The Town
- 2010
- Tous publics
- 2h 5m
A proficient group of thieves rob a bank and hold the manager hostage. Things begin to get complicated when one of the crew members falls in love with her.A proficient group of thieves rob a bank and hold the manager hostage. Things begin to get complicated when one of the crew members falls in love with her.A proficient group of thieves rob a bank and hold the manager hostage. Things begin to get complicated when one of the crew members falls in love with her.
- Nominated for 1 Oscar
- 9 wins & 46 nominations total
George Carroll
- Albert 'Gloansy' Magloan
- (as Slaine)
Tony V.
- Vericom Crew Chief
- (as Tony V)
Featured reviews
I had a trip to 'the town' last night and well, it is surprisingly entertaining. I still can't believe Ben Affleck can pull off everything (story, screenplay, direction, starring in a lead role) with such an ease. Three years after his debut directional venture 'Gone Baby Gone', Ben comes up with an ever better one this time.
A perfect combo of sold story, captivating screenplay, amazing writing, brilliant character development, good emotional content and brilliant cinematography (watch out for the shaky camera, this is the best camera work I've seen after 'Bourne' series) all together delivers an entertaining action thriller...worth a watch.
A perfect combo of sold story, captivating screenplay, amazing writing, brilliant character development, good emotional content and brilliant cinematography (watch out for the shaky camera, this is the best camera work I've seen after 'Bourne' series) all together delivers an entertaining action thriller...worth a watch.
To say that The Town is everything Takers tried to be and failed at would actually be an insult to Ben Affleck's latest film. Mentioning that bland rehashing in the same breath would imply they even exist on the same plane, but the honest truth is this gritty Boston crime drama is something special and the best film of the early fall season.
Affleck's first foray into directing with the Dennis Lehane adaptation Gone Baby Gone shocked viewers and the critical community in kind, showing that a fading acting career does not mean one is down-and-out in Hollywood. Affleck marries his two passions in The Town, directing, producing and writing the film as well as starring in the lead role, his first since 2003's Paycheck. He owns this comeback performance, successfully wiping any lingering distaste from duds like Daredevil or Gigli. This is by no means a one-man show, but The Town has nothing close to a weak link, in fact, this may be one of the finest pieces of ensemble acting in years.
Joining Affleck in a supporting role is Jeremy Renner, fresh off his best actor Oscar nomination for The Hurt Locker and he beyond a doubt proves he is no one-hit wonder. This is Oscar-worthy acting yet again for Renner, nailing his Boston accent along with his loose-cannon mentality. He is terrifying, but impossible to pry your eyes away from. The most shocking revelation comes from Blake Lively (TV's "Gossip Girl") as a doped-up mother with more than a few issues. She is not only unrecognizable, but owns her role, never calling attention to her drastic deviation from type. Substantial buzz was also placed in the way of John Hamm from the acclaimed television drama Mad Men. He is sufficiently pompous as a dedicated FBI agent also scoring a number of the films laughs.
Before I wander too much further into specifics, the characters in The Town populate a Boston suburb called Charlestown, which an introductory message informs us, is the world-center for bank robbers. Affleck's Doug MacRay heads a team of those in such a profession including Renner as James Coughlin and two others played by Slaine, and Owen Burke. During one of their routine bank heists, they are forced to take a hostage (Rebecca Hall) during their hasty escape. Afterwards, to make sure she does not know anything incriminating following her release from captivity, MacRay follows her and inadvertently falls for her in the process.
There is nothing particularly revelatory about The Town, there are few surprises or much that deviates from a standard crime drama. But Affleck directs with such skill and confidence while showcasing yet another peek into suburban Boston that it is never less than riveting. There is an overlying sense of impeding dread that perforates The Town and a handful of sensational action sequences do little to let up the firm grasp the film has on our windpipes. Propelled by faultless acting and a pitch- perfect script, this slice of the Boston criminal underworld is everything for which we could have hoped following such a bland summer. Affleck has always been a star, and if he continues to produce films of this pedigree, then there might be hope for the movies yet.
Affleck's first foray into directing with the Dennis Lehane adaptation Gone Baby Gone shocked viewers and the critical community in kind, showing that a fading acting career does not mean one is down-and-out in Hollywood. Affleck marries his two passions in The Town, directing, producing and writing the film as well as starring in the lead role, his first since 2003's Paycheck. He owns this comeback performance, successfully wiping any lingering distaste from duds like Daredevil or Gigli. This is by no means a one-man show, but The Town has nothing close to a weak link, in fact, this may be one of the finest pieces of ensemble acting in years.
Joining Affleck in a supporting role is Jeremy Renner, fresh off his best actor Oscar nomination for The Hurt Locker and he beyond a doubt proves he is no one-hit wonder. This is Oscar-worthy acting yet again for Renner, nailing his Boston accent along with his loose-cannon mentality. He is terrifying, but impossible to pry your eyes away from. The most shocking revelation comes from Blake Lively (TV's "Gossip Girl") as a doped-up mother with more than a few issues. She is not only unrecognizable, but owns her role, never calling attention to her drastic deviation from type. Substantial buzz was also placed in the way of John Hamm from the acclaimed television drama Mad Men. He is sufficiently pompous as a dedicated FBI agent also scoring a number of the films laughs.
