Ghost Town: The Movie

They may have tried hard,but there is a rash of inexperience both in front of the camera and behind it that kills the film almost immediately and makes the viewer wish he had chosen something else to watch.Even the more experienced actors like Rance Howard and Bill McKinney come away looking bad because of the painfully ridiculous dialog written for them by the film's inexperienced script writers.The story is interesting enough,though,and would probably have come out looking a lot better with a more seasoned crew in charge.While it might be true that this film was not intended to be a blockbuster,it still has to be entertaining,and it comes up painfully short.

First off let me tell you I worked on this movie in a small capacity. I have worked on quite a few television shows and movies in the North Carolina area over the years. I usually don't comment on these things for obvious reasons. But in this case I feel I should point out a few "behind the scenes" items and let you come to your own conclusions. For an smallish independent movie it was quite well organized and planned out. Usually these things are often disorganized messes due to the lack of experience amongst the producers and crew alike. This was not the case. I could see that this feature was going to turn out quite well. It wasn't going to start any fires, but it should have been a decent little story. But this did not happen. I remember many days and nights on the set were miserably cold and/or wet. I also remember that the "second" director (his first time according to IMDb)was often missing on set for long periods of time. I remember this as it was noticed out by several other members of the crew as well. The bulk of the work was done by the first director and the crew, all of whom were very professional and diligent. Yet the first thing I noticed was that movie title has the "second" director's name prominently displayed above the name Ghost Town. Quite strange. Somewhere along the line what I witnessed on the set was not translated into what I just watched.

Having watched Dean Teaster's Ghost Town several times and carefully read the comments here I have come to several conclusions. First of all as someone else has pointed out Teaster's name is all over the movie. Yedt when you check the database here the credits have changed to Dean West. Hmmm? I wonder why? Changing your name will not hide you from the truth. The truth is this story had potential, but not with you. Watching the movie is like looking at something through thick dark glass. You can make out images, ideas, characters, plot, but somehow nothing particular. One commentator said that they were happy the movie wasn't dumbed down. That the confusing editing had something akin to Pulp Fiction in it. Pulp Fiction was never confusing in the least. While it was edited in a non linear manner, one was never confused as to the storyline. To claim that Ghost Town was edited in a like manner is a blatant attempt to give credence and respectability to what is obviously an amateur effort. I would be very surprised to find that Teaster when to film school or for that matter knows even the the basics of editing. The camera angles and shots are first rate for an independent film. The acting, while is spots is marginal, overall is quite good. But beyond this the film lacks a coherent framework that holds the story together. Some have likened it to a jigsaw puzzle put together incorrectly. But I think it goes beyond that. The lack of even a fundamental understanding of film construction points to a basic lack of talent in this area. That is not something that can be learned. You either have it or you don't. Take the critical comments here, by people who know, as overwhelming evidence that your talent does not lie here.

After checking out the previous comments I see that I am not alone in my views of this movie. On the first watching I was confused and disappointed. So after watching it a second time I took some time and tried to figure out what was wrong. The comments here only helped to confirm my conclusions. Have you ever bought a plastic model of a car, opened the box and visualized what it would look like completed? Now imagine giving that model to a five year old and let them put it together unsupervised. When it's done you will have a fairly good idea what Ghost Town looks like. Each scene seemed to have all of the basic requirements to create tension, build the story, and advance the character arc. I could see all of the individual small parts just like looking at a plastic model straight out of the box. And just like that model I could envision the final product fully assembled. But for Ghost Town that is where everything falls apart. You can "see" the whole story, which is not overly complicated or deep. But it looks like it was assembled by a five year old. That creates a great deal of frustration on the part of the viewer. It is one thing to watch a bad movie. It is quite another to watch what appears to be a good movie put together with little understanding of plot, timing, or character development. Watching each scene you can "feel" where it is supposed to go, but each time the editing sends it way off track. Like a previous comment I suggest that you never let the editor near another movie again. At least not until he goers back to school and learns how a movie should be assembled. Otherwise you end up with a plastic model that doesn't quite match the box cover art!

If you type in Dean Teaster on IMDb you get the page for Dean West. Mr. West produced, co-wrote the story, co-directed, and acted in Dean Teaster's Ghost Town. Not only that but the major characters in the story are named Teaster as well! So I guess I can assume that this is Mr. Teaster/West's movie. Actually it's his first movie. He had a co- director but his name is not all over the credits like Teaster's. This all leads up to an important question: Does he know anything about film and story structure? Judging by this movie I would have to say no. But don't take my word on it. Check out most of the previous comments. If you do you will notice a very common theme running through all of them. Mr. Teaster/West does not have a clue as to how a film should be assembled. If the flow of individual scenes are not rough and jarring they are too long and vapid. There are cuts in the wrong places, no cuts where there should be, and disturbingly few masters used and when they are they are not in the correct position. Take it form a film school graduate, Mr. Teaster/West and his editor need to go back to film school. This time pay attention to film basics 101. Take notes