Super blonde

Shelley (Anna Faris) was abandoned as a baby on someone's doorstep long ago. As she relates, no one was interested in getting her back although they did request that the basket be returned! Shuttled from one orphanage to another, Shelley eventually found a "family" when her womanish figure came into fruition. That's right, Shelley resided in the Playboy mansion and found happiness with Hef and the other gal pal housemates. However, one day Shelley receives word that Hef has given her two hours to move out of the mansion. A fellow worker at the residence suggests that, perhaps, she is getting too old to be a bunny. After all, didn't she just turn 27? And, isn't that like 59 in "bunny years"? So, off Shelley goes, hurt and scared. After a day on her own, she stumbles onto a nearby college campus and learns that she could possibly find a job, a home, and a salary by becoming a sorority "mother" to a group of misfit sisters. These gals, the Zetas, have seen their numbers shrink, mostly because they are all shy and a bit unconventional (among them, Katharine McPhee and Rumer Willis). The college has already told them that if they don't find new members, the Zeta house will be shut down. It is going to be Shelley's biggest challenge to turn the sorority into an attractive place for the new students. Can she do it? Perhaps, Shelly could ask for the help and advice of a nursing home director, Oliver (Colin Hanks), a nice man she met in a park? After a brief, blase beginning, this film packs a good punch of light comedy and romance. Part of the credit should go to the very nice cast. Faris is wonderful in her role as the dimwitted bunny who has more than enough smarts to learn a few new tricks and Hanks, in a smaller role, is quite nice as the love interest. The Zeta girls themselves, especially Rumer Willis and Emma Stone, are a delightful bunch of offbeat creatures that learn some lessons themselves. The rest of the cast, including Christopher McDonald and Beverly D'Angelo, is good, also. The costumes, naturally, are very fine, as this is a gal-dominated movie and clothes are especially important. But, the sunny sets, cinematography, screenplay, and direction are up to snuff as well. No, it's not Willie Shakespeare but the flick is definitely a good diversion from the everyday blues. It's a likely bet that you will find this "Bunny" to be quite funny indeed.

It's impressive how talented Anna Faris is, she manages to turn a tremendously idiotic movie like this one into something watchable. And this is very clear when she shares the screen with another great actress, who is Emma Stone in a role that is also comedic, and yet she steals the show.

The film itself is a feel good movie, it has some aspects that I thought were really cool, such as the appreciation of friendship and taking away taboo and prejudice with sex, in addition to having some funny moments, always in Anna's hands. On the other hand, the rest is silly beyond measure, even having grotesque and embarrassing moments, like some starring the character Carrie Mae, extremely forced. Not to mention Anna's final speech, which is ridiculously corny and unnecessary.

I rate it 5 out of 10 for Anna's talent and the heart warming spirit.

I went with my mother and my nine-year-old niece to see "The House Bunny" in the early morning in a relatively empty theater where there were only women. Of course it won't be the most memorable movie I've seen, but for late August, it's not all that bad.

Comedienne Anna Faris is perfectly cast as a carefree, big-haired and hare-brained Playboy bunny who after celebrating her 27th birthday (that's 59 in bunny years) at the Playboy Mansion, where she has lived much of her life, gets kicked out of there by yours truly, Hugh Hefner. With nowhere to turn, she looks at a sorority house that seems to resemble her previous house, only not as big. There, she accepts the job of a house mother to seven social misfits who make up the sorority Zeta Alpha Zeta. They need 23 more pledges before they are totally ousted as a campus sorority by the beautiful but snooty Pi Alphu Mu sorority.

Do the clichés sound familiar? Yes, they do. It seems like the creators of this movie grew up on "Revenge of the Nerds," one of my all-time favorite movies and the granddaddy of all jocks vs. nerds and losers who become winner comedies. So they decided to make a "Nerds" comedy a generation later with a feminist perspective. Faris's character, appropriately named Shelly Darlingson, first takes on all the wallflowers and makes them like her with flashy clothes, heavy makeup, costume jewelry, and platform shoes. At first, it is successful and boys fall for them. Soon enough, they see Shelly as frivolous and teach her to have brains as well as beauty. This leads Shelly to a forced, clumsy conversation with the man of her dreams (Colin Hanks, son of Tom Hanks). At the end of the movie, everyone wins except for the Pi Alpha Mu sorority.

