Godzilla
The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.
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- 7 wins & 31 nominations total
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Featured reviews
I saw the trailers for this a year ago while I attended a screening for Aronofsky's NOAH . I didn't fancy it much . GODZILLA conjures up memories of the big budget blandfest from a decade and a half ago . Just put some CGI on screen and voilà you've a Summer blockbuster . This version did get a very good average rating when it opened , something in the region 8.1 but progressively got lower and it now has a rating of 6.6 indicating something average . To be fair I went in with an open mind and did find myself enjoying things more than I probably expected
The original GODZILLA from 1954 was of a course a Japanese film that used the monster as a metaphor for the bomb . It did quickly abandon this subtext and just became a long running franchise where the titular monster got involved in all sorts of battles with other giant monsters . In its favour Gareth Edwards version of GODZILLA does keep the ethos of this . Radiation is very much to the fore of the story and while Godzilla might not be the hero he's certainly not the villain and this is reserved for "Massive Unidentified Terreistial Organism" a sort of hybrid between a giant praying mantis and a dragon . You know at one point they're going to be meeting in a climatic battle
Of course two hours of giant CGI creatures getting in to a punch up isn't going to resonate with an audience so Edwards includes a very human backdrop as the story takes place through the eyes of serviceman Ford Brody . You got to love that name , it's sounds like a character John Wayne was born to play , a man's gotta do what a man's gotta do , get off your horse and drink your milk etc . It wasn't until I found out after seeing the film that I found out Brody is played by English actor Aaron Taylor-Johnson who I was totally convinced was one hundred per cent Uncle Sam . That said this isn't an actors type of film and I'm speculating that the casting of Cranston and Binoche might have led to the backlash by many people . If you want to see Binoche try not to be blink because you will literally miss her . It's also difficult not to notice that there's a strong streak of manipulation as to how the characters play out . It's also yet another film where a little kid is used in a scene to keep the audiences emotions on tenterhooks
Regardless of this people watch a film like GODZILLA for action set pieces and you can't really fault Edwards for what he's done here . He doesn't have a idiosyncratic quirk to his directorial style and the film does have that kind of Summer blockbuster look but he also previously directed MONSTERS and that movie featured a couple of aliens mating and here the MUTOs have a similar though much more shorter sequence . If you need a film calling for alien reproduction I can see Gareth Edwards being a natural auteur
The original GODZILLA from 1954 was of a course a Japanese film that used the monster as a metaphor for the bomb . It did quickly abandon this subtext and just became a long running franchise where the titular monster got involved in all sorts of battles with other giant monsters . In its favour Gareth Edwards version of GODZILLA does keep the ethos of this . Radiation is very much to the fore of the story and while Godzilla might not be the hero he's certainly not the villain and this is reserved for "Massive Unidentified Terreistial Organism" a sort of hybrid between a giant praying mantis and a dragon . You know at one point they're going to be meeting in a climatic battle
Of course two hours of giant CGI creatures getting in to a punch up isn't going to resonate with an audience so Edwards includes a very human backdrop as the story takes place through the eyes of serviceman Ford Brody . You got to love that name , it's sounds like a character John Wayne was born to play , a man's gotta do what a man's gotta do , get off your horse and drink your milk etc . It wasn't until I found out after seeing the film that I found out Brody is played by English actor Aaron Taylor-Johnson who I was totally convinced was one hundred per cent Uncle Sam . That said this isn't an actors type of film and I'm speculating that the casting of Cranston and Binoche might have led to the backlash by many people . If you want to see Binoche try not to be blink because you will literally miss her . It's also difficult not to notice that there's a strong streak of manipulation as to how the characters play out . It's also yet another film where a little kid is used in a scene to keep the audiences emotions on tenterhooks
Regardless of this people watch a film like GODZILLA for action set pieces and you can't really fault Edwards for what he's done here . He doesn't have a idiosyncratic quirk to his directorial style and the film does have that kind of Summer blockbuster look but he also previously directed MONSTERS and that movie featured a couple of aliens mating and here the MUTOs have a similar though much more shorter sequence . If you need a film calling for alien reproduction I can see Gareth Edwards being a natural auteur
Godzilla (2014)
* 1/2 (out of 4)
The "plot" really doesn't matter, now does it? Let's just say there's an accident at a nuclear reactor, which no one pays too much attention to until MUTO (Massive Unidentified Terrestrial Organism) wakes up and heads to the West Coast of America but also on the way is Godzilla.
