La fille dans le parc

David Auburn has created a tense psychological and emotionally engaging film in 'The Girl In The Park'. Traumatized by the disappearance of her three year old, sixteen years pass by but Julia still hasn't recovered from her loss. She has distanced herself from everyone she was once very close to and just couldn't find herself being able to connect with anyone. Until, she meets young drifter Louise, a girl in whom she seems to find what she has lost all those years. However, this continuing encounter may have some harmful consequences.

The synopsis may sound a little familiar and yet, when I attempting to predict what the next turn of events would be, I was thrown off with different twists and these aren't just twists that are there for the sake of surprise, they fit and flow very well with the story and add more layers. Auburns use of subtlety is remarkable. Whether, it's in his storytelling, execution, his actors performances and the overall look of the film, it is handled with care and great attention to detail. Music is used effectively and the cinematography is brilliant.

The writing is solid. The dialogues are simple but few words say a lot. Many argue that the subplots of the supporting characters weren't developed enough. That may be true but perhaps it adds more to Julia's story because she has shut herself away from everyone that she barely knows about them anymore. I still thought the minor characters were rich in character even though have had little screen time. None of them felt like clichés or tokens.

Sigourney Weaver deserves special mention. How she can look so convincing as a 30-something year old and a 50-something year old is incredible. I'm not only referring to the makeup (though this department certainly deserves credit) but Weaver's subtle change in mannerism, movement and body language really does make it look like almost twenty years have passed. This is easily one of the films that showcases her talent.

Kate Bosworth does a fine job of holding her own in the presence of Weaver. The way she downplays her part of a drifter who sees a chance in Julia and wants to belong is done with sincerity. Alessandro Nivola is quite good and Keri Russell is a delight to watch even though her appearance is limited.

With the lack of clichés and melodrama, the director's sincerity and the film's authentic look and performances, 'The Girl In The Park' is a refreshing and involving view.

Another movie which owes a lot to Sigourney Weaver's talent.She excels in portraying mothers with a strong guilty feeling (see "a map of the world" ).She is sadly unsupported by the rest of the cast ,but one must write that their caricatured bourgeois straight characters (particularly the daughter-in-law and Weaver's listless husband) throw the movie off balance.

All that concerns the mother ,desperately trying to recreate a dear one gone for a long time (when she was a little girl) ,is sometimes interesting.It does not renew the subject ,as old as the hills (Hitchcock's "Vertigo"(1958) ;Feyder's "Le Grand Jeu"(1934);Claude Miller's "Mortelle Randonnée" (1983) Losey's " secret Ceremony" (1968):Losey's movie depicting a "mother"/"daughter" relationship is similar to "the girl..." if we reverse the roles).

Best moment:Weaver thanking her family for welcoming "Maggie" .

What a surprise. Collipol's comments were right on. I guess people either hated this or loved it. I think it's really about how much we all want love fulfilled, how we cope with catastrophic loss, how far we are willing to go to fill that empty space, and how far the people who love us are willing to support us. Weaver made a wonderful transition from happy mom to a cold, disconnected woman, and back and forth again. Any woman with a "favorite child" or a personal and crippling loss can empathize - but I am astounded by the story and the performances.

The young woman who suckers Weaver is off-putting at first, an instant irritant, but by the end of the movie you really want her to love her new "mom" and you really want Weaver to have the daughter she never got to grow up with. It doesn't matter anymore whether she is or she isn't for reals, they become what they both want. Several scenes touched me so deeply I was stunned. It would have been so easy to make this a thriller, or maudlin, or predictable, but the director did not. It was engaging, mysterious, warm, frightening, very sad, sweet, and very deeply moving. The end was perfect; subtle and let you absorb it all on your own. I thoroughly enjoyed every performance - they all were extremely well thought out, well executed, beautifully written and they all added together for a delicate and meaningful story. Do it again! Please.

Haunted by the disappearance of her 3 year old daughter 15 years ago, Julia Sandburg (Sigourney Weaver) can't find any joy even with his son Chris (Alessandro Nivola) and his fiancé Celeste (Keri Russell) being pregnant. She helps Louise (Kate Bosworth) when she steals a pair of sunglasses and gives her some money later on. Louise awakens something in Julia, but it is obvious that Louise can't be trusted. Julia feels a connection to Louise and it soon becomes a question of whether Julia is actually her child Maggie.

It's a slow moving indie. Sigourney Weaver brings her A game. Her performance keeps the attention in a tense understated manner. Kate Bosworth is well cast in this. She has a blend of innocence and vulnerability as well as something darker underneath. It's not certain what her true motives are most of the time. One can really see the pain on Weaver while not being able to pinpoint Bosworth's character. There is this uneasy tension throughout as Julia adopts the mother role to Louise. There are some missing scenes in this movie. My logic mind kept asking the movie to do a paternity test ala Maury.

It has few basic virtues. who does it special, against the low budget. first - it has a great story. who is more than a good one because each parent from public feels the posible if in its bitter nuances. second - it is a film of doubts. not the last - it has the chance of admirable actors, Sigourney Weaver giving a moving portrait . and not only she. it is a drama and, at first sigh, all could be familiar. but it is one of film proposing all the angles for discover the intensity of story. and that, maybe, does it real special.