Los bastardos

I get why a lot of people don't like this film. I get why lots think its a bad script. I think its difficult in the same way Dryer is difficult, or Bresson or Dumont. Its slow, but its not elegiac, or full of "beauty".....nor is it sociological in its depiction of crime and exploitation. Its simply a dark dark existential sort of nightmare. It contains a social critique to be sure, but thats not the focus. Escalante is a director to keep an eye on. This a disturbing and singular film. Its also a film that will haunt you.....probably even if you didn't think it as good as I thought it was. Its a film experience you wont forget. I saw it in norway, at a festival and at 11pm. People left the theatre in shocked silence.

If the purpose of a film is to simply elicit an emotional response from the audience, Los Bastardos succeeds in spectacular fashion. Ultra- realistic and unflinching, it tells the story of two illegal immigrant brothers and their struggle to make enough money to support ailing family back in Mexico when they are hired to kill a single suburban mother. The long takes, no soundtrack, and use of non-actors create the feeling one might get from watching a documentary. The pace is achingly slow, with very little dialogue and minimal plot. Yet, the sense of dread and uneasiness reach a level very few films are able to achieve. Watching this film is about as enjoyable as getting dental work done, but the emotional impact one is left with after the credits roll is undeniable. It will stick with you and maybe even haunt you for a considerable amount of time after. For the patient viewer not expecting your typical Hollywood blockbuster or rom-com, Los Bastardos is a very unique, devastating, and powerful film. I highly recommend this film be watched, but with an open mind as it is unconventional.

To be honest i expected more about this movie. Poor script in Spanish and English.

It started slow, very slow. The movie gives an one side overview about the conditions of Mexican workers trying to get a job and also the behavior of American people towards them. The discrimination and abuse is marked on the first hour of the movie. The two guys tried to live the American dream in the wrong way. I conclude this review with : if you don't have better thing to do or it is a cold boring night feel free to watch it. It might be a good movie if you are familiar with the directors type of movies.

LOS BASTARDOS (dir. Amat Escalante) The film is an unflinching attempt to apply the principles of DOGMA 95, or something quite similar, and this starkly unconventional film succeeds very well. DOGMA 95 was a Danish film movement which was conceived as a reaction to Big Budget Hollywood films, and initiated new ways to tell a story with film. Lars Van Trier and Thomas Vinterberg, authors of the guiding principles, felt that the job of the modern filmmaker was to mirror reality as closely as possible-with Absolutely NO Frills. DOGMA 95 films would only use ambient sound-No Soundtracks, employ no fancy lighting techniques, use improvisational dialogue only, non-actors would be employed exclusively, and only hand-held camera work was allowed. LOS BASTARDOS begins with an opening shot of over three silent minutes in which the two lead characters walk into focus from far off in the distance. Most films attempt to ensnare the viewer immediately, yet in this film you feel that you are, 'waiting for something to happen'. The camera is used only to observe and record, and the story is allowed to emerge with no embellishments. A hired killing is the slim conceit of this film, and the film unfolds at a slow pace, and has the feeling of a documentary because none of the action could be confused with conventional acting. This film is not for everyone, but I would highly recommend it. Winner of numerous awards.

Brief summary: Two Mexican immigrants do odd jobs for random sleazy Americans, and usually hang around with their fellow Mexicans at a drop-off spot waiting for something new to pop up. It can be anything from construction-working and strawberry-picking to muscle-for-hire goons, just as long as there's enough money in it for them. Meanwhile, an American mother has trouble communicating with her lackadaisical teenage son, and fails to draw his attention in every way. The boy doesn't treat her very well, and leaves the house without even saying goodbye. On that same evening, the four lives will be forever changed, which is the story that this movie tells.

The film is beautifully shot, and also has a fantastic soundtrack (very raw, hardcore music), which goes along perfectly to the style and theme of the plot of the movie. The two leading Mexican actors have apparently never done any movies before this one, but still manage to come across perfectly as these everyday-Mexicans, just trying to get by in a hard world, even if it may require doing things they don't appreciate very much.

Anyway, this movie moves along very slowly, until it abruptly comes to a halt at the ending, which will probably shock most audiences, and may turn off a few people as well. Still, I found it to be a very unique and moving picture, which I would definitely recommend to those that are looking for something untraditional and out of the ordinary.

9/10 - a slow but effective action/drama/thriller, that will haunt the audience for a long time afterward.