Cameraman Eddie is sent to photograph a socialite at a private lecture on morals. The young woman's guardian will have none of it however, and Eddie resorts to a number of deceptions in orde... Read allCameraman Eddie is sent to photograph a socialite at a private lecture on morals. The young woman's guardian will have none of it however, and Eddie resorts to a number of deceptions in order to get a picture.Cameraman Eddie is sent to photograph a socialite at a private lecture on morals. The young woman's guardian will have none of it however, and Eddie resorts to a number of deceptions in order to get a picture.
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Edward Everett Horton stars in this short as a newspaper photographer on assignment to get pictures of. Josephine Crowell's afternoon gathering. Along the way he falls in love with Miss Crowell's daughter, Aileen Manning, dresses in drag to lecture the ladies about youth's immorality and demonstrates the tics and mannerisms -- except for the amazing triple take -- that he would use throughout his sound career.
There's no voice, alas, an indelible part of the Horton persona, but it turns out to be handsome two-reel comedy. Part of the reason is that it was produced by Harold Lloyd as part of his distribution deal with Paramount; it kept his staff busy and helped pick up their salaries. That's why you'll find some familiar names on the credits.
There's no voice, alas, an indelible part of the Horton persona, but it turns out to be handsome two-reel comedy. Part of the reason is that it was produced by Harold Lloyd as part of his distribution deal with Paramount; it kept his staff busy and helped pick up their salaries. That's why you'll find some familiar names on the credits.
Like a lot of other baby boom kids I grew up watching Bullwinkle on Saturday morning TV, which means that I grew up with the voice of Edward Everett Horton. Back then I didn't know what he looked like, but I loved the "Fractured Fairy Tales" segment of the show, not only for the somewhat twisted stories themselves but for the voice of the narrator, which was rich and pleasing. I've revisited some of those cartoons in recent years and found the tales just as enjoyable (and just as twisted) as ever, and I still love Horton's voice.
As I grew up and became a movie buff I made the connection, at some point, between Edward Everett Horton the character actor, a featured player in lots of Hollywood flicks of the '30s and '40s, and the narrator of those cartoons. I found that I enjoyed watching him as much as listening to him, for Horton, a stage veteran dating back to the early 1900s, had a rubbery, highly mobile face, and was usually quite funny, often playing fussbudget types, in everything from Top Hat to Here Comes Mr. Jordan. Eventually I learned that he also appeared in a number of silent movies, playing in both feature-length films and his own series of short comedies. It was hard to imagine EEH without that voice, and before I saw any of the films I wondered how he came off as a mute performer. If No Publicity is anything to go by, silent cinema was no handicap for Mr. Horton.
This short was produced by the one and only Harold Lloyd, whose Hollywood Productions company was responsible for a series of Horton comedies in the late '20s. In this two-reeler EEH is a news photographer. His assignment is to get a picture of a wealthy, sheltered young woman whose family is adamantly opposed to any publicity. Hence the title. He goes to her estate and learns that there's a private gathering in progress; the girl's mother has arranged for a supposedly uplifting lecture, to be delivered by a moralizing old biddy who condemns young people for their sinful ways, and urges them to follow the straight and narrow path. (It's the Roaring Twenties, remember.) Horton tries and fails to snap a photo of the girl, although she seems willing enough to pose, and is ejected from the mansion. However, having noticed a framed portrait of the young lady on display, he attempts to get back inside and steal it. One thing leads to another, and our hero winds up donning drag and masquerading as a lady in order to snag that photo. And then, wouldn't you know it, he's mistaken for the scheduled lecturer, and forced to step up to the podium and deliver a speech.
So, just to review: our hero has sneaked into a private home with the intention of committing theft, disguised himself as a woman to accomplish this end, and instead proceeds to lecture a group of privileged snobs on proper morals. Rather ironic all around, I'd say.
That's the premise, or the gist of it anyway. No Publicity is a treat, fast moving and funny. In my opinion the only drawback is that EEH's climactic speech would have been funnier with sound, especially when you imagine it delivered in his inimitable, plummy tones. Even so, this is an entertaining short with a breezy style and clever gags. I was lucky to see it recently at "Slapsticon," a festival devoted to comedy films, and only wish it were more widely available. No Publicity would make a great DVD extra with one of the many comedies Horton appeared in during the '30s. I don't know how many of these EEH shorts survive, but based on the quality of this one I'd love to see more.
As I grew up and became a movie buff I made the connection, at some point, between Edward Everett Horton the character actor, a featured player in lots of Hollywood flicks of the '30s and '40s, and the narrator of those cartoons. I found that I enjoyed watching him as much as listening to him, for Horton, a stage veteran dating back to the early 1900s, had a rubbery, highly mobile face, and was usually quite funny, often playing fussbudget types, in everything from Top Hat to Here Comes Mr. Jordan. Eventually I learned that he also appeared in a number of silent movies, playing in both feature-length films and his own series of short comedies. It was hard to imagine EEH without that voice, and before I saw any of the films I wondered how he came off as a mute performer. If No Publicity is anything to go by, silent cinema was no handicap for Mr. Horton.
