A 90-year-old woman, rapidly losing her memory and knowing that sooner or later her life will be over, returns to the Manitoba farmhouse she grew up in to try and make peace with her dysfunc... Read allA 90-year-old woman, rapidly losing her memory and knowing that sooner or later her life will be over, returns to the Manitoba farmhouse she grew up in to try and make peace with her dysfunctional family.A 90-year-old woman, rapidly losing her memory and knowing that sooner or later her life will be over, returns to the Manitoba farmhouse she grew up in to try and make peace with her dysfunctional family.
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- 4 wins & 9 nominations total
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Featured reviews
Hagar, played by the marvellous Ellen Burstyn, is a woman who lives in fear of what her son and anxious daughter in law can do to her. The worst would be a home for the aged and it is happening now.
Through flashbacks, we gain insight into Hagar's life, her lusty marriage to a waster, her sons and her bitterness at the way life has worked out for her.
It is hopelessly and meaninglessly modernized, the book was written in the sixties and here it is translated to modern day with cell phones, etc. It doesn't work. The flashbacks are not smoothly transitioned and at times are oddly placed within the framework of the whole or are too abrupt.
However, that said, the supporting cast are excellent with the younger lusty Hagar played by Christine Horne is a delight. Ellen Page has a small but telling part.
But the film didn't enhance my enjoyment of the book.
6 out of 10.
The first scene gets this across without any compromise. Hagar (Ellen Burnstyn) is being taken to a nursing home by her son and daughter-in-law. She figures it out en-route and freaks out. Her edges are really hard. She is mean. She is belittling and selfish. She is a stone. I didn't like her - not even a little bit.
Throughout the course of the movie, we get insight. We find out why she doesn't like petunias, why she favors one son over the other, how her losses have formed her character... I started to see the angel... and I started to like her. I especially liked her when she poured out her secrets to the boy in the shack. Ellen Burnstyn, you are a brilliant actor. Kudos. Kudos. Kudos. What a scene!
This isn't a "feel good" movie, but it is certainly a movie that brings the viewer to empathy. I understand more clearly that hard edges in a person's life are there to protect, they are there for a reason...
Hagar isn't my mother - she isn't even my mother-in-law or neighbor... but parts of her are present in many women (and men) in my life. Those parts somehow make more sense to me now that I've watched The Stone Angel.
The director does an excellent job of character development - letting you into the heart, mind and hurts of Hagar little by little. At first, her attitudes and behaviors don't make much sense. As her story unfolds, she becomes someone you can understand. As in life... understanding brings empathy. I found her likable by the end of the movie - particularly when she opens up her heart to the young man in the shack by the lake.
Hagar's relationship with her two sons is painful - and reflective of so many of our own experiences in this world. Her youngest son, John, who is full of life and adventure takes the viewer to the very edge of their seat - and into the kind of raw emotion that is so authentic and rare.
It's fun to see Ellen Page acting in this movie. She is so very different than the young woman that she plays in Juno. It gives me an even broader appreciation for her acting ability. If you loved her in Juno, you'll love her in The Stone Angel.
Of course, there is Ellen Burnstyn as Hagar. There is likely no way of expressing the power of acting as strongly as the ability for the actor to make you forget every other character they have ever played. Never once in the course of this movie did I ever think of Ellen Burnstyn - I always and only thought of Hagar. She swept me into her character - hook, line and sinker.
Kari Skogland's capacity to capture on film this renowned book by one of Canada's most cherished authors is impressive. She brilliantly brings to the screen both the stoney and angelic parts of this complex woman, Hagar - the stone angel.
Did you know
- TriviaDuring filming, Ellen Burstyn saw on the call sheet a long lost relative who was working on the crew.
- GoofsThe first incident with the freight train is set about 1950 yet it has no caboose. The caboose was not replaced by an electronic monitor on the last freight car until the eighties. It's also more than likely that in that era in western Canada a freight would have been hauled by steam rather than diesel.
- Quotes
Arlene: I want to have a baby.
John: We're broke.
Arlene: We love each other. It'll be a love child.
[they both laugh quietly. meanwhile, Hagar walks silently in and sees what's going on]
John: Well, my mom leaves town in a couple weeks. Then we can get married, and we can talk about having a baby, okay?
Arlene: I don't care about a wedding or anything.
John: You can have whatever you want.
[it becomes more intense; they are both breathing faster]
Arlene: [breathlessly] I want lots of babies.
[then they start having sex and Hagar leaves, having said nothing]
- SoundtracksManakwa Stomp
Written by Daniel Koulack
Performed by The Prairie Polka Playboys
(performed at dance)
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Details
Box office
- Gross US & Canada
- $459,166
- Opening weekend US & Canada
- $31,883
- Jul 13, 2008
- Gross worldwide
- $473,993
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1