There is a fine cast. Anna Faris perks everything up in what could have been a total lamebrainer. Her appearance and high voice get laughs, but when she does a dead-on "Exorcist" voice by saying everyone's names in order to remember them, that is the real deal. Colin Hanks and fellow Hollywood Offspring Rumer Willis, daughter of Demi Moore (and looks a lot like her) and Bruce Willis, provide able support. Katharine McPhee, the American Idol Runner Up of 2006, is made first ugly, then beautiful, as one of the sorority members. Listen for an "Idol" reference in which Faris tells Hanks she listens to Paula and Randy and that Simon is mean. The rest of the cast is amiable as well. We tend to know more about Shelly and the misfit sorority than the snobby girls or the hunky boys. Small parts by Beverly D'Angelo as a snide veteran house mother and Christoper McDonald as the prissy dean are provided nicely as well.

Now I would not put this on a must see list, but it is okay for a lazy day. As they dump out leftover movies for the summer, I would rather see this than a truly terrible one I was made to see with a friend - "Stepbrothers," where Will Ferrell and John C. Reilly did nothing but scream their heads off and I was so exhausted the night before that I fell asleep and could barely stay awake. For "The House Bunny," I was awake the whole time through.

"The House Bunny" has a funny concept and what looks like a "Legally Blonde" form of execution. If Anna Faris, most commonly known as the one portraying/making fun of the Neve Campbell "Scream" role in the "Scary Movies" was ever going to become the next big female comedienne the time would be now. She showed she was willing to make fun of herself in those movies but I still wonder if she can play a sincere, actual human being rather than a character meant to be the punch line most of the time. "Bunny" was written by "Blonde" screenwriters Karen McCullah Lutz and Kirsten Smith so that could be good news but a lot of the weight of this movie is going to rest on the shoulders of it star. Reese Witherspoon made that movie what it was and the big question here is, can Faris do the same?

She plays Shelley, a ditzy playboy bunny with big dreams of becoming the next centerfold who instead is tossed out on her ass by Hugh after her 27th birthday. Shelley went from the orphanage to the mansion so she never quite got the fill gist of the outside world. Now homeless and with very few survival skills, she has no idea what to do next. Just through happenstance, she encounters something that looks like a mini Playboy mansion but is in fact the best college sorority on campus. They decline her for house mother but she finds a home with the Zeta sorority, a group of misfit girls, led by Natalie (Emma Stone), who seriously need to improve their image and attract new members in order to stop the college from closing their house. Enter Shelley to give the girls make-overs.

This movie made me laugh out loud twice. One involved the manhole cover joke in the trailer, and the other was a really good jab at Bob Saget. The rest of the movie is likable and has a nice message but really can't seem to wring that many laughs out of a good premise. It's a parody against the bimbo ideology, first having Shelley turn the girls into mindless, skimpy-looking prostitutes only to realize later that you also have to have substance too. Sometimes it gets a few chuckles and other times it comes off looking embarrassingly sitcom-ish, like when Shelley tries to look brainy to impress a guy by wearing very thick glasses that make her dizzy, but overall the script isn't as smart or funny as "Legally Blonde" and that hurts its chances. The movie also treats some of the secondary characters in really bad taste, like a girl whose such a misfit she actually talks like Frankenstein and walks like Igor, and I was confused by some others, like a girl who supposedly is bad with boys and yet is pregnant.

I was also confused by the mental abilities of the main character. At times she seems dumber than dirt and at other times she seems almost profound. That she works regardless of this has less to do with the script and more to do with Anna Faris. I don't think this will be the star-making role I thought it would be for her but she gives Shelley a very sweet, genial nature and she is willing to throw herself into silly situations with an innocent and goofy charm. Emma Stone is also pretty funny in this movie, dialing up the dorky meter to about an 8. I feel bad for Colin Hanks though. This kid just doesn't seem to be getting many chances to shine, and here he's wasted as the romantic lead in a movie that's pretty low on the romance.

"The House Bunny" begins, middles, and ends like most college movies do, just unfortunately its not funny or clever enough to distract from the generic plotting. Most of the secondary characters are also wasted as well but maybe, it will put Anna Faris on some people's radars. She is a very funny comic actress and with the right script, its possible she could be the next big thing.

Anna Faris makes this paper thin attempt at comedy overwhelmingly worthwhile. She is an original that reminded me of some other glories, from Carole Lombard to Goldie Hawn. Her innocence is so believable that we go with her wherever she decides to go. I wish the producers and responsible for this movie getting made had gone all the way and provided this extraordinary comic talent with a more substantial script and direction giving her the opportunity to shine even more than she shines here and here shine she does, big time. Just look at her listening, trying to make sense of what's happening around her. Deeply moving, very funny, kind of unique. I hope she soon finds her Garson Kanin and her George Cukor. I have the feeling we ain't seen nothing yet