Protégé

Right hook! BAM! The HK audience is knocked out!

Protégé pulls no punches at all. It is by far one of the most disturbing mainstream films I've ever seen (from Hong Kong), with certain scenes resembling those of Nicolas Cage's 8mm. This makes Protégé quite unique, and delivers a powerful and thought provoking message to those curious about hard drugs. Very Hollywood feel here.

However, I have a mixed response to the movie itself. While it's certainly not bad, it never really "wow'd" me either. It's decent, which gets it a 7 rating, and if you have the stomach for some very sick and disturbing scenes (like I said, it pulls no punches, it pushes the rating to the limit), go ahead and rent it. I think perhaps that I'm not used to seeing Daniel Wu in this sort of role, I won't reveal too much but let's just say he's come a long way in his acting career, this particular role might've been suited to someone else, someone newer and more raw. Don't get me wrong he is good, but it's very different to his more recent projects.

Daniel Wu - Good ..... Andy Lau - Good/Great ..... Louis Koo - Great ..... Jingchu Zhang - Brilliant, memorable ..... Anita Yuen - Fat! ..... The little girl - Very cute!

Oh, last but not least, watch out for the raid scene. It's friggin awesome, it's evidence that Hong Kong cinema is finally moving forward again, and it's picking up speed!

I saw this movie in the Hong Kong IFC mall before I got the train to the airport. It is one of the best films I have ever seen. I am a huge Daniel Wu fan anyway, and I related to his relationship with his smack-head neighbour straight away, having lived with a smack-head with a little daughter. Some of the "it's not my fault" statements by the neighbour and her slimy husband seemed very familiar to me. Judging by the reaction of other (Chinese) people in the cinema, it was familiar to them as well. I expect this film to be available soon on DVD. When it does I will buy it instantly. I can recommend it totally to any HK film fan, and to anyone else who appreciates films that make you think.

One of the highly anticipated films of the year, Derek Yee's 'Protege' brings together Andy Lau and Daniel Wu in a tale centred around the world of drug trafficking in Asia.

Nick (Daniel Wu) is a young and ambitious cop who has been working undercover in a drug ring headed by diabetic crime-lord Lai (Andy Lau). During a long course of being undercover, Nick has been able to gain the trust and support of Lai by doing may things against his duty as a policeman - and he is chosen to be his 'protege'. During this he meets Jane (Zhang Jingchu), a young mother who has become an addict due to her husbands' (Louis Koo) actions. While expressing sympathy for Jane's daughter, Jane ends up falling for Nick - but he cannot see past the point that his actions are responsible for people like her becoming addicts. Thus Nick feels the need to reform and do his bit for society.

The film itself resembles Steven Soderbergh's award-winning 'Traffic', the world of drug trafficking is shown in different perspectives. Derek Yee uses detailed character work, exploratory cinematography and visually impeccable locations. Like his previous film 'One Nite In Mongkok' Yee uses the camera and characters to bring the locations to life - highlight being scenes shot at the Golden Triangle - an area of Hong Kong where a lot of the drug-trafficking and production takes place.

Daniel Wu seems to improve with every film he does, this time he plays a rather mixed up man that is guilt ridden by his actions.. where as Andy Lau plays a negative character with ease, looking at the drug trade as pure business: supply and demand. Zhang Jingshu steals the show from everyone as a junkie mother living in a run-down apartment. For instance, the opening shots where she's shown shooting up - no dialogue yet physically expressing her character with such brilliance (her daughter coming into-the shot just touches so deep, hard to not be compelled). Louis Koo proves to be above average as a very unlikeable addict and manages not to overact at times. Support cast such as Anita Yuen and Mei Tan-Hei are underused and represented as one-dimensional characters.

The script is rather tightly wove, that is until the end where it just follows a conventional ending and stating that 'Drugs are bad', which does make the effort seem rushed. But amazing direction, notable performances and a rather interesting point makes 'Protege' a one-of-a-kind Hong Kong movie. There are some action sequences which carry tension,and the chemistry between the main cast carries off as really convincing. This is the kind of movie that a lot of film buffs would love to see: its smart, gritty, intense and shocking. One of the best Hong Kong movies of the year, if not one of the best movies of the year.

Highly recommended.

Ordinary development, good research on today's drug-dealing, satisfactory (only) acting, a just so-so plot plus a perfunctorily didactic story, nevertheless, I still recommend this as a light Sunday afternoon amuse-bouche.

We are living in a world of mixed, confusing values. What is right? What is wrong? Lin Quin is an extremely careful businessman. He has a clean family and clean life (he doesn't even smoke, not to mention drug). He is very clear-minded to the point of having a frozen heart without much feeling for the others. He knows, very rationally, all the tricks and danger of drug and drug-dealing. He knows, super-sensibly, the wants and behaviour of the drug consumers. Trafficking drug to him is only a means of accumulating wealth regardless whether it is harmful or evil. He even makes an analogy between cigarette and drug. According to the world system and world values, he is correct: as there is a demand, I supply. As the buyers (drug users) get what they want and I get what (the money) I want, we are both happy. Isn't that the world we are living in? Nick's remark at the opening and closing of the film somehow is a futile didactic statement. "For long, I didn't understand why people take drug.... actually it's all because of emptiness (loneliness). And, which is more horrible? Loneliness or drug? I really can't tell." No philosophy class but loneliness kills more, for sure, more destructive than drugs.

What touches my heart is the ending. Nick promises to continue his duty as a special agent (undercover). When loneliness comes, he also intends to take drug but at last his salvation is brought by "innocence" (personified by Jane's little daughter) who dumps the syringe for him. Only when we come to purity and innocence, goodness and kindness can we have a way out from evil.

I saw this last month at the 2008 Palm Springs International Film Festival. The title of this film I believe is Munto not Moon To as listed here on IMDb and this Munto film is not to be confused with the Japanese animee movies of the same name. This is a gangster thriller set in Hong Kong. Nick (Daniel Wu) has spent his entire police career infiltrating a major drug organization led by Kwan (Andy Lau). Nick went straight from the police academy to undercover work and has never worn a uniform or even been inside a police station. For the past seven years he has worked his way up drug lord Kwan's organization that he is in a position to be Kwan's heir to his drug empire. Kwan, in fact, has selected Nick as his heir apparent because he is dying from the long-term results of diabetes. In the meantime Nick has been living in an inner city apartment where his next door neighbor Fan (Zhang Jingchu) is a pretty single mother whose low level drug dealing, heroin addicted husband (Louis Koo) drifts in and out of her and her daughter's life when he isn't in jail to pimp her out. Fan has also become a heroin addict. Nick develops a relationship with Fan and acts as a surrogate father to her little daughter. Nick has also become very close to Kwan. Thius is a good story from writer/director Derek Yee. Within the story line, it takes us to Burma and Thailand and complete with charts and graphs, almost becomes an educational anti-drug documentary on the workings of the Asian heroin trade within the Golden Triangle. Excellent cinematography by Keung Kwok-man and editing by Kwong Chi-Leung. Good production design by Yee Chung-man with Academy Award nominated costume designer/art director Chung Man Yee on board as a consultant. Fast-paced original music score by Peter Kam. This is a good movie and I would give it a 8.0 out of 10 and recommend it.