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5.8/10
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A woman who has psychic visions returns to her hometown to exorcise her demons, and finds both danger and love.A woman who has psychic visions returns to her hometown to exorcise her demons, and finds both danger and love.A woman who has psychic visions returns to her hometown to exorcise her demons, and finds both danger and love.
Kade Philps
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Fantastic portrayal of a Nora Roberts novel which had me spellbound from the very beginning of this film to the very end. This film captures your attention on two very young girls swimming in a lake and one of the girls, Claire Forlani,(Tori),"Hooligans", has the ability to see visions in her head that tell her deep dark things that have happened or going to happen. Oliver Hudson,(Cade Lavelle) and Josie Davis,(Faith Lavelle) both give great supporting roles along with Jacqueline Bisset,( Margaret). There is some torrid love scenes involving Faith Lavelle along with a few laughs and bad child abuse scenes which happened to Tori when she was very young. This is a first Class Nora Roberts TV film and is definitely not your routine television entertainment. FIRST CLASS Enjoy
Victoria Bodeen always had psychic abilities. She was beaten by her abusive father for her devilous powers. As a child, she had visions of her best friend Hope being murdered. As an adult, Tory (Claire Forlani) returns to Progress, North Carolina to open a store and face up to her demons. Her father remains a suspect. She reconnects with her cousin Wade Mooney (Chad Willett), formerly chubby Dwight Collier (Jonathan Scarfe) and Hope's brother Cade Lavelle (Oliver Hudson) who still carries a torch for her. Hope's mother Margaret (Jacqueline Bisset) and Hope's sister Faith Lavelle (Josie Davis) still blames Tory. Tory's visions continue and it turns out to be a serial killer who's killing on the same date that is soon coming up.
Claire Forlani may not be big enough to hold the center of this movie or just as likely there aren't enough good actors to play the other characters. This is suppose to be a thriller but there is a distinct lack of thrills. The father is the only one that is threatening but he really doesn't have many scenes. His scenes with Tory are the only truly exciting scenes in the movie. The flashbacks don't have any tension and look like cheesy older effects. TV writer/director Stephen Tolkin is in charge and it looks like a TV movie. It's certainly doesn't have any cinematic style worth mentioning.
Claire Forlani may not be big enough to hold the center of this movie or just as likely there aren't enough good actors to play the other characters. This is suppose to be a thriller but there is a distinct lack of thrills. The father is the only one that is threatening but he really doesn't have many scenes. His scenes with Tory are the only truly exciting scenes in the movie. The flashbacks don't have any tension and look like cheesy older effects. TV writer/director Stephen Tolkin is in charge and it looks like a TV movie. It's certainly doesn't have any cinematic style worth mentioning.
Once it started rolling I forgot this is a TV movie, until I chanced upon the IMDb page and started reading the comments. I'm very surprised to see a few very negative comments about this film. It may not be the perfect supernatural thriller or mystery story, but it's got great acting and some beautiful actresses, which let's face it, does help, and I'm not talking about supermodel, centerfold kinds of looks. (For those interested in men, they aren't bad either. Well, most of them.) It is of course about a psychic woman, but only touches upon the supernatural and does not run away with it. It has a villain, a serial killer, but keeps you guessing at who he, or she, may be. And unlike so many stories set in America's Bible Belt, you can't tell the good and bad guys based on their religiosity, their gods. It does confront, somewhat in passing, many grave societal issues, including child abuse, religious violence, gender inequality, and others, without being overly dramatic or moralizing.
This movie is a breath of fresh air, made with care not only about the writing, the dialog, but also a care to avoid the clichés that make most TV movies so pedestrian and predictable.
I never read the book, so it could well be superior. All I know is, Carolina Moon ain't bad at all.
This movie is a breath of fresh air, made with care not only about the writing, the dialog, but also a care to avoid the clichés that make most TV movies so pedestrian and predictable.
I never read the book, so it could well be superior. All I know is, Carolina Moon ain't bad at all.
This is a terrible movie. It starts out well, and the premise is intriguing and engaging: a young woman, Victoria, returns to her native town of Progress, North Carolina, many years after her parents and she left following the rape and murder of Victoria's best friend, Hope, which was never satisfactorily resolved. Victoria is also a natural-born seer or clairvoyant, although she can only see the past and the present, not the future. Now she feels as though she is back in town to find some peace of mind, and also to, somehow, reconcile with her past. It won't be easy, because she will be haunted by her past, and meet with the hostility of Hope's mother. But she will also find allies...
I said that it is a terrible movie, because it takes little to go all wrong, lame, boring, and lacking any coherence, sense, pace, or inner logic at all. The mystery part of the movie quickly loses steam as it tries to turn into romantic comedy with bits of family drama and comic relief that never really works. The characters turn into one thing then another and yet none of them is a full character that we really care about, the closest to that being the leading character of Victoria. The ending comes about quite abruptly and out of nowhere really, and it doesn't make any sense either.
I said that it is a terrible movie, because it takes little to go all wrong, lame, boring, and lacking any coherence, sense, pace, or inner logic at all. The mystery part of the movie quickly loses steam as it tries to turn into romantic comedy with bits of family drama and comic relief that never really works. The characters turn into one thing then another and yet none of them is a full character that we really care about, the closest to that being the leading character of Victoria. The ending comes about quite abruptly and out of nowhere really, and it doesn't make any sense either.
I loved this movie even more than reading the book! The acting was good, and the plot kept me in suspense throughout the movie. The special effects made the movie even more suspenseful.
The setting was beautiful, and all of the characters were played well, although I have to admit, I hope I never meet anyone like a few of the characters in this movie. I don't know how Nora Roberts keeps coming up with fresh new stories so frequently, but I think Carolina Moon is one of her best stories.
This was a high quality, well done movie. It seems more like a movie you would see at a theater rather than on TV.
Definitely worth watching.
The setting was beautiful, and all of the characters were played well, although I have to admit, I hope I never meet anyone like a few of the characters in this movie. I don't know how Nora Roberts keeps coming up with fresh new stories so frequently, but I think Carolina Moon is one of her best stories.
This was a high quality, well done movie. It seems more like a movie you would see at a theater rather than on TV.
Definitely worth watching.
Did you know
- TriviaGreg Lawson plays Police Chief Carl Russ in this film adaptation of a Nora Robert's novel. He also played Ed Woolford in another Nora Robert's adaptation, Northern Lights.
- GoofsWhen Tory is target shooting at the straw man with Cade, she fires the pistol and then pulls the hammer back for the next shot. The pistol is an automatic and cocks itself after each shot. Tory also makes other serious handgun handling errors like waving the pistol with the hammer back after her father leaves the shop, and putting it down without letting the hammer down or engaging the safety mechanism, even though there is a person standing in front of her.
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- Carolina Moon
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