Akumu tantei

First of all, I've never seen a Shinya Tsukamoto movie before this. I read reviews commenting on how this is his most unoriginal work, and I really can't confirm or deny that. As a standalone piece, however, I can say this is completely unlike any other detective movie I've ever seen—and it does so without cheese. On a technical level, does that make it original? Not necessarily, but it certainly isn't unoriginal either. Either way, it's very entertaining and interesting, and as I just said, lacks the cheese that the majority of supernatural horror films have lately.

The reason it lacks cheese is because Nightmare Detective builds up layers of gritty reality through mainly being a comic (but not comical) detective mystery. This gives a lot more weight to the supernatural elements, and creates a lot cooler tone. I've seen people bash the detective elements of the story, but I personally thought they were genius. The idea of having two detectives, one a police detective and the other a dream detective working together was very cool. Like I said, the idea isn't wholesale original, but it's certainly different and very well done.

Shinya Tsukamoto's camera-work and cinematography left me in awe more than once. The man knows how to direct. The entire movie has the best production value I've ever seen in an Asian movie, and I've seen a lot of Asian movies. The detail is crisp, and sometimes with color washout that completed the gritty, dirty comic book tone. The dream sequences are not all-out surrealism as would be cliché, but have subtle nods at surrealism while being otherwise realistic. Once again, genius.

I've read reviews that trash this movie for not being scary. Simply put: what movie IS scary anymore? I've seen hundreds of horror movies, and I can count the ones that were honestly scary on one hand. I can't compare this to Shinya Tsukamoto's other works, as I said, but from what I take, this is a step down on the level of terror. Fine. Why is that bad? A movie that exists only to be scary is just like a movie that exists just to be gory—it's hallow. The Exorcist is quoted as "the scariest movie of all time", but when I watched it I wasn't scared once. The thing is, the level of terror in a movie is mainly relative. Is Nightmare Detective scary? Some will think so. Did I? To an extent, yes.

As far as the acting goes, I didn't notice it being good or bad. As for the level of boredom, it isn't very fast paced but it will keep your interest until the end, which is something I can't say about many movies. Dialogue is standard, and never too excessive, which is another plus. The music is unoffensive and unnoticeable, except where Shinya Tsukamoto uses some really cool mellow songs to underline the mood, and it works very well.

Overall, it's very much worth a watch, especially if you're a fan of mystery graphic novels, because it carries the same feel and flow. I'd even go as far as to say it's worth a buy. It did what it wanted to accomplish, and even if Shinya Tsukamoto's other works are better than this, I don't see how anyone would be disappointed.

4/10

Shinya Tsukamoto directs and plays the bad guy in this supernatural thriller, and even though I liked it pretty much, it doesn't stand up well against his other classics. People are dying horrible bloody suicides which seem connected to a recent cell phone conversation they had with a person identified as "O". A beautiful female detective takes over the case, and meets up with a guy that has the ability to enter other people's dreams. Not a novel or original story idea by Tsukamoto, but it's still pretty interesting. When the lady detective makes a call to "O" which dooms her, she calls upon the nightmare detective to enter her dreams and save her. I see a sequel to this movie is in post production, and I hope it's better than the original. Seems kind of funny to me that Tsukamoto is making a sequel to this one, but who knows? From any other director on this subject matter, the movie would probably be a flop, but being Tsukamoto, he adds enough suspense and some gory suicides to make it interesting.

People are committing suicide in bloody, messy ways, and the police are at their wit's end as to why. The deaths are somehow connected to a mystery man on the victims' cell phones. Getting desperate, the cops decide to broaden their investigation, and enlist the services of the titular psychic.

NIGHTMARE DETECTIVE is yet one more example of inventive, bizarre horror from Japan. It starts out with some familiar cell phone insanity, quickly morphing into something completely different. Blurring the line between dreams and reality, ND pays homage to the classics while remaining original...

You know a "horror" movie is just "ok", at best, when, an hour and fifteen minutes into the movie you start thinking, this movie would be a lot better with more character development. I know there are 2 sequels, so maybe the characters get a bit more "meat" on them in those sequels. But as for this one I found myself not caring about any of the characters. For me, in order for a horror movie to be good, you gotta care for at least one of the characters. Here, I just didn't. Even towards the end when they did decide to, barely, delve into the characters backstory, it was just too little to late. At first I was thinking maybe it was just bad subtitles. But after reading other reviews, it sounds like everything was translated just fine and the movie itself was, as I already said, just ok. If I'm not invested in your characters in the first part, you can guarantee I won't have any desire to see the sequels.

What a letdown. When I first heard about this film, the premise of a 'nightmare detective' battling a serial killer within the victims' dream state seemed immensely appealing. And it being directed by the man responsible for the brilliant Tetsuo sealed the deal!! How would he spin the concept differently than Wes Craven's Elm Street series? But then, the misgivings started to creep in. Its being released by Dimension EXTREME stateside. Ugh. Could a more trend pandering and generic name for a releasing company even be possible? And unfortunately, the film itself is just as trend pandering. Stylistically, Tsukamoto blends every flashy aesthetic technique that is currently trendy: desaturated colors mixed in with scenes filmed through saturated color filters that come and go at random, uninspired Paul Greengrass type shaky camera-work/zooming being just a few examples. Aesthetics aside, the narrative is depressingly conventional and straightforward for the likes of a Tsukamoto. An interesting connection between the state of dreaming and death arises but is treated superficially and seems thrown in just so the killer can make creepy and twisted little monologues. But the film's main weakness is in the casting. Matsuda's emo, brooding, hair in his face 'nightmare detective' aimlessly mopes around through the whole film in perpetual angst. Why so glum, chum? Angst does not equal profound. And newcomer hitomi, while very easy on the eyes, is just completely unconvincing as the star detective who elicits Matsuda's supernatural talents to track down the killer. I also tried to concoct some sort of profound metacommentary for Tsukamoto's self casting but failed. I give this 2 stars because, despite all I wrote above, there are a few genuinely startling and well shot moments that demonstrate Tsukamoto's reputation as one of the greats of J-horror. I hear that this was a "for hire" job for him and unfortunately, it shows.