It's clear that Godzilla movies are always going to be made and some are going to be better than others. I think the nicest thing I can say about this version is that it's slightly better than the remakes from 1984 and 1998 version. However, there are still a lot of problems with this version including the fact that it has to be one of the most boring action films in recent years. I really can't count how many times I kept looking at my clock to see how much longer this thing was going to go on. There's a family drama thrown in to try and balance everything out but this too is incredibly boring and goes nowhere.
I guess the worst thing about this film is also the best thing. The special effects are quite frankly excellent and once you doze off to the actual story, it's easy to just admire the work. For the most part the CGI effects really look good and especially the monsters as they come across very realistic and all of it blends in well with the real stuff. The various explosions also look very realistic but with this budget you'd expect that. Now, even though the special effects are great and the highlight of the picture, they're also a major problem. I really, really hated the look of the villain MUTO because it's supposed to be a prehistoric monster but instead it comes off more like a robot. For the life of me I couldn't help but think we were watching some sort of robots do battle and this here was just extremely disappointing. Even Godzilla comes across more like a robot than a prehistoric dinosaur. A real shame that as great as these monsters looked they couldn't have been more realistic.
There's a lot of family drama thrown in but all of it is just as boring as the action. Aaron Taylor-Johnson plays the lead and isn't given much to do, acting wise, and after a while it just becomes laughable that he happens to be at various parts of the globe just as "important" things happen. Even the usually wonderful Elizabeth Olsen can't bring any life into the picture. Juliette Binoche has a good cameo but even Ken Watanabe is wasted in his part. The bad story is a real shame on two levels. One, it takes up way too much of the running time and it's simply boring. Two, had they not gone for this boring melodrama then perhaps we would have gotten more of the monsters.
But, then again, that might not have been a good thing since the monsters are filmed through dark skies, fog and various bits of smoke. It's hard to ever get a great look at them. GODZILLA certainly has a group of fans out there but for me it was a complete dud.
* 1/2 (out of 4)
The "plot" really doesn't matter, now does it? Let's just say there's an accident at a nuclear reactor, which no one pays too much attention to until MUTO (Massive Unidentified Terrestrial Organism) wakes up and heads to the West Coast of America but also on the way is Godzilla.
It's clear that Godzilla movies are always going to be made and some are going to be better than others. I think the nicest thing I can say about this version is that it's slightly better than the remakes from 1984 and 1998 version. However, there are still a lot of problems with this version including the fact that it has to be one of the most boring action films in recent years. I really can't count how many times I kept looking at my clock to see how much longer this thing was going to go on. There's a family drama thrown in to try and balance everything out but this too is incredibly boring and goes nowhere.
I guess the worst thing about this film is also the best thing. The special effects are quite frankly excellent and once you doze off to the actual story, it's easy to just admire the work. For the most part the CGI effects really look good and especially the monsters as they come across very realistic and all of it blends in well with the real stuff. The various explosions also look very realistic but with this budget you'd expect that. Now, even though the special effects are great and the highlight of the picture, they're also a major problem. I really, really hated the look of the villain MUTO because it's supposed to be a prehistoric monster but instead it comes off more like a robot. For the life of me I couldn't help but think we were watching some sort of robots do battle and this here was just extremely disappointing. Even Godzilla comes across more like a robot than a prehistoric dinosaur. A real shame that as great as these monsters looked they couldn't have been more realistic.