This short was produced by the one and only Harold Lloyd, whose Hollywood Productions company was responsible for a series of Horton comedies in the late '20s. In this two-reeler EEH is a news photographer. His assignment is to get a picture of a wealthy, sheltered young woman whose family is adamantly opposed to any publicity. Hence the title. He goes to her estate and learns that there's a private gathering in progress; the girl's mother has arranged for a supposedly uplifting lecture, to be delivered by a moralizing old biddy who condemns young people for their sinful ways, and urges them to follow the straight and narrow path. (It's the Roaring Twenties, remember.) Horton tries and fails to snap a photo of the girl, although she seems willing enough to pose, and is ejected from the mansion. However, having noticed a framed portrait of the young lady on display, he attempts to get back inside and steal it. One thing leads to another, and our hero winds up donning drag and masquerading as a lady in order to snag that photo. And then, wouldn't you know it, he's mistaken for the scheduled lecturer, and forced to step up to the podium and deliver a speech.
So, just to review: our hero has sneaked into a private home with the intention of committing theft, disguised himself as a woman to accomplish this end, and instead proceeds to lecture a group of privileged snobs on proper morals. Rather ironic all around, I'd say.
That's the premise, or the gist of it anyway. No Publicity is a treat, fast moving and funny. In my opinion the only drawback is that EEH's climactic speech would have been funnier with sound, especially when you imagine it delivered in his inimitable, plummy tones. Even so, this is an entertaining short with a breezy style and clever gags. I was lucky to see it recently at "Slapsticon," a festival devoted to comedy films, and only wish it were more widely available. No Publicity would make a great DVD extra with one of the many comedies Horton appeared in during the '30s. I don't know how many of these EEH shorts survive, but based on the quality of this one I'd love to see more.
I recently received a copy of the DVD "Edward Everett Horton: 8 Silent Comedies" as I helped contribute to the fund supporting the restoration of Horton's short films. I noticed pretty quickly that these shorts were NOT like many comedies of the day. Instead of relying on pratfalls and slapstick, these shorts seem much more character-driven...which makes sense as the films were made by Harold Lloyd's production company. By the 20s, Lloyd's style changed from rough and tumble movies designed just for laughs to films where the character is important....more than cheap laughs. As a result, these films seem more polished and more timeless because they offer a very appealing character....not some guy who just punches and kicks people for no apparent reason (which is classic slapstick).
As far as the shorts go, they are in gorgeous condition, though a few tiny portions of "No Publicity" is still degraded...perhaps too much for current technology to completely restore.
In "No Publicity", Horton plays a photographer for some newspaper. His boss sends him to a fancy society event in order to get a photograph of a young lady, Miss Lawrence. Sally Lawrence is amenable to getting her publicity photo made but her fun-despising guardian, it's a definite NO. So, Horton spends much of the film trying to secretly get a photo.
He even dresses up as a woman, but in the process he's mistaken for some woman who has come to lecture about temperance and living a 'proper' life. What's next? See this cute film.
In so many ways, I could imagine Lloyd starring in this film with similar results. However, by the mid-1920s, Lloyd had given up shorts and was strictly making full-length pictures...which is likely why Horton was chosen for this and other pictures with Paramount. Very enjoyable, very polished and a film I strongly recommend.
By the way, if you see the film and are confused when you hear the guardian talk about 'St. Vitus' Dance', she is referring to epilepsy and that's an old fashion term for it.
As far as the shorts go, they are in gorgeous condition, though a few tiny portions of "No Publicity" is still degraded...perhaps too much for current technology to completely restore.
In "No Publicity", Horton plays a photographer for some newspaper. His boss sends him to a fancy society event in order to get a photograph of a young lady, Miss Lawrence. Sally Lawrence is amenable to getting her publicity photo made but her fun-despising guardian, it's a definite NO. So, Horton spends much of the film trying to secretly get a photo.
He even dresses up as a woman, but in the process he's mistaken for some woman who has come to lecture about temperance and living a 'proper' life. What's next? See this cute film.
In so many ways, I could imagine Lloyd starring in this film with similar results. However, by the mid-1920s, Lloyd had given up shorts and was strictly making full-length pictures...which is likely why Horton was chosen for this and other pictures with Paramount. Very enjoyable, very polished and a film I strongly recommend.
By the way, if you see the film and are confused when you hear the guardian talk about 'St. Vitus' Dance', she is referring to epilepsy and that's an old fashion term for it.
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- Runtime20 minutes
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- Aspect ratio
- 1.33 : 1
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