strife- Down has weaved these seams for surprisingly effect.
Sixteen year-old Thomas (Rhys Wakefield) is an impish, often self-involved hero, perpetually embarrassed by his autistic older brother, Charlie (astonishing newcomer Luke Ford). Though his pregnant mother is confined to bed rest, Thomas often shirks his responsibilities and becomes prone to intense bitterness. The Black Balloon darkens sooner than you would expect for an Aussie drama and honestly reflects upon the repercussions of Thomas' selfish behaviour.
Down's direction is very strong and visual, especially in the moments of Thomas' embarrassment and anguish, culminating in a brutal sequence at the dinner table. The violence here is sudden and deserves full credit for its unexpected impact. Although heartfelt and touching, Down's film is never cloying and earns its warm moments through genuine pain and reflection.
It becomes apparent, however, that debut filmmaker Elissa Down has instead crafted a very fine and perceptive film, indeed. A semi-autobiographical, coming-of-age drama, The Black Balloon connects for its frank exploration of a difficult subject. Though she opts for every cliché imaginable- the ocker father (Erik Thompson), the tireless mother (Toni Collette), the wish-fulfilment girlfriend (model Gemma Ward), family strife- Down has weaved these seams for surprisingly effect.
Sixteen year-old Thomas (Rhys Wakefield) is an impish, often self-involved hero, perpetually embarrassed by his autistic older brother, Charlie (astonishing newcomer Luke Ford). Though his pregnant mother is confined to bed rest, Thomas often shirks his responsibilities and becomes prone to intense bitterness. The Black Balloon darkens sooner than you would expect for an Aussie drama and honestly reflects upon the repercussions of Thomas' selfish behaviour.
Down's direction is very strong and visual, especially in the moments of Thomas' embarrassment and anguish, culminating in a brutal sequence at the dinner table. The violence here is sudden and deserves full credit for its unexpected impact. Although heartfelt and touching, Down's film is never cloying and earns its warm moments through genuine pain and reflection.
Life isn't easy for Thomas. Living as the younger brother in a family of four, with a fifth on the way is hard enough to begin with. It's even worse when the older brother is severely autistic and unable to care for himself in any way. So, quite naturally, Thomas struggles with growing up.
Films dealing with family lives like this only work when they show all the sides to a story and this one does it well. All the members of the family are properly introduced and their interaction is done well enough to give the impression that it is a perfectly normal family, which has a specific difficulty added to it.
The complexities of living with a mentally handicapped person are brought out well enough without ever being overly sentimental and, as far as I know from the interaction I have had with several autistic people, real enough.
All in all it is a real good film about growing up and growing up with a tremendous challenge making it harder on you. I loved it, and even more so because I know what Thomas went through from personal experience.
Films dealing with family lives like this only work when they show all the sides to a story and this one does it well. All the members of the family are properly introduced and their interaction is done well enough to give the impression that it is a perfectly normal family, which has a specific difficulty added to it.
The complexities of living with a mentally handicapped person are brought out well enough without ever being overly sentimental and, as far as I know from the interaction I have had with several autistic people, real enough.
All in all it is a real good film about growing up and growing up with a tremendous challenge making it harder on you. I loved it, and even more so because I know what Thomas went through from personal experience.
I saw 'The Black Balloon' last night as a charity event for our local disability services. All who attending the movie premier were people who live and breath disabilities. There were teachers from special schools, carers and parents of disabled children. I am a parent of an autistic boy and employed to work with special needs children, I found this movie to be funny, heart warming and realistic to memories of my own child. The movie is based on the everyday effects of living with a disabled sibling which I'm sure many siblings will relate to (I know my older girls will). The amount of attention given to Charlie is felt by Thomas and the enormous responsibility of caring for a disabled sibling at the age of 16 years was heartbreaking for him. I gave this movie a 10/10 because I felt the movie portrayed exactly how life is for a family with a disabled child. Luke Ford was excellent with portraying Charlie and Rhys Wakefield's exceptional representation of having to live with a disabled sibling will hopeful make the public think about the family life of a disabled child/adult before they stop and stare and whisper. Offer help and do not fear them for they are angels in disguise.
Did you know
- TriviaAt the river, Jackie says "Kieren Perkins, watch out!". Kieren Perkins is an Australian swimmer who won Gold medals at the 1992 and 1996 Olympics and a Silver medal at the 2000 Olympics, swimming in the 1500 metre event.
- Goofs44:00 shows a traffic light (which is for cars) turn green while the audio indicating pedestrians being 'safe to walk' plays.
- Quotes
Maggie Mollison: Your brother will never be able to do the things you can Thomas, He will live with us for the rest of his life.
- Crazy creditsDuring the opening credits which appear over a montage of the Mollison family moving into a new home, the names of things, objects, and people in the frame are superimposed over them--such as "sky" and "lace curtains" and "brother"--in the same typeface and type size as the credits. The responsible staff person from the company that designed the opening credits was inspired by what he learned about autism because of involvement in this film, namely, what he came to understand of how people with autism see things, and by the way the film's character with autism, Charlie, uses sign language to identify things.
- ConnectionsFeatured in At the Movies: Episode #6.1 (2009)
- SoundtracksFor He's A Jolly Good Fellow
Traditional
Performed by the Mollison family and Jackie
Details
- Release date
- Country of origin
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- Also known as
- Bong Bóng Đen
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- See more company credits at IMDbPro
Box office
- Budget
- A$5,000,000 (estimated)
- Gross worldwide
- $2,136,663
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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