Cargo 200

A lot of the reviewers of this movie in the media seem to overlook the fact that Balabanov as a director repeatedly demonstrated a very deadpan and a very dark sense of humor. The joke's certainly on them. Watch taking this into consideration.

A few more notes. The movie is loosely based on real events, some of the more unfortunate of which allegedly happened with one of the director's friends. The movie caused a major scandal at the 2007 Kinotavr movie festival (Russia's Sundance, pretty much). The awards are given based on the movie critics' vote. That vote was in favor of "Cargo 200" for "Best movie." The festival jury, however, overturned the results of the movie critics' vote and split the award between "Gruz 200" and another movie.

Finally... I dig Balabanov, I despise Gaspar Noe, and here's why. Balabanov doesn't take himself too seriously.

It's like a bad dream. You want to turn it off but you cannot. No matter how much you are dissapointed in humankind or cynical you always have some hopes left in you. This movie will bring you to the limit. Nothing exists beyond that. The worst part is you don't realize you're watching a movie, it's so real.

I don't know if anyone noticed that most critical, "one star" reviews emphasize the movie's agenda rather than anything else: the primary object of their critique is not a play by the individual actors, extreme violence or disgusting scenes but director's attitude toward Soviet reality. An they are right. Every small detail in the movie is intended to show that it was indeed rotten and decaying society. The year 1984 was chosen not by the accident: it is the answer to Orwell' book "1984" where British author tried to predict how the communist society would look in 25 years. Balabanov's answer: it is worse than Orwell could even imagine. The letters "USSR" on the T-shirt are not accidental either. This is another Balabanov's answer, this time to the official Soviet literature which presented young people (komsomol)as heroes, ready to sacrifice themselves in defense of their mother-Russia or save little babies from the fire. This real "businessman-komsomolets", who was educated by the Soviet reality, who saw how Soviet officials meet fallen soldiers from Afghanistan, won't do anything like that. Indeed, the movie wants to say that such pervert like captain Zhurov could live anywhere, in any country. However, he could thrive only in USSR, in the country which lost its soul. Great movie.

Out of so many garbage russian cinema titles we saw the past two decades, this one is not trash and is outstanding. Not just because of a shock value, but the true-like depiction of Soviet Union in 1980s, good script and ok actors. Hell, this movie captivated me to the end. It's worth it.

Yes, this is a shocking movie but a good one. People, especially abroad, need to see films like this, to get a picture of the horrors that took place in the SSSR and try understand the dark side of the human nature. Similar things, if not worse, are happening all over the place but at least Alexey Balabanov had the guts to talk about it in an explicit and honest manner. I, personally, think of this film as a very disturbing documentary which can also provide study material for sociologists, psychologists, psychiatrists but also people in positions of power (politicians mainly) who are mostly responsible for horrors of the modern society. Also, movies aren't just Hollywood and why not talk about real life for a change. It's time people opened up their eyes and their minds, too. I did find the music, although highly acclaimed by the critics and well liked by its fans, a little irritating. I do however understand its role in the movie so that's why I voted 9. Well done the actors, and well done Mr Balabanov!