There's a lot of family drama thrown in but all of it is just as boring as the action. Aaron Taylor-Johnson plays the lead and isn't given much to do, acting wise, and after a while it just becomes laughable that he happens to be at various parts of the globe just as "important" things happen. Even the usually wonderful Elizabeth Olsen can't bring any life into the picture. Juliette Binoche has a good cameo but even Ken Watanabe is wasted in his part. The bad story is a real shame on two levels. One, it takes up way too much of the running time and it's simply boring. Two, had they not gone for this boring melodrama then perhaps we would have gotten more of the monsters.
But, then again, that might not have been a good thing since the monsters are filmed through dark skies, fog and various bits of smoke. It's hard to ever get a great look at them. GODZILLA certainly has a group of fans out there but for me it was a complete dud.
Finally sat down to watch this movie today. After all the hype it had had it's fair share of great moments but in the end felt something was missing. I'll agree with many that Godzilla wasn't shown as much as he should have and maybe that was what missing or maybe it wasn't. Needless to say even though Godzilla doesn't make many appearances in this movie it still is a rather good movie with a an interesting story line. The best way to go into this movie is to not buy into Hollywood's hype because if you go into it like that you will be disappointed greatly. Overall I was satisfied with Godzilla. Great story, special effects, and even the acting was pretty solid. Worth the 2 hours for sure. Sit back, grab some popcorn and beverage and enjoy!
In 1998, Roland Emmerich attempted to reignite the eponymous film franchise by creating the critically-panned flop 'Godzilla', 16 years on and we are now faced with one of the best adaptations of the iconic monster's adventures. Gareth Edwards created 'Monsters' in 2010 on a mere budget of £500,000, barely 4 years on and Warner Brothers offered him the chance to create a $160 million adaptation of 'Godzilla'. All the aspects from 'Monsters' are employed in this action/sci-fi adventure, but on a much grander scale. This is a treat for all Godzilla fans and a very respectable adaptation that stays true to the 1950s Japanese classic rather than wandering away like Emmerich's one did. Packed with stunning cinematography, vast special effects and a sweeping spectacle of giant monster battles, 'Godzilla' has been a fantastic start to 2014. Bryan Cranston and Aaron Taylor-Johnson's performances are outstanding and there is a certain chemistry that makes their relationship that bit more believable. Whilst at time there are some cheesy and over-the-top scenes, 'Godzilla' is nonetheless an enjoyable action romp that restores the franchise's original glory.
Scenario 1: If you are going to see this film because you really enjoy classic Godzilla movies and you hope the music and campy theme of those films are represented in this one, you absolutely should go see it. Godzilla here looks much more like the beloved behemoth than it did in the '98 movie, the music hearkens to the classic Japanese overtures of the old Gojira film era, and the camera work has the comically silly nature of Sam Rami's Spiderman series.
Scenario 2: If you are really excited to see a deep, human film with camera angles and writing that really tell a story that is thematically transcendent such as "District 9" and the Korean film "The Host," this is not your film. The script is filled with overtly simplistic rhetoric and one dimensional characters (intentionally,) the scenes somehow manage to have very little tension (even for me, the pilot episodes for most sitcoms seem more tense than Gozilla,) and as stated above, the camera-work is intentionally hammy. It should also be noted that to add a human element, the director overuses children to the point that it ends up feeling very obvious, as though he did it to be intentionally campy.
Scenario 3: If you are one of those people who really just want a fun popcorn flick such as Pacific Rim, with some solidly choreographed action like in the over-the-top bulletfest Battle:LA, I would say proceed with caution. The fight scenes are less intense and more majestic, like any classic monster movie, and as such the human aspect of the combat is relatively insignificant, less so than any other monster movie I've ever seen. There are no little monsters for anyone to shoot at, if that's your thing.