Before I wander too much further into specifics, the characters in The Town populate a Boston suburb called Charlestown, which an introductory message informs us, is the world-center for bank robbers. Affleck's Doug MacRay heads a team of those in such a profession including Renner as James Coughlin and two others played by Slaine, and Owen Burke. During one of their routine bank heists, they are forced to take a hostage (Rebecca Hall) during their hasty escape. Afterwards, to make sure she does not know anything incriminating following her release from captivity, MacRay follows her and inadvertently falls for her in the process.
There is nothing particularly revelatory about The Town, there are few surprises or much that deviates from a standard crime drama. But Affleck directs with such skill and confidence while showcasing yet another peek into suburban Boston that it is never less than riveting. There is an overlying sense of impeding dread that perforates The Town and a handful of sensational action sequences do little to let up the firm grasp the film has on our windpipes. Propelled by faultless acting and a pitch- perfect script, this slice of the Boston criminal underworld is everything for which we could have hoped following such a bland summer. Affleck has always been a star, and if he continues to produce films of this pedigree, then there might be hope for the movies yet.
Four friends Doug MacRay (Ben Affleck), James Coughlin (Jeremy Renner), Albert Magloan (Slaine) and Desmond Elden (Owen Burke) are robbers working the Charlestown neighborhood of Boston. In their latest job, they take the bank manager Claire Keesey (Rebecca Hall) hostage and then let her go. Doug fake dates Claire to make sure she can't ID them. He's also having sex with James' drugged out sister Krista Coughlin (Blake Lively). Meanwhile they are being investigated by the FBI led by Agent Adam Frawley (Jon Hamm).
This is a richly character driven crime thriller. Ben Affleck knows these characters well. And acting with the intense Jeremy Renner makes Affleck better. The only actor who looks out of place is Blake Lively. She just can't get rid of that Cali feel and her accent sounds terrible. Brit Rebecca Hall does a better job than her. The action is exciting. And the story is riveting. But it's the characters and the actors that are so engaging.
This is a richly character driven crime thriller. Ben Affleck knows these characters well. And acting with the intense Jeremy Renner makes Affleck better. The only actor who looks out of place is Blake Lively. She just can't get rid of that Cali feel and her accent sounds terrible. Brit Rebecca Hall does a better job than her. The action is exciting. And the story is riveting. But it's the characters and the actors that are so engaging.
Ben Affleck's second feature film as a director -- if nothing else -- proves he's no fluke. In all the ways his sincere and revealing debut "Gone Baby Gone" succeeds, so does "The Town." Both are Boston-based crime dramas that are both touchingly dramatic at times yet gripping at others. More impressive with his work on "The Town," however, is that it proves he could just as easily go on to direct an action blockbuster as he could an Oscar-winning drama.
It starts with the cast and the performances he gets from them. In 2007, he helped Amy Ryan to a supporting actress nomination, and that's ignoring the other talents in the film such as Casey Affleck, Michelle Monaghan and Ed Harris. In "The Town," he gets Oscar nominee Jeremy Renner in his first major film since his breakout in "The Hurt Locker" and Jon Hamm in his first major film since TV's "Mad Men" took off. He also gets a pair of up-and-comers in Rebecca Hall and "Gossip Girl" star Blake Lively. And that's not to mention Pete Postelthwaite and Chris Cooper. Next to "Inception," it's the best ensemble cast of the year.
Based on the Chuck Hogan novel "Prince of Thieves," the film follows a team of bank robbers from Charlestown, an area notorious for grooming the best at intercepting armored cars and taking down banks. As with "Gone Baby Gone," also based on a novel (by Dennis Lehane), the city of Boston and the people and culture are as important to Affleck as the plot. He's sure to let shots of the Charlestown bridge and Fenway Park soak in amidst the ever-building pinch the main characters are in.
Doug MacRay (Affleck) and his buddy Jim (Renner) and a couple others pull off a bank job in the opening scene, but when it doesn't go exactly as planned, they're forced to kidnap the bank manager (Hall). To make sure she didn't see anything and can hand them on a platter to the feds (led by Jon Hamm's Special Agent Frawley), Doug trails her, only to find himself falling for her.
"The Town" is one of those crime dramas/bank-job action films that while not revelatory for the genre, executes everything well and sticks to a character-driven story in order to stay meaningful. Perhaps the reason it works so well is because it floats in between the drama, never becoming too much of a guns 'n robbers flick, but also not slipping into crime melodrama for too long. Affleck's performance as MacRay acts in accordance; it's tastefully understated and he lets go of the machismo that has marred a few of his previous roles.
The film also has an unexpected but much appreciated sense of humor. In a mile-a-minute crime drama/thriller, you don't expect to laugh the way you will in "The Town," which speaks even more to the writing and Affleck's versatility. Even if there are some plot conventions and no-surprise characters (as good as Hamm is, he's playing every other quick-witted FBI guy in films), the dialogue is sharp, the story is exciting and the way we are so easily able to see things from MacRay's perspective as the bank robber who wants out makes up for any use of convention as a crutch.
