L'île

I believe that "Ostrov" (the Island) is among the great pieces of world and Russian cinema somewhere close to Bergman and Tarkovsky. For Russia - it is an important and timely message. For those who want to know more of "the mysterious Russian soul" - it is an excellent description. I've hardly seen a better one. For all taking the spiritual development seriously - the film will also be useful no matter what is their religion. People say that they are becoming better and cleaner after watching the film. Those who used to a lot of action on the screen would require to concentrate. It is more a meditation rather than a blockbuster. Strongly recommend to watch.

Ostrov gives the viewer a rare and deeper than ever before glimpse at a "starets" (elder) and "iurodivy" (fool for Christ), embodied by the main character Fr. Anatoli. These spiritual figures - unique to Eastern Orthodox Christianity - possess a prophetic spiritual insight, and in the case of the iurodivy use odd behavior and humor to spiritually awaken those around them. The film is set in an isolated skete during Soviet times, when Russian society was forcibly steeped into atheism.

The film's actors deliver top notch performances, the cinematography is excellent, and the sound design is thought through. A great film for those who want to get a truly spiritual experience, and encounter a world that few in the west are familiar with.

Some people saw this film as a religious propaganda. I don't think it is so - "Ostrov" it's rather a testimony, for those interested, about the Russian soul, which is deeply religious and rooted in Orthodox Christianity. I think the main target of the movie were the Russian themselves, or maybe, by extension, those nations who are traditionally Orthodox Christian, but forgot their roots.

The movie tries to bring into attention the essence of Orthodox Christian belief - the reunification of man with God, which is done through repentance and unceased prayer, in humbleness and ascetic struggle. According to the same beliefs, God is the one who works this union in co-operation with the man.

The main character, Fr. Anatoli, was inspired from the lives of some Russian "fools for Christ" - men who tried to hide their sanctity and keep their humbleness behind a mask of apparent insanity - especially from the life of St. Theophile the Fool for Christ.

I think the success gained by this movie in Russia and beyond is determined by the inner identification of the viewer with the concepts revealed in it.

Nevertheless, beside it's religious significance, "Ostrov" has a brilliant image directing, with superb shots of the remote locations, and a very good and balanced script - even a surprising final turnaround, for those who may have felt the need for it. You may think of it, in a way, as a sort of "fictional documentary".

As a final note, I think the movie requires at least a second viewing, both for deepening and re-enjoying it.

This is an Orthodox movie in its core, and it might not appeal to people of different religious backgrounds. Orthodox church is not a church of comfortable and simple, but ridiculous answers. Its path is hard and full of obstacles, and the fight for salvation, is life long. Of course, this is completely opposite to evangelical, easy fix theology that calms the minds of the naive folk. This movie is not an advert for converting to the Orthodox faith. How could it be? All three monks that we see in this movie are struggling to understand their spiritual journey.Being religious is a tough gift, not for the faint of heart.

This film is about a young soldier committing a grave sin, and hence spends the rest of his life being a monk, praying and repenting every day in order to redeem his sin.

"Ostrov" proved to be a phenomenally moving and affecting spiritual experience that is unparalleled by any other film. From cinematography, composition of scenes, scenery, philosophical messages, religious messages and the good side of humanity are all absolutely prefect beyond any description. The slow pacing and monochrome colours adds to the high level of religious message and spirituality. The most thought provoking scene is when Father Anatoli curses the devils, therefore helping his senior, Father Filaret to achieve a higher level of spirituality. The ending is deeply affecting, and it is almost impossible not to be touched to tears. My friends and I were deep in thoughts for an hour after the film finished. This film is a perfect piece of art that offers an unprecedented spiritual experience. It is a must see.