Activists arrive in Seattle, Washington en masse to protest a meeting of the World Trade Organization. Riots and chaos ensue as demonstrators successfully stop the WTO meetings.Activists arrive in Seattle, Washington en masse to protest a meeting of the World Trade Organization. Riots and chaos ensue as demonstrators successfully stop the WTO meetings.Activists arrive in Seattle, Washington en masse to protest a meeting of the World Trade Organization. Riots and chaos ensue as demonstrators successfully stop the WTO meetings.
- Awards
- 1 win & 4 nominations total
- Django
- (as Andre Benjamin)
- Abasi
- (as Isaach De Bankole)
- Dr. Maric
- (as Rade Sherbedzija)
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The audience I saw this with at the Toronto Festival gave it an ovation that lasted all through the credits. In terms of pure audience satisfaction, this movie was up there with "Juno" and "Body of War" and "Eastern Promises" as the fan favorites.
Stuart said that he was not trying to make a documentary about the WTO (since three already existed, one of which I've already seen ("30 Frames a Second: The WTO in Seattle") and wanted to make a film about people. Overall, I think he did a great job. The only minor, personal beef I had was the casting of Tzi Ma as Governor Locke. Locke does not speak with any trace of an accent and hearing Ma ranting on screen with a slight accent was just weird for me (being very familiar with Gary Locke...but nobody else will even bat an eye). A lot of people complained that the entire film wasn't filmed in Seattle, but that was the reality of financing. He mentioned that if he had to film in Vancouver to get the film made, so be it. Most of the key scenes/landmarks were shot in Seattle so you never really lost track of the Seattle vibe (believe me, I recognized every landmark on screen). Stuart mentioned that he learned a lot about the film making industry (from the point of a first time director) and how brutal it can be.
The WTO is obviously a topic most of Hollywood would not touch with a 10 foot pole. He also said that of the six or so years he spent on the project, only 29 days were actual filming days with the rest spent on research, production, editing etc. I have to give a lot of credit to Stuart for tackling this topic and seeing it to completion and fighting for distribution. It would be the equivalent of me trying to make a film around the Inniskillin Bombing which I do not remember when it happened back in 1987, but have heard of. I was able to shake Stuart's hand afterward and he was a very cool guy and tried to talk to everybody even as his publicist tried to drag him away after the screening.
now maybe some of you will understand part of the point of this movie. there IS no such thing as countries anymore. not with administrations such as the present one. it's big business interest. and if you're a big business the bush's will do business with you. witness the bin laden family, which have been 'buddies' with the bushes from 'way back'... witness grand daddy bush doing business with the Nazis as they began their quest for world cleansing and domination. all this is documented and accessible if you just do a little work looking for it... why not start with Congresswoman Marcy Kaptur's(democrat/Ohio) explanation of the corridor on u tube? that'll help make believers out of the skeptics. this isn't some 'quack' with a conspiracy theory.
my location is listed as netherlands. i left the US b/c i don't like what the people in control are doing and this is my way of protest. not paying them with my tax dollars. each of us have to find a way to react to this piecemeal sale of the US...hopefully non violent no matter what the response... the people with the money do, after all, control the militaries. and not just the American one. or you can just not believe...not do ANYthing and be surprised at what transpires... no review of a movie will MAKE you do anything. that's up to you. good luck.
ps remember how easy it would be to check this out. as easy as it was to 'get HERE', internetwise...
If the movie accomplishes anything I hope it will bring younger people who were too young to be politically aware at that time into the fold and fight against corporate and state tyranny.
The movie definitely captured the feeling of these anti-globalization protests and how they represented a multitude of voices from environmentalism to labour leaders. I just wish they had focused more on the anarchists who seemed to be the only ones to get the short end of the stick in this movie. Why not show their story and who they are? Are hippie leftist protesters more interesting. Perhaps next time when someone makes a movie out of the 2001 protests against the FTAA in Quebec City. Battaille en Québec.
Frederick William Faber
As a liberal, I empathize with the protesters in the 1999 World Trade Organization meeting in Seattle. And I do empathize. The need for world organizations and big companies to consider the health of poorer countries before appropriating their resources is paramount.
In Battle in Seattle, director Stuart Townsend uses the stock devices of the docudrama: smoothly inter-cutting between scenes of police and protesters and expertly interspersing authentic footage with the dramatized. The feel is as if the audience is participant; the dilemma of how far either side should go in keeping the peace or disturbing it is palpable.
The drama is enhanced by fictionalizing the opposing forces through the lens of policeman Dale (Woody Harrelson) and his wife, Ella (Charlize Theron), both caught up in the escalating violence and too neatly tied to the issues of each side. The challenges of the protesters are also too deftly tied to a romance of the leader and a follower.
This facile mixing of truth and fiction leaves me a bit cold, as if I were the victim of a fraud because the reality of the historic event seems trivialized by clichéd romances and tragedies. I am always dismayed by the Michael-Moore-style loading of the left to the exclusion of the right's point of view: What are the purposes of the WTO? Has it been successful? How? These questions are rarely explored any more than the complicated motives and lives of the protesters.
But the docudrama succeeds in illuminating the WTO and its critics. As history has written, little progress has been made during the intervening decade even though the talks were stopped in Seattle. But as one of the combatants points out, only by small steps and persistence can the battle be won. And so went the Battle in Seattle.
Did you know
- TriviaWriting and directing debut of actor Stuart Townsend.
- GoofsThe actor playing Governor Gary Locke speaks English in a thick Chinese accent. Gary Locke is a third generation Asian-American born and raised in Washington state who speaks perfect English in a North Western American accent.
- Quotes
Jay: I don't blame you. I mean, I do, but... Shit, you're not the problem. You're just doing your job, i guess. The people I'm really trying to fight are the ones who destroy so much, and they hurt so many lives. Not just one. Literally, millions. And no one ever points a gun at them. You know, they just seem so, unaccountable. Untouchable. Just seems kind of fucked that you're... You and me are the ones that have to fight each other.
- Crazy creditsA Special Thanks to AWI and Ben White (who passed away in July of 2005) for the creation of the sea turtle costumes and the coordination of their use in protests against the World Trade Organization (WTO) in Seattle, Washington in 1999. We are indebted to various non-profit organizations and individuals who aided with manufacturing the costumes, and to the Animal Welfare Institute (AWI) and Ben White for creating the idea for the sea turtle costumes. It was AWI's international coordinator, Ben White, who created those costumes and came up with the idea to put hundreds of people in sea turtle costumes on the streets of Seattle. We will miss Ben and his dedication to make the world a better place.
- Alternate versionsAvailable in two different versions. Runtimes are: "1h 39m (99 min)" and " 1h 38m (98 min) (United States)".
- ConnectionsEdited from Trade Off (2000)
- SoundtracksSilent Night
Written by Franz Xaver Gruber (uncredited) and Joseph Mohr (uncredited)
Arrangement by Jean Robitaille
Image Sonore Éditions
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Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $224,169
- Opening weekend US & Canada
- $46,903
- Sep 21, 2008
- Gross worldwide
- $908,847
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1