There's no doubt that if "The Town" becomes a success that studios will seek out Affleck for some more high-profile projects and it will certainly be interesting to see how he handles material not rooted in Boston sub-culture. As long as he continues to get such memorable performances out of his actors, he'll be doing things on the other end of the camera for a long time to come.
~Steven C
Visit my site http://moviemusereviews.com
It starts with the cast and the performances he gets from them. In 2007, he helped Amy Ryan to a supporting actress nomination, and that's ignoring the other talents in the film such as Casey Affleck, Michelle Monaghan and Ed Harris. In "The Town," he gets Oscar nominee Jeremy Renner in his first major film since his breakout in "The Hurt Locker" and Jon Hamm in his first major film since TV's "Mad Men" took off. He also gets a pair of up-and-comers in Rebecca Hall and "Gossip Girl" star Blake Lively. And that's not to mention Pete Postelthwaite and Chris Cooper. Next to "Inception," it's the best ensemble cast of the year.
Based on the Chuck Hogan novel "Prince of Thieves," the film follows a team of bank robbers from Charlestown, an area notorious for grooming the best at intercepting armored cars and taking down banks. As with "Gone Baby Gone," also based on a novel (by Dennis Lehane), the city of Boston and the people and culture are as important to Affleck as the plot. He's sure to let shots of the Charlestown bridge and Fenway Park soak in amidst the ever-building pinch the main characters are in.
Doug MacRay (Affleck) and his buddy Jim (Renner) and a couple others pull off a bank job in the opening scene, but when it doesn't go exactly as planned, they're forced to kidnap the bank manager (Hall). To make sure she didn't see anything and can hand them on a platter to the feds (led by Jon Hamm's Special Agent Frawley), Doug trails her, only to find himself falling for her.
"The Town" is one of those crime dramas/bank-job action films that while not revelatory for the genre, executes everything well and sticks to a character-driven story in order to stay meaningful. Perhaps the reason it works so well is because it floats in between the drama, never becoming too much of a guns 'n robbers flick, but also not slipping into crime melodrama for too long. Affleck's performance as MacRay acts in accordance; it's tastefully understated and he lets go of the machismo that has marred a few of his previous roles.
The film also has an unexpected but much appreciated sense of humor. In a mile-a-minute crime drama/thriller, you don't expect to laugh the way you will in "The Town," which speaks even more to the writing and Affleck's versatility. Even if there are some plot conventions and no-surprise characters (as good as Hamm is, he's playing every other quick-witted FBI guy in films), the dialogue is sharp, the story is exciting and the way we are so easily able to see things from MacRay's perspective as the bank robber who wants out makes up for any use of convention as a crutch.
There's no doubt that if "The Town" becomes a success that studios will seek out Affleck for some more high-profile projects and it will certainly be interesting to see how he handles material not rooted in Boston sub-culture. As long as he continues to get such memorable performances out of his actors, he'll be doing things on the other end of the camera for a long time to come.
~Steven C
Visit my site http://moviemusereviews.com
Great acting and good directing and the way the director said the sequence of the scenes made it more interesting to me and your relationship and this movie makes me think a lot about when life was more than just digital communication I think more than justice social media or things like that I know that this subject is not related to the movie in some ways but this movie makes me so nostalgic to the era of its release because back when I think in this era I feel like I was like more involved reality than in digital world we live in I know it's not that old to say this movie give me that feeling but it really did and overall it's a beautiful movie and a great watch it deserves totally your time and it's worth you watching thank you for reading.
Did you know
- TriviaBefore the movie was released, Ben Affleck praised Jeremy Renner's performance. He jokingly stated that if there was a bad shot or performance from someone else in a scene, editing could easily cut to Renner looking at a napkin to make the scene work. Jeremy Renner would go on to receive an Academy Award nomination for his performance.
- GoofsWhen the ambulance hits the FBI Mobile Command Center, cables are visible along the street to pull the truck back.
- Quotes
[last lines]
Doug MacRay: No matter how much you change, you still have to pay the price for the things you've done. So I got a long road. But I know I'll see you again - this side or the other.
- Crazy creditsCharlestown's reputation as a breeding ground for armed robbers is authentic. However, this film all but ignores the great majority of the residents of Charlestown, past and present, who are the same good and true people found most anywhere. This film is dedicated to them.
- Alternate versionsThere are three known versions to exist: the 125-minute theatrical cut; the 150-minute extended cut that follows closely to the novel and the 153-minute alternate cut that is the same as the extended version but uses the original novel's ending.
- Soundtracks99 Bottles
Written by George Carroll (as George Carroll) and Christopher McIntire
Performed by George Carroll
Courtesy of Suburban Noize Records
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Atracción peligrosa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $37,000,000 (estimated)
- Gross US & Canada
- $92,186,262
- Opening weekend US & Canada
- $23,808,032
- Sep 19, 2010
- Gross worldwide
- $154,026,136
- Runtime
- 2h 5m(125 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content