Scenario 4: If you are interested in this film because you love the talented work of Bryan Cranston, Ken Watanabe, and/or Aaron Taylor- Johnson (three of my favorite actors) and are excited to see what they bring to the table, you should probably sit this one out. Bryan Cranston's role in this film garners far less screen time than advertised, Ken Watanabe spends literally every second walking through the scenes with the pained expression of someone who just walked in on their parents, and all three of the actors give off the vibe that they are very much aware of how cheesy their lines are. Everyone else's performance was similarly forgettable.
Honestly, I'm a stickler for deep, human storytelling, but I've also had a softspot for the classic, silly fun of many Godzilla movies, including my favorite, Godzilla vs. Destroyah. All told, depending on which camp you fall under, this will be an entirely different movie for you. As Godzilla movies go, I'd give it a B. As darker, more serious monster movies go, I'd give it a D+.
Scenario 2: If you are really excited to see a deep, human film with camera angles and writing that really tell a story that is thematically transcendent such as "District 9" and the Korean film "The Host," this is not your film. The script is filled with overtly simplistic rhetoric and one dimensional characters (intentionally,) the scenes somehow manage to have very little tension (even for me, the pilot episodes for most sitcoms seem more tense than Gozilla,) and as stated above, the camera-work is intentionally hammy. It should also be noted that to add a human element, the director overuses children to the point that it ends up feeling very obvious, as though he did it to be intentionally campy.
Scenario 3: If you are one of those people who really just want a fun popcorn flick such as Pacific Rim, with some solidly choreographed action like in the over-the-top bulletfest Battle:LA, I would say proceed with caution. The fight scenes are less intense and more majestic, like any classic monster movie, and as such the human aspect of the combat is relatively insignificant, less so than any other monster movie I've ever seen. There are no little monsters for anyone to shoot at, if that's your thing.
Scenario 4: If you are interested in this film because you love the talented work of Bryan Cranston, Ken Watanabe, and/or Aaron Taylor- Johnson (three of my favorite actors) and are excited to see what they bring to the table, you should probably sit this one out. Bryan Cranston's role in this film garners far less screen time than advertised, Ken Watanabe spends literally every second walking through the scenes with the pained expression of someone who just walked in on their parents, and all three of the actors give off the vibe that they are very much aware of how cheesy their lines are. Everyone else's performance was similarly forgettable.
Honestly, I'm a stickler for deep, human storytelling, but I've also had a softspot for the classic, silly fun of many Godzilla movies, including my favorite, Godzilla vs. Destroyah. All told, depending on which camp you fall under, this will be an entirely different movie for you. As Godzilla movies go, I'd give it a B. As darker, more serious monster movies go, I'd give it a D+.
Did you know
- TriviaOriginally, Dr. Serizawa was to introduce the titular monster as "Godzilla", but Ken Watanabe asked the filmmakers to use the original Japanese name of "Gojira".
- GoofsDuring the battle between Godzilla and the two MUTOs, many of San Francisco's skyscrapers, such as the Grand Hyatt Hotel, are destroyed multiple times, then reappear after their collapse.
- Quotes
Admiral William Stenz: This alpha predator of yours, doctor, do you really think he has a chance?
Dr. Ichiro Serizawa: The arrogance of men is thinking nature is in our control and not the other way around. Let them fight.
- Crazy creditsDuring the credits for Bryan Cranston, the rest of the text is redacted except for the words "Walter" and "White". Walter White is the name of the character played by Bryan Cranston in TV series Breaking Bad (2008).
- ConnectionsEdited into The Green Fog (2017)
- SoundtracksGlad About That
Written by Arrow Brown
Performed by Linda Ballentine
Courtesy of The Numero Group
By arrangement with Bank Robber Music
Details
- Release date
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- Also known as
- Nautilus
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Box office
- Budget
- $160,000,000 (estimated)
- Gross US & Canada
- $200,676,069
- Opening weekend US & Canada
- $93,188,384
- May 18, 2014
- Gross worldwide
- $524,978,362
- Runtime2 hours 3 minutes
- Sound mix
- Aspect ratio
- 2.39 : 1
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